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Incendies –rm It would help if from the beginning, you were aware that this movie is mostly involved with the vicious  Lebanon civil war between the Moslems and the Christians. It make take a bit to become completely oriented as the movie does consist of alternating stories in different time. It also doesn’t help that it is mostly  in French with English subtitles. But eventually we got the hang of it and the very unusual plot which we are introduced to at the beginning as twins  Jeanne and Simon are being read their mother’s will and realize she has asked them to carry out her final wishes and deliver two letters on her behalf.  Their task seems almost as difficult as finding a needle in a haystack. If you don’t mind fiction being stranger than the really terrible things that happen to people in these type of wars, the movie provides a gripping story. It is horrifying at times with what should be an unexpected ending. It provides lessons of persistence, forgiveness, motherly love  and an appreciation that any one of us if we were switched at birth, could be quite the opposite of the person we turned out to be. The movie, which was co-written and directed by Denis Villeneuve, received recognition with several film festival awards and was nominated for an Oscar for Best Foreign Language Film.(2011)

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Page One: Inside The New York Times sp – The news media has been undergoing a radical change in the last few years. The new media and the blogosphere is rapidly competing as a source of breaking news. Advertising revenue has fallen as much as 30 % in the past year for many of the leading newspapers. Many newspapers throughout the country have closed. It is rare to have two major newspapers even in a  large city, let alone three of them. Filmmaker Andrew Rossi persuaded the venerable New York Times to let him spend close to a year to be essentially embedded, mostly in their New York headquarters, in order to make a documentary showing how they are carrying on their proud tradition in the face of all these changes. While he worked closely with his wife filmmaker Kate Novack, and a team of editors, it was Rossi alone who roamed the multileveled headquarters with his trusty camera on his shoulder. He was there when the WikiLeaks story broke and he was able to capture how the New York Times writers and editorial staff struggled with the ethics and ultimate decision to print the leaks  and how they became part of the story. He was filming at the staff meetings when the writers and editors were trying to figure out if the war in Iraq was coming to an end because NBC was breaking a story about departing troops but it wasn’t part of the US government announcements. The central character in the much of this documentary is NY Times writer David Carr who himself has a very colorful history, once being addicted to cocaine and now being a senior well respected, witty, crusty, very capable  reporter  who mostly covers media issues. The film shows us how he approached the big time story of the collapse of the well known Tribune media giant, its subsequent buyout by some non newspaper people who bled the organization, dismantled their ethical base and were running a corrupt unethical management team themselves. They ultimately resigned demonstrating the power and value of the New York Times, functioning at its best as it used all its resources to report this story. In the end we are quite enlightened about the changes in how we get our news and the choices we have. We are also quite impressed as we see the coming together in a working alliance of young new media people within the powerful “legacy” news organizations symbolized by the New York Times. Working side by side or cubicle to cubicle this new generation of Times men and women seem to be able to provide the leadership and a viable co-existence with the huge blogsphere that continues to grow. It is clear that everything will be different with each year or two and the concluding lines of the story have not yet been written, This documentary does capture this fascinating piece of evolving journalism in a verite style. It is somewhat choppy without a clear plot, which reflects the nature of the content. You may walk away from this film and say , “I sort of knew all this”  but for certain you will not take David Carr and his colleagues for granted any more. (2011)

****

The First Grader-sp We take for granted that everyone in this country is entitled to an education. We especially can appreciate it when we see it through the eyes of eager children trying to learn the their ABCs in a dusty one room class room in Kenya where the government has decreed, for the first time, the right of everyone to be educated. We are taken to a new level of appreciation when we see it from the point of view of an 85 year old man Kimani Ng’ang’a Maruge (Oliver Musila Litondo) who is determined to join this class and get the education he never had and learn to read. This is based a true story of a   man who became a national hero in Kenya and a symbol of the universal desire for education as his quest ultimately brought the real Maruge from his country village to address the United Nations. However important this theme may be, there also was another story going on here. This proud man had been part of Kikuyu tribe, which produced the Mau-Mau rebellion, which ultimately led to the Kenyan independence from British colonial rule. He demands and gets the respect as others realize that he had been one of freedom fighters who took a sacred oath to return the land controlled by the British back to the native people. As a young man he endured torture and witnessed the death of his wife and children at the hands of the British who demanded that he give up his oath of resistance. The movie flashes back from the present day of this old man trying to learn to read to when he was resisting the powerful British. This is a poignant and dramatic story about a piece of history that most of us do not know much about. It is based on screenplay by Ann Peacock but carried forth and molded by director Justin Chadwick. It is all the more remarkable because it paints an extremely negative picture of colonial Britain by this British Director with the initial support of the BBC, which took the project into development. The school children and most of the characters were not professional actors but all real life Kenyan people. This included the children and their school, which was quite genuine. The exception was Naomie Harris an outstanding English screen actress who had a major role-playing Jane Obinchu the schoolteacher who believed Maruge deserved the opportunity to learn to read. The performance by Litondo as Maruge is totally believable, as he seems to embody this “Mandelaisk” persona. Litondo is a native Kenyan who used to be a news anchor with no previous acting experience.  Harris, Chadwick and their entire crew spent several weeks in Kenya working with locals and preparing to shoot this movie there. The result is an extremely, sensitive effective and emotional film. A middle school teacher in our audience mentioned how she was inspired to go back into her classroom and we all could feel the awe and the thirst for learning that young people and a deprived older man might feel. We also have had our interest peaked to learn more about this very interesting and complicated piece of African history about which this story only scratched the surface. It is a movie that should not be missed. (2011)