April 24th, 2017 — 5:17am
To Kill a Mockingbird – nf
Sometimes when you think about great classic movies which you may have seen years ago, you might wonder if they were really as good as they were supposed to have been. Every once in a while we take such a stroll down memory lane and view one of them. Certainly in this case, we were not disappointed.
The setting of this movie was during the Great Depression in Maycomb, Alabama in the 1930s. This was a time when there was overt prejudice towards black Americans. In fact lynchings were occurring in the Deep South. Remember, also when this film was released in 1962, Martin Luther King was yet to make his “I Have a Dream Speech” and didn’t tragically lose his life through assassination until six years later in 1968.
Gregory Peck, in a terrific Oscar-winning performance, plays Atticus Finch, as small town lawyer who is widower and lives with his eight and six-year-old children. He is asked by the local judge to defend Tom Robinson (Brock Peters), a black man who is unjustly accused of raping and beating a white woman. The courtroom scenes are riveting.
Of course, great credit goes to the original author, Harper Lee, who wrote the book and Horton Foote, who wrote the screenplay. We also appreciate the accomplishment of the director, Robert Mulligan, especially because the audience sees much of the meaning of this film through the eyes of Finch’s two children, six-year-old Scout (Mary Badham) and 8-year-old Jem (Phillip Alford). Their identification with the morality and sense of justice of their father is what we hope and believe comes through to succeeding generations. The supporting cast is excellent and includes Robert Duvall who plays a young man with developmental problems who reflects an additional theme of the movie. It shows how people react to someone who is “different,” with fear and the need to distance themselves. This subplot in the story is another indication of the need to put ourselves in “someone else’s shoes,” in to order to try to understand that person.
The film which is 129 minutes, is in black and white and will hold your attention as well as being an unforgettable piece of cinematic history. It is also a reminder of how people are capable of prejudice and hateful discrimination. (1962)
Comment » | 5 Stars, Drama
March 17th, 2017 — 6:30am
4.1 Miles– (short documentary film (in Greek with subtitles) –
This is the first short documentary film, which we have reviewed on this blog. Larry Hott a well-known documentary film director and movie critic and our cousin suggested that we view it and we were blown away by the impact that it had on us. It is a relatively simple 22-minute film made by Daphne Matzaraki and her team. There were no special effects or fancy camera work. In fact most of the shots seemed to be with a hand held camera , perhaps difficult because at times they took place on rolling small coast guard boat at sea.
The main subject of the film is Kyriakos Papdopoulous a dedicated coast guard captain of a boat that comes out of the small Greek island of Lesbos that is 4.1 miles away from Turkey where hundreds if not thousands of men, women and children are fleeing for their lives, mostly originally from Syria.
The movie doesn’t attempt to explain the refugee crisis, the circumstances that have killed their friends and relatives, why they aren’t welcome in Turkey or other countries. Rather it focuses on the somewhat tortured soul of this captain who with his small crew takes his shift on the open sea to save these refugees who are in their small rafts and sometimes in the rough water of the Agean Sea. We see the agony on the face of the rescuer and in the people he is trying to save. We see the fear and tears in the children and their parents as they are pulled on board the rescue boat. We get a view of the attempts to resuscitate drowned and nearly drowned children.
That is it !. Nothing more and nothing less. The net result of this 22 minute film is a slap in the face. Although nominated for an Oscar as we indicated, this is not a complicated movie that delves into the refugee crisis and gives us insight into the political intricacies of this universal issue which includes the current politics in our country. It should bring out each of our humanity which must play a role in all our actions and decisions (2016).
Click here to view film https://www.nytimes.com/video/opinion/100000004674545/41-miles.html
Comment » | 4 Stars, Documentary, Foreign
December 15th, 2016 — 9:45pm
August Wilson is a Pulitzer Prize winning playwright who died in 2005 at the age of 60. He originally wrote Fences for the stage. Wilson had an unusual propensity for capturing accent and dialogue in all his plays. In 1987, James Earl Jones starred in Fences on the Broadway stage where it won a Tony Award. It was more recently recreated on Broadway and received critical acclaim starring Denzel Washington, Viola Davis and much of the same cast that now appears in this movie. August Wilson wrote the screenplay for this movie, but died before it could be brought to fruition as a movie. It was Denzel Washington who persisted and connected with Scott Rudin to produce this movie which he directed and co-starred with Viola Davis, and were joined by some of the other actors who played their parts on the stage.
As is characteristic of Wilson, the dialogue in this film is breathtaking. It wonderfully captures the life circumstances, the dilemmas and the character of so many people living in this setting. In this situation, it is a struggling, mostly black people in a poor but proud Pittsburg neighborhood in the 1950s. It is no easy task to not only capture the dialogue and nuances of the written word, but to also project the character of these individuals. There is no doubt in our minds that Denzel Washington and Viola Davis should be nominated for Oscars for their work in this movie. The cast of veteran stage and movie actors who played a close family friend (Jovan Adepo) as well as family members were Mykelti Williamson, Stephen Henderson, Russell Hornsby and Saniyya Sidney. They were all superb. The movie is 135 minutes long, but the story and setting will envelope you and you will be caught up in this wonderful intense and poignant production. (2016)
Comment » | 5 Stars, Drama
December 12th, 2016 — 6:41am
La La Land – rm
This movie makes the statement that Los Angeles is where dreams are made and are broken and yet it is the city where anything can happen. This is a movie in the tradition of Gene Kelly, Fred Astaire, Ginger Rogers, Cyd Charisse and reflects so many great musicals of the past that have come across the silver screen.
Emma Stone is Mia, a young woman who works in a coffee shop on a big movie lot and aspires to be an actress. So many times she seems to be just one audition callback away from starting on the road to her dreams. Ryan Gosling is Sebastian, a musician who masterfully plays piano and keyboard and could be a great modern musician but he really favors old-fashioned jazz. He would prefer the music that was played in small clubs in days gone bye where each session was a creative story onto itself.
This movie is filled with great music. The characters break into dance and song quite spontaneously and, believe it or not, there is nothing that seems unnatural as they glide or tap across the screen singing and swaying with each other. Despite some stereotypical dialogue, you will get drawn into the storyline quite easily. We can just about guarantee that while at times you may not be sure if you are watching a dream unfold, the story will touch you and probably bring tears to your eyes.
Stone and Gosling have certainly mastered the song and dance. Great credit for this movie goes to director/writer Damien Chazelle (known for his direction of the movie “Whiplash”). The photography was magnificent and very skillfully directed by cinematographer, Linus Sandgren. Credit for the songs and original score goes to Justin Hurwitz with lyrics by Benj Pasek and Justin Paul. Don’t miss the opening sequence. It shows LA at its best and worst, and what seemed to be one of the longest, continuous, complicated takes in movie history (there probably was some editing here but it didn’t look like it to us). This movie deserves the Oscar hype that it is getting. Don’t miss it. (2016)
Comment » | 5 Stars, Musical
February 12th, 2015 — 4:59pm
Tangerines- sp Most Americans don’t know very much about the various regions of the former Soviet Union and regional wars that have occurred there over the years. For example in the 1990s there were intense battles between the Chechens and the Georgians who were fighting over land formerly lived in by people from Estonia most of whom fled back to Estonia. If these historical facts don’t mean much to you, it isn’t necessary to study maps of this area to appreciate this film. The plot is relatively simple. Ivo, an Estonian man has stayed behind to build wooden crates to help harvest a crop of tangerines, which are grown on his friend’s nearby farm. Some bloody encounters between the warring factions leave several soldiers dead and 2 injured at Ivo’s doorstep. What develops is a moving drama between these two soldiers on opposing sides and the two civilians who attempt to rescue them The story was written in two weeks by Zaza Urushadze who also eventually directed the movie after it was set up for a 30 day shoot by producer Ivo Felt. The film emerges as good of an anti-war movie that you will have ever seen. The acting is suburb with starring roles by very well known actors in their region of the world. They are: Lembit Ulfsak, Mikheil Meskhi, Giorgi Nakhashidze, Elmo Niiganen and Raivo Trass. The film was nominated for a Golden Globe and currently is one of the nominees for an Oscar as Best Foreign Film. It has English subtitles and deserves to be translated into many different languages and shown all over the world. It may be a little while until is passes through your local Art Movie theatre but it is worth tracking down and seeing it when it becomes available. (2015)
Comment » | 4 Stars, Drama, War
February 7th, 2015 — 6:52am
Still Alice- rm We were moved to see film because of all the pre Academy Award hype about the performance of Julianne Moore. After seeing this film we agree that she did a tremendous job playing a college professor who has Early Onset Alzheimer’s Disease and probably deserves an Oscar. The overall movie disappointed us. Alice Howland ( Ms. Moore) is happily married with three grown children, is a renowned linguistics professor who is forgetting words and having memory lapses. She receives a diagnosis of this relatively rare disease which inevitably has a fairly rapid downhill course. Ms. Moore’s performance is nuanced and her struggle is very painful and easy to empathize with. Her facial expressions convey what we imagine are her internal feelings. Her eyes portray her fear and then the diminished attention and intellectual ability. It is a remarkable performance. It is helped by her gradual change in makeup and hair appearance. The screenplay which was written by director Richard Glatzer is based on novel by Lisa Genova, was focused almost completely on Alice despite having an excellent cast and potential story lines that could have made this in our opinion a much better movie. We learn in this film that this is an inherited disease and once you have the gene you will inevitably get the disease. It is possible to do genetic testing and that is offered to her three children played by Kristin Stewart, Shane McRae and Hunter Parrish. One daughter declined to be tested, one son tested negative and a third daughter who was trying to become pregnant tested positive. We are not shown anything about their struggle and their decision process, which is one of the major areas of ethical discussions in the world of modern genetics. Her husband is played by Alec Baldwin, who in our opinion turns in an uncharacteristically bland performance. Perhaps again it is the choice of the screenwriter/director to keep the main focus on Ms. Moore. This may be why we don’t see the internal struggle of the husband and his remarkable decision in what would seem to be the final phase of his wife’s illness, to decide to take a job out of town. It could have been a tour de force if we could more fully appreciate what this family was going through as well as the devastation conveyed so well by Ms. Moore. (2015)
Comment » | 3 Stars, Drama
January 29th, 2015 — 11:38pm
Wild Tales sp – Damiean Szifron is a young Argentinian director and playwright who had a drawer full of short screenplays all of which have an element of revenge that more or less spins out of control. He put six of them together for an anthology that ended being the Argentina entry in the Academy Awards for the best foreign films. Out of the 82 entries from all over the world, this became one of the six nominated in this category for an Oscar. By taking each storyline to a point of seeing the main character or characters losing control, Szifron also has created at times a hilarious comedy. The acting is great as apparently some of the best actors in Argentina were drawn to this project. It starts off with a airline flight where the passengers realize that everyone is in some way connected to the same guy from their past who they learn has taken over the cockpit of their plane.. The movie concludes with a wedding scene that you will never forget and may even have some elements in it with which you will identify. Although they are not all very pretty, they will have you laughing. Each of the sections of this movie, while different in content, do flow together. The editing is crisp, the camera views are thoughtful, the music appropriately carries the mood and the subtitles are very readable if you don’t understand Spanish. It is a most creative, brilliantly executed film that is well worth seeing! (2015)
Comment » | 5 Stars, Comedy, Foreign
August 1st, 2014 — 6:53pm
The Queen-nf- As Americans we never quite understood how and why the British people hold their royal family in such esteem. Also, while being full grown adult at the time of the auto accident that claimed the life of Princess Diana, who was by then divorced from Prince Charles, we never understood why there was such a big deal about her funeral. Well, this more or less docudrama focuses on both of these subjects. Thanks to the screenplay by Peter Morgan and the direction David Frears, plus the outstanding acting by Helen Mirren as Queen Elizabeth and Michael Sheen, as newly elected Prime Minister Tony Blair, we are treated to a sophisticated exploration of inner workings of the royal court and what is purported be an accurate rendition of the complicated feeling of all the players in this drama. A fascinating story unravels, which shows the Queen and the royal family with the exception of Prince Charles, reluctant to make a big deal, a royal funeral or any public statements about the sudden tragic death of Diana. Whereas the people of Great Britain and eventually people around the world who were taken up with her life style and her many charitable good deeds were very much affected and were drawn to follow her funeral and participate in the grieving, the royal family felt that she was no longer royalty and there should be just a private funeral. Actual film clips of the large numbers of tearful people in the streets and many inundating the outside of Buckingham Palace with flowers were shown. Blair appreciates the importance to the British people to grieve this loss and realized the mistake that the Queen was making by staying in her country home, not returning to Buckingham Palace and raising the flag at half mast. At one point he even detected a growing sentiment that could lead to the British people wanting to perhaps even remove the monarchy, which they had revered for hundred of years. He tried to counsel the Queen and she responds. In another source we found information that reported that the writer Peter Morgan reconstructed the events of the week after the death of Princess Diana through extensive interviews with many unnamed sources close to the real Prime Minister and the royal family. Many of these sources were able to corroborate the accounts of others, giving Morgan enough information to imagine the intervening scenes, which were portrayed in the movie. Helen Mirren was at her best in this film and won both an Oscar and a Golden Globe for Best Actress. The film itself won the most coveted award of an Academy Award Oscar for Best Motion Picture of the Year. But perhaps the highest compliment for Ms. Mirren was the observation by the writer Mr. Morgan that, by the end of production, crewmembers who had been accustomed to slouching or relaxing when they addressed her were standing straight up and respectfully folding their hands behind their backs. She was the Queen. (2006)
Comment » | 4 Stars, Drama, History
July 10th, 2014 — 5:27pm
Searching For Sugarman nf -In the 1970s there was a rock singer by the name “Rodriquez” much in the style of Bob Dylan who by many accounts was as good if not better than Dylan. His lyrics were right on for the times and his voice as clear (not like BD) as a bell. He was out of Detroit and a few of the music impresarios who produced many stars of Mo-town thought he was fantastic. His story is the subject of this movie directed by Malik Bendjelloul which won the 2013 Academy Award Oscar for the best Documentary Film. Rodriquez’s music which is played throughout the film will catch your attention Take a quick listen here. For some reason he didn’t catch on and his records didn’t sell. He had played in some dives in Detroit for a while and there were rumors of his death or attempted suicide on stage. (Spoiler Alert!) He didn’t die and in fact he just faded away and for the next 25 years or so, Rodriquez lived in a modest house and worked in construction and demolition. He was a quiet hard working man who had three wonderful daughters. He still enjoyed playing on the guitar now and then but he basically melted into the woodwork as a working guy living in a depressed difficult city. However on the other side of the world in South Africa unbeknownst to him and the record producers who dumped him when he didn’t sell, his records were picked up by other labels and for many years he was “Bigger than Elvis.” His words and music became the voice of the young generation of mostly whites who felt apartheid was wrong but were suppressed by the oppressive government of South Africa. 100.000s, if not perhaps millions, of his records were sold. He received no royalties and hadn’t the slightest idea that his name was a household name there. Every young person including many of the popular musicians who became of age in the 80s and early 90s in South Africa knew his music and so many felt they were greatly influenced by it. There were a handful of people in South Africa, writers and music people, who wondered why they didn’t know more about him. Two guys tried to find out what happened and how did he die – was it really on stage? Somebody set up a website reflecting the curiosity of whatever happened to him. Lo and behold one of his daughters living in the U.S. saw the website. The story of how the people in South Africa found him and how he found South Africa will be a touching moment that you will not forget. The reunion concert with thousands of fans in ecstasy singing along with him was an amazing piece of cinema. This was a great subject for a documentary film as it allowed the viewers to share this unforgettable moment and this amazing story. (2012)
Comment » | 4 Stars, Documentary, Musical
February 14th, 2014 — 11:48pm
Facing Fear-sp We doubt very much that most of the readers of this blog will see this short documentary film (20 minutes) that has been nominated for an Academy Award. However, when it turns up on TV you should take the time to see it and if you are involved with educating people about bullying, overcoming prejudice and similar issues, you will want a copy of this DVD when it comes out.
As a 13 year-old, Mathew Boger was literally thrown out of his house when he told his mother that he was gay. He ended up spending most of the next few years living in the street of Los Angeles. Tim Zale grew up part of neo-Nazi Skinhead gang with a large tomahawk hair cut on his mostly shaven head. He and his buddies would cruise the streets of Los Angeles getting into fights and bullying some of the homeless people they encountered. This was to be the case late one night in front of a well- known LA hamburger place where Zale and his pals encountered Boger alone in the street. They beat him up and while he was on the ground Zale delivered kicks to head and face with a boot that had a razor in the toe. They left him believing he was dead.
Boger survived, but the hate and persistent anger at his attackers was part of his fantasy life for many years. Both young men moved on with their lives. Zale went to school, ultimately received a Masters Degree and had a family. His thinking began to change when he saw some of his hate and prejudice towards various groups being verbalized by his own son. Boger established a long-term relationship and eventually got a job as an administrator in charge of tours at the Museum of Tolerance in Los Angeles. By coincidence, Zale began to volunteer to give tours and lectures to the public at this iconic museum, which is best known for graphic depiction and personal stories of the horrors caused by Nazis during the Holocaust. During his time there Zale would share how his thinking had evolved over the years. One day they both were lecturing a group together and by the details Zale was describing of his youth, Boger realized that Zale was part of the group that almost killed him. They began to have private discussions and both immediately knew that it was Zale who delivered the nearly fatal blow to his new colleague at the museum and left him for dead twenty-five years before.
Director and Producer Jason Cohen very skillfully weaved the narrative told by both men with very effective images of the streets of Los Angeles. There were some photographs of Zale and his buddies in their earlier days as skin-heads but there were no photos available of Bogart as the homeless street kid. Miraculously, Bogart’s sister had some old films of him as an infant and a small child with his very attractive mother. Credit should also be give to Director of Photography Svetlana Cvetko, who won an Academy Award for Inside Job and veteran Editor and Co-Producer Tom Christopher who has worked in the past with George Lucas and others.
The tremendous value of this film is to watch up close the ruminations of Bogart and Zale as they examine their feelings about each other and what happened in the past. Bogart’s incredible journey to forgive not only Zale but also his mother is quite remarkable. Zale’s task to face Boger and ask for forgiveness and then also to forgive himself is also quite dramatic as well.
We cannot think of a better teaching tool to show to students as well as victims and perpetrators of prejudice. It can only be a wonderful instrument to stimulate discussion, self-reflection and insight. The filmmakers, having received this unexpected recognition of an Academy Award nomination, plan to have their work available to those who want to see it and use it for these purposes. For more information about the film you can go to their website: http://www.facingfearmovie.com/ (2014)
Comment » | 5 Stars, Documentary