Category: Foreign

The Farewell Party

October 25th, 2015 — 9:16pm

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The Farewell Party -nf

It is a fitting coincidence that just a few weeks ago, Governor Brown signed into law, California’s Right to Die law which makes it the 5th state to have such legislation. This law will give terminally ill patients in California the option to end their lives by swallowing a lethal dose of physician prescribed drugs after certain conditions are met.

This very well done Israeli film, with English subtitles, directed and written by the duo of Sharon Maymon and Tal Granit addresses this very issue. It is a sensitive but yet comedic plot which mostly takes place in a luxurious assisted living facility in Jerusalem. Yehezkel (Ze’ev Revach) and his wife, Levana (Levana Finkelstein) have good friends, Yana (Aliza Rosen) and Max (Samuel Wolfe). Max is painfully dying and wants to end his life. The doctors want to continue treating him despite his suffering and the inability to relieve his pain. His wife, wants something to be done to end his suffering and asks their friends to help. They meet another resident of the assisted living facility, Dr. Daniel (Ilan Dar) who has experience ending lives with fatal doses of drugs. He is a veterinarian who has obviously put down many animals. and he agrees to help them. Yehezkel is an inventor of sorts and designs a machine in which the patient can push a button and have the deadly drugs injected for a painless death which they do for Max. Word spreads around the assisted living facility and this team does the deed another time. Levana does not favor what her husband and the others are doing. However, she begins to reconsider when she realizes that she has a progressive dementia.

So this well-written sensitive story with some wonderful comic touches puts this important subject under the microscope. The acting by these veteran actors is magnificent. The cinematography is very well done. The film received 14 nominations for the Israeli Oscar and won for best director with Revach winning for best actor. It is not easy to walk the line between drama and comedy on a subject such as death and assisted suicide but this film negotiates it quite well.

It is interesting to note that Israel has had an assisted suicide law for about 10 years. But in these situations, the “devil is in the details” and the values of these laws has to be closely examined to determine how well they serve the terminally ill and their families. It is a movie such as this one that can stimulate meaningful discussions, which can address the concerns that are involved in these situations. (2015)

Comment » | 4 Stars, Drama, Foreign

Aram, Aram

October 8th, 2015 — 9:58pm

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Aram, Aram – sp

This is an independent film that deals with the universal problem of a new generation of immigrants having its young people gravitate towards gangs to protect and assert themselves. Director/writer/cinematographer, Christopher Chambers became interested in the Armenian culture in Los Angeles, a subject that he knew very little about when he began this project. This particular group came to the United States from the old  Soviet Union and were hardworking, usually poor people. Chambers wanted the story to be very authentic so he decided to cast only Armenians as his lead actors and to have most of the film in their native language (with subtitles), which he did not speak. He was quite clear, however, about the story that he wanted to tell. John Roohinian was chosen in an open audition to play Aram, a 12-year-old boy who came to live in the United States in Los Angeles with his grandfather. Sevak Hakoyan, a young man who was studying acting was chosen to play Hakop, the Armanian gang leader. The casting of Arsen, the young boy’s grandfather who wanted to keep his grandson on the straight and narrow path, involved tracking down Levon Sharafyan, an experienced Armenian actor, who is well known in Armenian films and Armenian television. Much to his surprise, film maker, Christopher Chambers found him living in the Los Angeles area and the rest is history as he magnificently played the all important grandfather with sensitivity and, of course, with authenticity.

This is an artistic film with wonderful camera work and editing by Mr. Chambers. Although most of the dialogue, which is translated into subtitles is conveyed by excellent acting and direction, the final portion of the film, which was also filled with action, tension, emotion and sentimentality is essentially without dialogue. The essence of the story is simple but worth telling. This movie deserves to be seen, not only by the usual movie goers but also by students in our city schools where the film will resonate with many of the new generation of young people from immigrant families and should, strike a meaningful chord with them. (2015).

Comment » | 3 Stars, Drama, Foreign


September 30th, 2015 — 10:41pm

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Legend – sp

Most Americans have probably never heard of the Kray Brothers, Reggie and Ron. They were legendary gangsters active in the 1940s who were well known in England as were gangsters, John Dillinger, Al Capone, Lucky Luciano, Bonnie and Clyde in the U.S. and immortalized by books and movies. After studying the Kray twin brothers and their criminal exploits, American writer/director, Brian Helgeland decided to undertake this film project. He brought to the table considerable experience among which included L.A. Confidential for which he won the Oscar for the best-adapted screen play and 42, The Story of Jackie Robinson on which he was also the writer/director.

Helgeland connected with British actor Tom Hardy and they decided that Hardy would play both identical twin brothers although their appearance, demeanor and personalities were quite different. Hardy had previously received a great deal of acclaim for his work on both sides of the pond. However this role had to be a challenge for the director and the actor, which would require the use of body doubles, skillful editing and all sorts of special techniques. The result was quite realistic. Both guys were tough as nails and each with a distinct personality. Ron was openly “homosexual” and it was clearly stated that he takes the active role not only at sex but in violence. He also is depicted as somewhat mentally unbalanced. Reggie, perhaps the better looking brother, but just as tough, also falls in love with Francis (Emily Browning). She is a slightly built but very attractive, sweet, not at all like a gangster moll but hopelessly wanting Reggie to go straight. It is her voice that narrates the film a la Sunset Boulevard. While we could develop empathy for her, the tragic heroine, we felt very little feelings for the gangster brothers.

So not caring about the main characters and not very good enough reasons to sit through a lot of violence, we had one more additional problem with the film. This British movie was made for the Brits and we could not understand at least third of the heavily accented British or Cockney speech. We knew what was going on but it was almost like we had to use our weak high school training in a foreign language to get the gist of much of the dialogue. So the only possible reason for us to recommend that you see this film if you don’t speak this language, would be to see the amazing accomplishment of Tom Hardy taking on these two infamous British criminals. However, our conclusion is that you should pass on it. (2015)

Comment » | 2 Stars, Crime, Drama, Foreign

Labyrinth of Lies

September 23rd, 2015 — 5:31am

*****Screen Shot 2015-09-22 at 2.42.58 PM


To us, one of the most important and memorable aspects of this outstanding film is that the current generation of German filmmakers and the people related to this industry, have decided to make this movie the 2015 entry from Germany to the Oscars for best foreign film. Doing this also reflects the monumental theme of this movie, which is the responsibility of the German people for Auschwitz and the Holocaust.

The story is based on actual events and follows a young German prosecutor (Alexander Fehling) in Frankfurt, Germany in the early 1960s as he becomes aware that identifiable people now living in Germany were responsible for murder in the Auschwitz Camp during World War II. Although the Nuremberg trials, which occurred shortly after World War II nearly 20 years previously, were monumental in the prosecution of members of the political, military, and economic leadership of Nazi Germany who participated in the Holocaust and other war crimes, those trials were carried out by the victorious allies. In the film, which depicts a true story, we see, probably for the first time ever, a government trying to prosecute its own former soldiers. The question of who was guilty and was there any family spared having a war criminal among them is raised. As one of the characters states, the only innocent people were those who weren’t born yet or who were small children when all these events happened.

It matters very little that the main focus is on Johann Radmann who is the prosecutor played magnificently by Alexander Fehling, who was in reality a composite of three prosecutors in real life. All the characters in the movie are true to life and very believable. One of them, Fritz Bauer, played by the famous German actor, Gert Voss, has a famous legal institute now named in his honor. One of the buildings where the archival records were being searched in the film is the actual location of where the well kept records of the Nazi regime are now stored for historical examination.

Director/writer Giulio Ricciarelli has been very thoughtful in his choices, so as not to make the movie a recapitulation or a reenactment of the horrors of the Holocaust. Rather, he puts the focus on the impact on the people living in post-war Germany. One interesting point that was made very clear was that most of the German people at the time, depicted in the film, did not know about Auschwitz nor did they want to know about it.

We were reminded that our recent personal observations have shown that most contemporary Germans no longer deny their history. This was very clear to us in our recent visit to Berlin, where we saw the names of displaced Jews embedded in plaques on the sidewalks in front of their former houses. We also visited the very complete and well-done Holocaust museum as well as many other points of remembrance. This film clearly created an honest reflection of German history, which was not known to most of us. It was a powerful and beautifully done work of fact, emotion and importance. (2015)

Comment » | 5 Stars, Drama, Foreign, History, Uncategorized


July 21st, 2015 — 7:36pm

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Samba-sp (In French with English subtitles)

Among the political issues currently debated in the United States as well in other countries throughout the world is how to deal with illegal or undocumented immigrants. This is the main focus of this French film written and directed by Olivier Nakache and Eric Toledano starring Omar Sy. This trio got together to make Intouchable in 2011 which became the second biggest box office hit in French history. It also did very well in the United States

Omay Sy in the current film plays Samba, an immigrant from Senegal, who has been living in France for 10 years. He, like many other people who don’t have proper citizenship papers must live in the shadows and are susceptible to arrest and deportation. Samba is discovered and temporarily placed in a detention center where he meets Alice (Charlotte Gainsbourg), a young executive who was trying to stabilize her life by doing volunteer work in this facility. Samba is released with the expectation that he will go back to his home country. It is at this point in the film that we see him and other people in similar situations as they struggle to get illegal identification papers, procure jobs ranging from working in restaurants, hotel kitchens, cleaning windows in high-rise buildings or even just doing day labor. We get an insight into the painful life of trying to survive in this environment often while sending money home to their families.

Although they are coming from different places in life, Samba and Alice are drawn to each other and these wonderful actors create a very real chemistry between them. Even though we felt this 118-minute film could have been shortened and tied together a little better, the result is clearly a very interesting, enjoyable and thought provoking movie. We came away from it having empathy for the determination of a long line of undocumented immigrants who struggle for years to try to stay in their chosen country and become legitimate for themselves and ultimately for their children. Obviously, there are other points of view on this complicated political and social issue. However, if this movie reaches even half the audience that the last collaboration of this writer/director and star did, it will stand a chance of significantly influencing the great debate on immigration. (2015)


Comment » | 4 Stars, Drama, Foreign

Jimmy’s Hall

June 18th, 2015 — 6:22pm

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Jimmy’s Hall – sp

This is a touching film made by veteran director, Ken Loach who is mostly known for his acclaimed work in Europe, with a screenplay by Paul Laverty. It deals with an important part of Irish history with which most Americans are not very familar. It is based on a real character, Jimmy Gralton (Barry Ward) who was an idealistic Irish leader whose main claim to fame, was running Jimmy’s Hall in an obscure Irish  town, first in the 1920s and then 10 years later, in the 1930s. In this hall, (which was really a home or a cabin) men, women and children would gather to sing the popular music of the time and likewise do the popular dances, children would also sing and dance and learn history and some of the older boys would learn how to box. There would be lively discussions and a good time would be had by all. So what is wrong with this? Where is the conflict and where is the story? While we are not intimately familiar with Irish history and the film does not spell everything out to be crystal clear, we do know there was great turmoil in Ireland during this time period. In particular, the Catholic Church vividly depicted by Father Sheridan (Jim Norton) did not like the idea that people would dance and sing or even learn outside the auspices of the church. There was also a great economic and social upheaval notably between Ireland and Great Britain during this time as well as class warfare between the prosperous landowners and the workers. There was great dislike by many for socialism and of course for communism when that became an important issue. Jimmy was an idealist who spoke his mind which led to him being deported from Ireland without a trial or even any hearing. There is a sad love element as when Jimmy first returned, he is reunited with his old girlfriend, Oonagh (Simone Kirby) who is now happily married with children but still shares her simmering love for her old boyfriend. That is really the theme of the movie – so many unhappy people who are dealing with political and social issues which were much bigger than all of them. This is a well-done film but it never really breaks out. (2015)

Comment » | 3 Stars, Drama, Foreign, History

Felix and Meira

April 24th, 2015 — 7:29am

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Felix and Meira – sp

You may have a negative impression of the Hassidic community, as a cloisted male-dominated sect where the woman’s role is to take care of the children and serve the men while they sing their songs, do their dancing and prayers. If that is the case, this movie will not change your mind and will confirm your thinking. Meira (Hadas Yaron) is such a wife living in a Hassidic community located in Montreal who has one child so far but uncharacteristically does not want anymore and does not like the role that is expected of her. She has a chance meeting with Felix (Martin Dubreuil) who is a single man who is not part of her community. We see that she is drawn to him and sees her way out of the life that has been fated for her. This is much to the consternation of her husband, Shulem (Luzer Twersky) who realizes what is happening but can only demand that she should do what he feels she is supposed to do and that is follow the rules of her community. If we were expected to develop an understanding and insight into all these characters, our opinion is that the film was unsuccessful. We know essentially nothing about them as individuals, perhaps with the exception of Felix who we know had a father who never showed any love to him although it seems irrelevant to the plot. Certainly, we do not know the back story of the other main characters. We find them all two-dimensional. The acting and the setting seemed quite genuine. This is a French film directed by Maxime Giroux who also wrote the screenplay, It seamlessly moves back and forth from English and Yiddish with subtitles as needed. However, what we needed here was a story with more depth to it. (2015)

Comment » | 2 Stars, Drama, Foreign


April 11th, 2015 — 8:44pm


Screen Shot 2015-04-11 at 1.37.28 PMPOTICHE – nf  (French with English subtitles)

Potiche is a French word which refers to a person, a man or a woman (although in this case, it is a woman) whose function is purely decorative and who has no power at all. This is obviously meant to refer to Suzanne Pujol (Catherine Deneuve), wife of Robert Pujol (Fabrice Luchini), manager of the family umbrella factory. He is kidnapped by union zealots who are demanding better pay and working conditions. They are led by a communist member of parliament (played by another French superstar Gerard Depardieu). Although this film was made in 2010, the setting is the late 1970s and the film is clearly about the changing role of women. Deneuve’s character is a beautiful mature woman with two grown children played by Jeremie Renier and Judith Godreche, is initially referred to as the “trophy wife” but when her husband after being freed from his captivity is incapacitated by a heart attack, she takes the role as manager of the factory and chief negotiator. Being a French film, we should be not surprised that her husband of course, has had many affairs including a current one with his secretary, Nadege (Karin Viard). Of course his wife (Deneuve) has had her share of trysts in her day and there is even some question about who is the father of her son. But the real intrigue and strength of this movie is the evolving of Deneuve’s character as we come to understand her and see her relate to her family, former lover, and to the new era for women. This film is punctuated by Deneuve, in character, singing a song at the end of the film which captures the uplifting theme of this movie which was directed by Francois Ozon.  Since you will most likely view this film on Netflix, we highly recommend that you watch the special feature which shows many in-depth clips about the making of the film. You will see the director and the well-known French actors and actresses professionally plying their trade but also informally interacting with each other and the crew. This is a worthwhile viewing experience in and of itself. (2010)

Comment » | 4 Stars, Drama, Foreign

Wild Tales

January 29th, 2015 — 11:38pm

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Wild Tales sp  – Damiean Szifron is a young Argentinian director and playwright who had a drawer full of short screenplays all of which have an element of revenge that more or less spins out of control. He put six of them together for an anthology that ended being the Argentina entry in the Academy Awards for the best foreign films. Out of the 82 entries from all over the world, this became one of the six nominated in this category for an Oscar. By taking each storyline to a point of seeing the main character or characters losing control, Szifron also has created at times a hilarious comedy. The acting is great as apparently some of the best actors in Argentina were drawn to this project. It starts off with a airline flight where the passengers realize that everyone is in some way connected to the same guy from their past who they learn has taken over the cockpit of their plane.. The movie concludes with a wedding scene that you will never forget and may even have some elements in it with which you will identify. Although they are not all very pretty, they will have you laughing. Each of the sections of this movie, while different in content, do flow together. The editing is crisp, the camera views are thoughtful, the music appropriately carries the mood and the subtitles are very readable if you don’t understand Spanish. It is a most creative, brilliantly executed film that is well worth seeing! (2015)

Comment » | 5 Stars, Comedy, Foreign

Force Majeure

November 8th, 2014 — 8:05am

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Force Majeure- rm– This is Swedish film with English subtitles and some English dialogue. Since it is quite clever and subtle, much of the credit should go to the Director and writer Ruben Ostlund. A couple and their two children go for a ski holiday at a French resort. They are suddenly faced with what seems to be a terrifying avalanche and how they act in a split second occupies much of this film. The film stars included Johannes Kchnke, Clara Wettegren and Kristofer Hivju. What emerges from this seven day holiday is an examination of relationships as well as the question of how comfortable are we with our self image especially when it is reflected back to us by someone we care about. The frank portrayal between the husband and the wife, another forty something man and his 20 year old girl friend as well as still another married women at the resort with a boyfriend all are viewed through a lens that is perhaps more Swedish then contemporary USA, if one can generalize. When the characters are in conflict they tell us or show us what they are feeling as well as the horns of their dilemmas. Several of the scenes, especially those with tension, seem to be drawn several beats longer that we thought were necessary. This seemed to lead us to be intellectualizing the action rather than feeling it. In any case we felt we were in the hands of a skilled filmmaker who kept us thinking about the characters and empathizing with their pain. There also was much to talk about after the credits rolled which is always the sign of a stimulating film (2014).

Comment » | 4 Stars, Drama, Foreign

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