***

Paul Williams Still Alive- sp Filmmaker Stephen Kessler grew up and came of age in the 1970s and 80s and was a big fan of the music and of the personality of Paul Williams. He had thought that Williams had faded from the scene. Therefore he was quite surprised when a few years ago he found out that his music hero was alive and well.  He read that Williams was still writing and performing music. He tracked down 65-year-old Williams at a concert in Winnipeg, Canada where he was playing to an enthusiastic but older crowd. Kessler proposed that he would make a documentary film about the career of Williams. His proposal was politely turned down but Kessler persisted and ultimately made the film with William’s agreement. In an unorthodox documentary style, the film chronicles how Kessler gradually won over Williams to allow him to make this loving tribute. He used flashbacks, mainly in the form of film clips and videotapes of Williams and many others performing his songs. Early music such as the Carpenters singing We have Just Begun and Rainy Days and Mondays as well as many others such as Cried Like a Baby and Talk It Over In the Morning. He co wrote many songs including the music sung by Jim Hensen as Kermet the Frog. He wrote for TV shows such as Happy Days and wrote and sang the music for the TV movie The Boy in the Plastic Bubble that starred John Travolta. Williams was nominated for multiple Academy Awards for writing the best music in a motion picture and won the Oscar for Evergreen in the movie A Star is Born which was co-written and performed by Barbra Streisand. Williams’ status as a pop icon was confirmed by the fact that he was a guest 50 times on the Johnny Carson show. Although 5’2” he was giant in the music industry. Williams himself admits that his fame went to his head and he seemed embarrassed when Kessler showed him some of his old tapes. He came across in them as a self-centered person who was caught up with his own fame and success. Drugs and alcohol became a mainstay of his life. He subsequently had treatment and now has been sober for over 20 years. His wife Marianna is frequently shown at his side in the movie and it is obvious that she and his two children are very meaningful to him. He has evolved to where he clearly cares about people and is deeply passionate about music, not only his own but the music of other composers. He is now President of ASCAP (the American Society of Composers, which is a very powerful organization fighting for the rights of all songwriters. Paul Williams has come a long way and as the title states is “still alive” in every sense of the word.(2012)

***

The Iron Lady- rm-  An alternate name for this movie might be Margaret Thatcher meets Golden Pond but more about that a little later. The take away story of this movie is that Meryl Streep turned in an unbelievable performance as the famed British Prime Minister. The strength, character and the obstinacy of this woman during the height of her career comes across as most authentic as did her  sensitivity, vulnerability and reminiscences in her twilight years.  Streep once again establishes herself as one of the outstanding actresses of our time (in this case helped somewhat by a great makeup job as she ages.) The movie shows the development of the conservative philosophy of Thatcher as the young daughter of a grocer who then with an Oxford education carries forth her social and political beliefs as she becomes a Member of Parliament. We get a sense of  her determination not to be deterred as she takes her place in what is essentially an old boy’s club. The movie drops the audience in the middle of the exciting British  history as we see Thatcher stand up for her philosophical view on economic issues such as trying to balance the budget which triggered violent responses by the masses of people who felt they were being treated unfairly. We see her make the decision to go to war against Argentina in the Falkland Island incident with the loss of hundreds if not thousands of lives although nothing substantial but Britain’s pride was at stake. Certainly these depictions are quite timely as they reflect the political debate going on now as the United States Conservative and Tea Party movements demand balanced financial budgets at the expense taking away services to the needy. The movie also reminds us of the split among various factions on how our own military should react. The movie was at it’s best when it showed Thatcher carrying out her conservative philosophy and dealing with the consequences of it. We wish we could have seen more of this. Instead, a good part of the storyline dealt with the vehicle of viewing Thatcher as an older woman with memory problems who is grieving the death of her husband (Jim Broadbent) and having hallucinatory visions of him.  She is also having flashbacks of her relationship with him and her early life. It is always an unhappy story when a person’s mind fails them in later life and that certainly can happen to anyone. We don’t see how such a sad occurrence was relevant to Thatcher’s story, whether it was actually true and what was the purpose of emphasizing this in the film. There also is a vague suggestion that her dedication to her career has somehow made her distant from her children. If the writer (Abi Morgan) and director (Phyllida Lloyd) were trying to make a point about how this actually happened in Thatcher’s life, this should have been more clearly delineated. While we believe the story leaves something to be desired, the performance by Streep makes the movie quite worthwhile. (2011)

***

J Edgar rm-   There are very few Americans who can be recognized without their last name. J. Edgar Hoover is one of them. Clint (Eastwood) is another such name who directed this biopic about the man who served nine US Presidents and is the person most responsible for the establishment of the Federal Bureau of Investigation, as we know it today. Enter Leonardo , not DaVinci but DiCaprio who certainly deserves consideration for an Oscar nomination for his magnificent depiction of J. Edgar from his early days in law enforcement until his death as the revered, feared and even despised leader of the FBI. Hoover is shown initially to be a patriot and a sincere crime fighter but his passion and his hate of those he felt were enemies led him ultimately to gather power, overstep his authority, attempt to glorify himself and use his position to blackmail and intimidate anyone who was in his way. Perhaps the most revealing part of this character study was the demonstration of this man to have a stunted emotional growth. He is shown to be completely under the sway of his mother (Judi Dench ) and at least in this version to have an inability to have an adult relationship  with women. His comfort and attachment to Clyde Tolson (Armie Hammer ) whom he hired, befriended, made him his Associate Director of the FBI and ultimately lived with,  is a major part of this film. Hammer should be up for a supporting actor award winning performance as he ages from dapper young FBI agent to sickly old man during the course of the film.  It is suggested but never fully clarified wither they had an overt sexual relationship but nevertheless the irony is in your face that J. Edgar sought out other peoples’ secrets which he used against them while he had a very big one himself. This character’s ambivalence and underdeveloped personality makes it hard for us hate him , love him or identify with his persona. If anything we feel sorry for him. Despite the fact that there was nothing in the film to keep us on the edge of our seats, the 2hours and 17 minutes of the film did not seem boring  with credit to Clint’s ability to keep things moving and his skill in telling his story. (2011)

***

Sholem Aleichem: Laughing in the Darkness-rm – If you only knew that Solomon Rabinowitz alias Sholem Aleichem had originated the story of Fiddler on the Roof, “that would have been enough.” However this documentary attempts to show how this creative Jewish writer born in Russia in 1860 singularly chose to use Yiddish, which was basically a spoken language of the shtetl and make it a literary form to educate and entertain thousands if not millions of people in Europe and the new world during most of his life time (and beyond). Yiddish was the special language of the Jews consisting of mixture of German, Russian, Hebrew and probably a lot more. It allowed more expression of feelings, especially humor and it was experienced as the language of the people. This fact plus the insight into the struggles and emotions of the people about whom Shloem Aleichem chose to write in a very prolific manner, made his writing very popular. This was the period of time when people living in their small enclaves began to migrate to the cities as well as across the ocean to America. When he died in 1916 there were more than 100,000 people at his funeral in New York which not only was viewed as a tribute to him but as a demonstration of the emerging Jewish culture in the new world.  This documentary while emphasizing his place as a writer and as a Jewish icon also provides some insight into the ups and downs of his life style, which included being a stock market speculator who ultimately failed in his financial dealings. It shows somewhat of a picture of his family life as a dedicated parent although it doesn’t say much about his wife and his marriage.  The visual story is made mostly with archived photos of the people of his time including what seemed to be a repetitive photo of him along with a few video clips- the most riveting being the one from Fiddler. This is an enlightening view of a person about whom so many of us have heard, but don’t really know. If it has not been done yet, a fictionalized version of this story with the details flushed out even more with some imagination, if necessary, will make a fantastic feature film. You can start speculating on who should play the lead. (2011)  

****

Mao’s Last Dancer- nf – You get a lot for the price of your ticket in this movie. First there is an insight into the recent history of China where even after the death of Mao, the Chinese government tried to control the minds their people as well as their freedom and spirit. You also get some wonderful pieces of classical ballet choreographed by Australians Graeme Murphy and Janet Vernon. But most of all you get the true, very touching story of Li Cunxin based on his autobiography and an excellent screenplay by Jan Sardi. At age 11 he was plucked from his rural cold, snowy school to leave his peasant parents and 5 siblings in order  to live and study full time at a dance academy in Beijing. We follow him through three  actors who play him at various stages in his youth and finally to his portrayal as a young man by Chi Cao who himself is an accomplished dancer. Interestingly, Cao’s real life parents had been teachers of Li Cunxin.  Director Bruce Beresford switching back in forth to various time periods shows the development of this talented evolving dancer. After leaving his family to train  in Beijing, the next big event is as an 18 year old  when he is  invited on a cultural exchange to the Houston Ballet Academy by it’s director Ben Stevenson (Bruce Greenwood). There is culture shock as he had been brainwashed to believe that the US was quite the opposite of what he saw and experienced in 1980’s Houston Texas. There is romance, his recognition of his talent and his potential. Then there is  a confrontation with the long arm of China that is pulling him back there. Much of the film is actually shot in China as well as in Houston Texas. The scenes and the people in the rural village appear quite authentic. The story easily evokes tears and yet reminds us of an important lesson that is the theme of the movie and a line in it.,  Before You Can Fly You Have To Be Free .  (2010)

****

The First Grader-sp We take for granted that everyone in this country is entitled to an education. We especially can appreciate it when we see it through the eyes of eager children trying to learn the their ABCs in a dusty one room class room in Kenya where the government has decreed, for the first time, the right of everyone to be educated. We are taken to a new level of appreciation when we see it from the point of view of an 85 year old man Kimani Ng’ang’a Maruge (Oliver Musila Litondo) who is determined to join this class and get the education he never had and learn to read. This is based a true story of a   man who became a national hero in Kenya and a symbol of the universal desire for education as his quest ultimately brought the real Maruge from his country village to address the United Nations. However important this theme may be, there also was another story going on here. This proud man had been part of Kikuyu tribe, which produced the Mau-Mau rebellion, which ultimately led to the Kenyan independence from British colonial rule. He demands and gets the respect as others realize that he had been one of freedom fighters who took a sacred oath to return the land controlled by the British back to the native people. As a young man he endured torture and witnessed the death of his wife and children at the hands of the British who demanded that he give up his oath of resistance. The movie flashes back from the present day of this old man trying to learn to read to when he was resisting the powerful British. This is a poignant and dramatic story about a piece of history that most of us do not know much about. It is based on screenplay by Ann Peacock but carried forth and molded by director Justin Chadwick. It is all the more remarkable because it paints an extremely negative picture of colonial Britain by this British Director with the initial support of the BBC, which took the project into development. The school children and most of the characters were not professional actors but all real life Kenyan people. This included the children and their school, which was quite genuine. The exception was Naomie Harris an outstanding English screen actress who had a major role-playing Jane Obinchu the schoolteacher who believed Maruge deserved the opportunity to learn to read. The performance by Litondo as Maruge is totally believable, as he seems to embody this “Mandelaisk” persona. Litondo is a native Kenyan who used to be a news anchor with no previous acting experience.  Harris, Chadwick and their entire crew spent several weeks in Kenya working with locals and preparing to shoot this movie there. The result is an extremely, sensitive effective and emotional film. A middle school teacher in our audience mentioned how she was inspired to go back into her classroom and we all could feel the awe and the thirst for learning that young people and a deprived older man might feel. We also have had our interest peaked to learn more about this very interesting and complicated piece of African history about which this story only scratched the surface. It is a movie that should not be missed. (2011)

*****

The Fighter rm-  Why is it that a good fight movie in the end will push your emotional buttons and bring a tear to your eye when it comes to the conclusion? Think Rocky. However, this movie isn’t really about boxing although there is lots of boxing in it. It is about family, loyalty. dreams and aspirations, self determination but not forgetting where you came from. It is based on a real people and a true story. It is the story of the boxer Mickey Ward(Mark Wahlberg)  and his relationship with his older ½ brother Dicky (Christian Bale), a former boxer who once fought Sugar Ray Robinson  but became involved with drugs and spent time in prison. Dicky comes back after much family interaction and soul searching and he trains his brother for the ultimate championship fight . Writers Scott Silver and Paul Tamasy along with Director David Russell provide a story with great character development where you understand them as well as seeing  them grow and change. The acting is fantastic. Mark Wahlberg does a very good job getting into shape and carrying off the role of boxer and the sensitive brother here. But the major acting kudos have to go to Christian Bale who brought the older brother and his fantasies for himself and his kid brother to life. No matter how he came to this portrayal it would be a worthy tour de force but at the very end of the film there is a brief film clip of the real brothers interacting and you can see that Bale nailed all mannerisms of his character. If this film should get two acting awards, the second one would be for Melissa Leo who plays the brother’s Mom as an insensitive, selfish mother who had been managing her son’s boxing career as it was going downhill. Maybe deep down she loves her kids perhaps the older one more but you won’t feel neutral about her.  We have seen Leo in other great performances in Frozen River and Conviction. The latter film along with Kings Speech, 127 Hours , The Social Network, including this one are in our opinion among the best of the films of 2010 and are all based on true stories. Truth may be better than fiction but you have to be able to tell a good story and this one certainly did.(2010)

****

Jews and Baseball rm-  An American Love Story- You don’t have to be Jewish or a baseball fan to get something out of this well done documentary. However, the more you fit into these categories, the more you will want to be sure that you catch up with this film. Every Jewish kid should get a DVD of this film for his or her 13^th birthday. It is written by Ira Berkow, Pulitzer Prize winniing author and directed by Peter Miller. There are interviews with baseball greats and people who knew them. There are also personal comments by people such as Larry King, Ron Howard and Dustin Hoffman The emergence of Jewish baseball stars, mirrors the story of the Jewish immigrants being able to partake in the American dream. The difficulties that these baseball heroes encountered spotlight the anti-Semitism that festered in the United States. The film also makes a point of showing that the problems that these Jews had in taking their rightful place on the baseball diamond were not very different than the next group had in challenging the discrimination barrier in this game. This latter point was illustrated in an incident that happened at the tail end of Jewish icon Hank Greenberg’s baseball career during the rookie year of Jackie Robinson. Robinson was trying to beat a base hit when he collided with Greenberg who was playing first base. As the two highly competitive players brushed themselves off, Greenberg gently offered Robinson good luck in dealing with the resistances, which he knew Robinson, would experience as the first black baseball player. The film tells the stories with interviews of the pioneer Jewish ball players in the major leagues. One such player is the legendary Brooklyn and Los Angeles Dodger Sandy Koufax, who will be known forever for pitching four no hitters and also skipping a crucial World Series game in order to attend Jewish high Holiday services. This movie also profiled a budding Jewish baseball player whose name we sadly don’t recall because he only had one major leagues at bat during which time on the first pitch he was hit in the head and suffered a severe concussion. After months of recovery he is still struggling in the minor leagues hoping to come back to major-league baseball with the hope of living his dream. This movie is about the baseball dream that many Jewish kids have had and a select few have realized but it is a dream that every kid understands.

****

The King’s Speech-rm Whenever a new insight into history is provided by a film, it has the potential to be of great interest. If it is done well such a movie is usually a winner. This is the case with The King’s Speech where two great actors  turn in a near perfect performances with director Tom Hooper and the production staff pulling together an authentic period piece which captures pre World War II Great Britain and the royal family. Just about anyone in our generation or any student of this piece of history knows that when King George V of Great Britain died his oldest son became King Edward VIII but shortly thereafter abdicated the throne “to marry the woman I love” who was Wallis Simpson  twice divorced American, making his younger brother next in line to become the new King George VI ( Colin Firth)  just as the World War II was starting.  What you probably did not know was that the new king had a terrible stammer, which presented him with an enormous problem since he was expected to address his people and spur them on in their upcoming battle with Germany led by Adolph Hitler. His wife Elizabeth (Helena Bonham Carter) even before he ascended to the throne located a somewhat unconventional speech therapist, an Australian by the name of Lionel Logue (Geoffrey Rush).  Logue insists on a first name basis with his royal highness and includes some exploration of the king’s childhood and his emotional conflicts as part of his speech therapy. Needless to say after some twists and turns, dramatic moments, a great musical background, meeting the king’s young children (now Queen Elizabeth and Princess Margaret), the new king  triumphs while Winston Churchill (Timothy Spall), many others including the whole British Empire cheer him on. Knowing the ending (which you probably knew already ) will not spoil the enjoyment of this superb movie. It may have been a tad repetitious and we would have liked a little more of a psychological explanation or exposition of how  the interaction between the speech therapist and the king led to his improvement ( perhaps there was a father transference) However, it is doubtful that most viewers will find very much lacking from this movie. (2010)

****

Fair Game-rm- This movie retells the well known story of Valerie Plame and how she was exposed as a CIA agent by the Vice President’s office because her husband Joe Wilson decided to write an op-ed piece in the N.Y. Times and tell the story how during his fact finding mission for the U.S. government he found absolutely no evidence of the sale of uranium to build nuclear weapons being sold by Niger to Iraq.  The Bush administration was motivated to do this because they had decided to attack Iraq on the basis that they believed Iraq had weapons of mass destruction and this supposed sale was an important part of the case, which they built for the US entry into this war. They tried to discredit Wilson by claiming his wife really sent him there on a boondoggle mission, that he was unreliable and that she was just a middling CIA agent. The opposite was the truth and the criminal act of exposing her as a undercover CIA agent actually endangered many lives who were part of the overseas operations that she was conducting and ruined her career as well as nearly destroying her marriage. Naomi Watts plays Plame who on one hand lives the life of the housewife next door, taking care of young kids, having evening get-togethers with other couples and discussing current events. However, instead of going to work at her cover job with a financial management firm and taking occasional overnight trips, she is at a fairly high level in the CIA going on overnight dangerous missions. Her husband Joe Wilson, former ambassador to Niger as well as having had other State Department jobs now has his own struggling company and doubles as the housedad when his wife is out of town. He is very well played by Sean Penn, who must have especially relished the role of the guy trying to expose government lies.  Director Doug Liman achieved just the right balance in  showing us the everyday life of this housewife spy, mixed with the frightening missions which she undertook. Watts and Penn brought intensity to the outrage and the despair, which their characters experienced. The location shots were very realistic as were the all too familiar cast of characters including the politicians and the media. The film captured an important piece of history mixed with the drama and the human emotions, which were part of this story. It is not a part of history that we should be proud of but what is encouraging is that this film can be made in this country and this story can be told and talked about as much as we choose to do so.(2010)