Deep Down Dark by Hector Tobar, the story of the 2010 Chilean Mine disaster and the 33 miners trapped underground, was one of the best books we have read in a long time (see book review). So a movie following in its footsteps has big shoes to fill. Director Patricia Riggen and the producing team led by veteran producer Mike Medavoy did a pretty good job of capturing the atmosphere as well as creating the tension and interaction of the beleaguered miners. They chose to make this film in English, which took away from the realism but we understand the reasonable necessity to do this to facilitate worldwide distribution. Much of the film was deep in the dark mine and the faces of the characters were understandably in deep shadows. While good for realism, it did take awhile for the characters to be clearly distinguished as individuals.
There was one interesting issue which we wonder if it was fact or creative license. That was when Laurence Golbourne (Rodrigo Santoro), the young government official who was Minister of Mines for the Chilean government told the veteran mine rescue expert exactly how he should position the last chance drilling effort, which was the only drill to reach the miners. Just as important as the interaction of the miners with each other was the role of the families putting pressure on the various officials to make an all-out effort to save their loved ones. The emotions of these family members, friends and one mistress was highlighted by the character of Maria Segovia, sister of one of the miners, who was well-played by Juliette Binoche. Another standout was the character of Mario Sepulveda (Antonio Banderas) who assumed the leadership role of the trapped miners.
This was the last film of the late James Horner who as usual created an excellent soundtrack to capture the changing moods of the film. At the conclusion of the movie, we see a postscript telling us that none of the miners received any compensation from the mine company. In a post screening discussion, we were able to ask producer Michael Medavoy if this film is financially successful, would the miners receive any compensation. The answer was, “You bet,” but it has to come after all the backers of the film receive their upfront money back plus a reasonable profit. We thought that why should the miners not receive their compensation upfront? But that apparently is the usual Hollywood way. Despite this concern, the film itself, while not meeting the standards of the amazing book is still worthwhile and should be seen and enjoyed by many viewers. Shortly after the actual disaster occurred I also wrote two blogs about the psychological implications of this experience ( see blog#1 and blog #2 ) (2015)