***

Love Is All You Need- sp  This is a mostly romantic and somewhat comedic film. It is mostly a Danish film with  English subtitles when needed, but a somewhat English film with Pierce Brosnan. The Screenwriter and director is two time Oscar nominee  Susanne Bier who directed the  2011 Academy Award winning Best Foreign Film In a Better World . This current film opens with Ida  (Trine Dyrholm) having just completed her course of cancer treatment hoping that she is cured. She is about to travel to Italy for her daughter’s wedding in a beautiful mansion on the Italian Mediterranean where the two families will get together for the ceremony. On the way she bumps into Philip (Pierce Brosnan) the father of the groom. Everyone but Ida seems to be dysfunctional in some way or have some interpersonal and personal conflicts. As family and friends prepare  for the wedding their interactions reveal their  conflicted lives and relationships. The storyline is engrossing despite the fact that most of the characters are cardboard stereotypes which does allow for some good comedic moments. Nevertheless, you cannot help but be drawn to the heroine Ida whose inner and outer beauty shows through despite the results of her treatment for cancer, personal affronts suffered and even losing her suitcase on her trip to Italy. There are easily predicted outcomes, some surprises and an unanswered question. The photography of the beautiful setting is magnificent by Morten Soborg which compliments Ms Biers very fine directing. Dean Martin provides the familiar musical themes of Italy. (2013)

****

The Story of Luke- sp  If any of you know any young people  on the autism spectrum and some of the trials and tribulations which they may experience, you will appreciate the great accomplishment of this film. The credit for it goes to screenwriter/director Alonso Mayo and to Lou Taylor Pucci who plays Luke as well as an excellent supporting cast It is not surprising that Mayo’s mother runs a school for developmentally disabled people, many with autism, in Peru. Not only did he get his inspiration through his experience in knowing many such people but he also arranged for his lead actor to spend two weeks prior to filming, getting to know four individuals and their families who mirrored in many ways the character that he was playing. The result was a very sensitive, consistent and realistic portrayal of a young man in his early 20’s who was raised by his grandparents after his mother abandoned him to them While he has very little social skills, he speaks his mind which show the values that grandmother who raised and home schooled him provided . The grandmother has recently died and the grandfather passes shortly thereafter and Luke finds himself living with uncle and aunt and their children in a dysfunctional family. It becomes the most important thing in the world to Luke to somehow get a job and then hopefully a girl friend and to try to find a space in the world for himself. His brave determination in beginning this journey impacts and changes many of the  people around him. On one level this film is humorous because when Luke speaks his mind, he is saying the truth that  some may think but never say. Seth Green playing a very high functioning man with Asperger’s Syndrome, who becomes Luke’s mentor also provides comedic relief. But really, the over all effect of this movie is the poignancy, which is conveyed as a young man struggles to achieve dignity and his potential as a human being. (2013)

****

Admission –sp   When a movie starts with Tina Fey playing an Assistant Dean of Admissions at Princeton  and Paul Rudd as a teacher bent on getting one of his students accepted who has poor grades but near perfect scores on all the tests, you might imagine we are going to see a great comedy and satire of the whole admissions process. And that it was. Who among you is not familiar with dance of students, their parents and their counselors as they try to present the applicant in his or her best light whether it be some special kindergarten class, school or class for “ the gifted”, most private schools and “ the best college” possible.  When it is a Princeton multiply the frenzy by at least ten. Add to this mix the unforgettable character actor Wallace Shawn as the Dean of Admissions and Lily Tomlin playing the feminist mother of Tina Fey’s character with a tattoo on her arm saying “ Bella” (Abzug we presume). But actually the film was much more than a satiric comedy. It very poignantly dealt with issues of children out of wedlock , wanted and unwanted. It examined how people establish relationships, fall in and out of love and how parents sometimes have to choose a path which may be best for themselves or their child.

One of us writes a blog on psychiatry and mental health topics. The most popular piece by far in regard to readership in the past three years was one on the topic of unknown family members. It discussed the need to find a biological parent and how people respond when they meet a previously unknown parent or child. This topic has been the subject of other films in the recent past and was one of the central themes of this movie. Director and Producer Paul Weitz who is an  unlisted script contributor, along with Karen Croner who  wrote the screen play,  very skillfully and successfully weaved comedy and satire at the same time that they presented a very sensitive study of these real human conflicts.(2013)

***

Reality sp –  To fully appreciate this film, you have to suspend any tendency that you might have to diagnose significant mental illness, which is somewhat difficult for us to do. This Italian Fellinisque film is directed and co written by Matteo Garrone and it won second prize behind Amour at the Cannes Film Festival. It supposedly is based on a true story which happened to a relative of the Director who became obsessed with the Italian version of the TV reality show Big Brother . He is initially urged by his friends and family to try out to audition for the show where participants become avidly followed as heros  by the mass viewing audience as they live in a beautiful luxurious house and frolic with the others on the show. The main character Luciano (Aniello Arena) is married with two children and has a fish store in Napoli. He becomes convinced that he is on the verge of being chosen for this show and is being checked out by the producers who may be secretly observing him.  In what appears to be a paranoid delusion he begins to give away many of his possessions to people who are down and out,  to the consternation of his loving wife (Loredana Simioli) and other family members.  As he spirals deeper and deeper into this fantasy, if we can put aside our desire to put him into a psychiatric hospital, we perhaps can understand that we are being presented with a satiric  social commentary on the power of mass media, in particular, reality TV, on contemporary life. The background score by veteran movie composer Alexandre Desplat helps to create the mood which may help you lose your reality and appreciate the message of this film. (2013)

****

Moonrise Kingdom-nf

This PG-13 film would seem to be the perfect movie for a 12 year old boy or girl who feels misunderstood by most of the world, still enjoys child adventure stories and is interested how it might feel to be in love for the first time. Perhaps there is a little bit of this still left in everyone which gives this movie great universal appeal.  The setting is an island off the coast of New England in 1965  where a kid (Jared Gilman) attending scouting camp meets a local girl (Kara Wayward) his age . He is “picked on” at camp and unbeknownst to the camp is about to be rejected by his latest foster parents. She, lives on the big house at the end of the island with her sibs and parents (Bill Murray and Frances McDormand)  who clearly don’t  understand her or each other. These two peas in a pod make a plan to meet and run away together. He is the skilled little scout with his all purpose backpack and a trusty map . She has her suitcase filled with her favorite books and her kitten. They romp across beautiful fields, climb steep, curvy mountains and overlook beautiful water which they forge. They even allow themselves to have an experimental romantic kiss.  We then see the slightly nerdy but loveable scout leader (Ed Norton) realize one of his charges is missing and he mobilizes his scouts to find them Of course the parents of the missing girl are frantic and get after the island police chief (Bruce Willis) with whom mom previously has had a little hanky panky, to track them down. The chase on the island is somewhat like the keystone cops with ups and downs and back and forth. It is definitely a comedy but is also a young person’s romantic adventure but at the same time it  is a painful satire of how grownups make life painful for children. The screenplay by Wes Anderson and Roman Coppola is outstanding and extra credit has to be given to Mr. Anderson not only for pulling together his unlikely story but for directing a band of kids throughout most the film. We can’t quite describe the original music background by Alexandre Desplat which helped carry the film mixed in with an exposition about the meaning of the instruments of the orchestra which we are sure had symbolism which we may have unconsciously appreciated. We did understand the meaning of a brewing of a big storm which was known to be on it’s way to threaten this island and it’s inhabitants. (2012)

***

This is Forty-rm.No doubt you have to be just on the other side of 40 or know some people who are there to fully appreciate this movie. We obviously fit the later category. This is vintage Judd Apatow who wrote the screen play, directed and co- produced the movie. It is a sequel to his 2007 hit “Knocked Up” which introduced us to Pete (Paul Rudd) and Debbie ( Leslie Mann) also known as Judd Apatow’s wife ) We see them now several years later in the house that they can’t quite afford with two kids ( who happened to be the Apatow’s real kids Maude & Iris who play the bickering siblings perfectly because they are real sibs or perhaps because they are two excellent budding actresses  ). The setting is west-coast suburban but the story is the conflict, anger and yet wonderful familiarity that characterizes this marital relationship. It zings and satirizes  modern sexual relationships, the challenges of raising kids  and even visits to the doctor. Only the father’s of Peter and Debbie are shown. Pete’s father (Albert Brooks)  remarried with three young sons who needs to constantly borrow money from Pete is not a stereotype that we know but the duo captures the warmth of their relationship. Debbie’s father (John Lithgow) is also remarried with children and visits his daughter only once  every several years. The pain that she feels in this neglect is communicated quite well. Both of these relationships may play out in somewhat extreme manner but there will be something in them with which most of the audience will be able to identify. In the midst of the exploration of how school impacts the modern preteen there is a great performance by Melissa McCarthy as a mother of one of the kid’s friends who has occasion to sound off and really does quite a job of doing so. Lest you think that this is a serious drama, let me allay your concerns as it is mostly a comedy even if you are laughing at yourself or someone you have been or someone  who you know quite well. (2012).

****

Hope Springs- sp. This is the kind of movie that in addition to being quite entertaining, might very well stimulate discussion in married couples about what may have lost in their marriage over the years. Early in the movie we meet Kay (Meryl Streep) and Arnold (Tommy Lee Jones) from Omaha, Nebraska who have been married 31 years, have grown children out of the house and now sleep in separate bedrooms. Kay is not happy with this situation and she books a week of intensive couples therapy with the famous author and therapist in Maine Dr. Feld (Steve Carrell). Then the fun begins or perhaps the pain, depending how you experience this well done movie directed by David Frankel based on script by Vanessa Taylor. Producer Todd Black who spoke to the audience we were in  at the UCLA Extension Course at the Screen Writers Guild theater, noted that varying  groups previewing this movie had different reactions. The younger audiences apparently are rolling in their seats with laughter so you can’t even hear some of the lines. The older audiences laugh a lot but in different places and seem to have a different appreciation of the film. No doubt this is an entertaining movie but sometimes laughter is a cover up for anxiety that can occur when some hidden truths are exposed. Meryl Streep, we are told was one of driving forces wanting to make this movie and send a message to middle aged couples who might need some motivation to examine a marriage that has lost it’s spark. She as usual is terrific. She found a way to look and act like every woman and yet have that special desire and also show it. Tommy Lee Jones was not a bad choice for the husband that most guys wouldn’t mind identifying with as he goes about his everyday business pretending that he doesn’t miss the early days of his marriage. He comes off a little too stereotypical in this role but it works. Steve Carrell has that same bland look and tone that he conveys in the Office but his hint of a smile and his persona makes us believe that he really cares as the doctor therapist. Much of the movie is about what happens to sex in marriage. There is some practice with bananas and at least one orgasm but everybody pretty much keeps their clothes on and the movie did get a  PG 13 rating. If the star power of the movie works and the hype doesn’t scare off the guys, this should be a successful film. All the adults should be in for an enjoyable movie with the possibility of some good repercussions for many.(2012) 

****
People Like Us – sp We know of several instances, from personal life as well as from our professional work, of friends and relatives encountering siblings who they never knew previously existed. Each story is different but the impact on the people involved is usually quite powerful. No matter what age this revelation occurs it has the potential to shatter one’s concept of your parents, rework your ideas of honesty and truth and lead to a reexamination of your own identity. The writing team of Alex Kurtzman, Roberto Orci and Jody Lambert each had some personal experience or first hand knowledge of such events which they were able to draw upon to put together this remarkable story. They weaved the details of the story line of each character together with the emotional reveal in a manner which riveted the attention of the viewer throughout the whole process. Although most of the characters were quite likeable and the story was sprinkled with some heart warming comedy, we were still witnessing a tragic story which appeared to be doubling down on the bad luck that each character was experiencing. Sam (Chris Pine) and Frankie (Elizabeth Banks) are the family members who once they confront each other have to relive and deal with the meaning of their unhappy childhood. Michelle Pfeiffer has the role of Lilian, Sam’s mother who is hardened, bitter and looks it which in itself is a great accomplishment for this very fine and beautiful actress. Michael Hall D’Addanio is Josh, Frankie’s 11 year son in a performance which may very well be remembered after he establishes himself as an adult star. Josh’s recently deceased grandfather Gerald Harper was a music and record producer who has created all the misery on the screen as he has fathered both Sam and Frankie while neither knew of each other’s existence. Throughout most of the 115 minutes of this movie , it seemed almost impossible to imagine how any type of satisfying ending was remotely possible. Much of the success for the resolution of the story and execution of the movie should go to Alex Kurtzman who not only co-wrote the story but also directed it. In the end not only are the characters all in a better place with a new prospective on life, but the audience has the chance to reconsider our own relationships with parents and children because the movie we have just seen in one way or another is about “ people like us.” (2012)

****

Salmon Fishing in the Yemen- rm   Simon Beaufoy, who won an Academy Award for best adapted screen play for Slumdog Millionaire, this time adapts a screen play of a fanciful novel by Paul Torday. Director Lass Hallstrom crafts this almost fairy tale story with many levels and it comes across with an authentic ring. Of course it doesn’t hurt that you have some outstanding actors who do a great job. Dr. Albert Jones (Ewan McGregor) is a British government fishing expert who is approached by Harriet Chetwode-Talbot (Emily Blunt), a financial consultant who is acting on behalf of Sheikh Muhammad (Amr Waked, an excellent Egyptian actor) who is willing to spend at least 50 million dollars to redo the desert country of Yemen to introduce his favorite sport  salmon fishing there. It is suggested at one point that the fishing expert might have “a touch Asbergers” since he can’t seem to help but tell the truth and he has little sense of humor. He is very likeable and there is chemistry between him and Harriet who is initially all business but vulnerable when the short term love of her life seems out of the picture. The British government officials who spur on this outlandish project, add humor to the story but everything always seems possible. We cared about all the characters and somehow never believed that the Shiekh was just a self-indulgent playboy. In the end we are reminded of what it means to have vision, to believe in your ideas as well as the joy in discovering romance in a special relationship. That makes this movie, in our opinion, a successful romantic comedy. (2012)

***

50/50- nf  A 27 year old single guy (Joseph Gordon-Levitt)  gets a diagnosis of cancer with a 50/50 chance of survival. His girl friend (Bryce Dallas Howard) gets him a boney dog but can’t handle the situation and they break up. His mother (Angelica Huston) as usual tries to smother him. His best buddy (Seth Rogen) sticks by him and decides that this will be a great pick up line to get girls. Rogen’s comedic style carries the movie and allows a painful subject to be appreciated in a more palatable manner. Admittedly as a psychiatrist and a social worker who have trained medical students and physicians how to talk to patients, it was disappointing to see the cancer specialist as being quite insensitive. It also was a little disheartening to see the student therapist (Anna Kendrick) who was supposed to help him deal with the situation, act out a romantic crush that she developed for him. But it was done in good taste and, after all, it is only a movie. On the other hand the back-story for the film is quite authentic. As shown in the bonus feature of the DVD, the script writer (Will Reiser) actually lived this story and his best friend who stood by him through this ordeal was Seth Rogen. (2011)