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Ides of March- rm-  It is not a coincidence that this movie opens in the US as there is a hotly contested primary race in one of the political parties prior to the 2012 Presidential Election.The stories that emerge from behind the scenes of these campaigns usually mesmerizes the public. The people running these campaigns have to be the brilliant tacticians who understand politics and the power of the press. They encounter nosey reporters exemplified in this story by NY Times reporter Ida Horowicz (Marisa Tomei). They play a complicated chess game as they present their candidates. Everything and everybody is expendable including the campaign leaders themselves. Steven Myers (Ryan Gosling) is  the idealistic very smart staffer working for Governor Mike Morris (George Clooney) under very wise campaign director Paul Zara (Phillip Seymour Hoffman). The campaign manager for the oppositional candidate is a very crafty (Paul Giamatti). The Governor while politically very principled has some Clintonesque weaknesses and we should mention there is a pretty young intern (Evan Rachel Wood). Mix these ingredients together and you get a suspenseful fast moving screenplay by Grant Heslov with contribution from Clooney who also directed the film. It was based on a play, Farragut North,  by Beau Willimon which having seen it in Los Angeles, we felt the suspense and surprises of the story were slightly muted. In real life, reading the newspapers and various biographies, we get snippets that makes us understand that in big time politics  there can be  deception, lying and compromising of principles. This movie gives us a depressing view how it might go down. This isn’t a pretty picture but it is a great story and an effective movie (2011)

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Win Win sp- The unglamorous struggles of people’s everyday lives can be the making of a good story and a good movie. Writer /Director Thomas McCarthy who seems to specialize in this approach (The Visitor and Station Agent) takes us to small community in New Jersey where Mike (Paul Giamatti )volunteers as the high school wrestling coach of the very anemic wrestling team,  while he works as a lawyer who helps the elderly. Mike is feeling the stress of the economy and asks the court to appoint him as guardian of a  client with some assets as well as early dementia (Burt Young) so he can get the financial commission. He  puts him in an assisted living facility rather than arranging for him to be cared for at home as he promised the court.. The old man’s taciturn grandson Kyle(Alex Shaffer) appears from out of town and moves in with Mike , his wife (Amy Ryan) their two young daughters and attends the high school . Kyle  happens to be a great wrestler and this is exciting for the  high school team, the Coach and his two assistant coaches (Jeff Tambor and Bobby Cannavale). The conflict is complete when Kyle’s young mother(Melanie Lynskey) also blows into town. She  has been  an addict, not a very good mom or daughter but now wants to be involved with her father because she needs the money. There is poignant meaningful interaction between the main characters by which the audience gains insight into their struggles and growth.  As might be expected Giamatti is the glue of the film as the audience feels his pain, understands his choices and wants to see him work through the jam that he has created for himself. Alex Shaffer apparently a true curly blond teenage boy was a Michigan state high school wrestling champ but had absolutely no acting experience when McCarthy cast him as Kyle and put him under his wing. He carried off his role quite well and needless to say the wrestling scenes were very realistic. Veteran producer of this film Michael London who produced Sideways, was guest speaker at our screening along with Melanie  Lynskey. When a screening is accompanied by an army of security guards as this one was, who search you for cell phones and the like which had to be kept out of the theater, one tends to expect a blockbuster of a movie. That was not the case with this film, but it was a character driven movie that showed real people “wrestling” with the conflicts of their lives and trying to make the best of their situations.(2011)

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Barney’s Version: rm   The last time we saw a Paul Giamatti film, this talented actor was in  Cold Souls, a 2009 release and he was present on screen for what seemed to be more than 95% of the movie. Such is the case with Barney’s Version as the film revolves around Barney Panofsky and his arrogant, self centered and yet needy persona over a forty year period. A man who meets his third wife (Rachell Lefevre) at his  wedding to his  second wife (Minnie Driver) and then leaves the reception to pursue her is certainly suspect of being not such a nice guy. Then there is the question why would #3 allow her self to be interested in him knowing his history? Despite her seeming to be a charming intelligent, lovely woman herself is she so  flattered by his attention and persistence that she ultimately becomes his wife and mother of his two children? It is interesting to consider how this movie depicts women. While certainly a complicated issue considering the time setting of most the scenes (20-30 years ago), it did seem that for the most part they are shown in a stereotypical manner mainly  as appendages to the men in their lives. Then there is the fact that Barney is clearly Jewish. The wedding is a stereotypical Jewish affair (except perhaps there is an over emphasis on alcohol). The movie is based on a novel by Mordecai Richler is well known for writing about the struggle of Jews such as his acclaimed book Apprentice of Dudley Kravitz set in Canada in a Jewish environment as was much of this story. In this regard Dustin Hoffman plays Izzy, Barney’s very Jewish father but he happens to be a cop! It also seemed to us that the storyline really had to go to an extreme at the conclusion to get us to really feel sympathetic towards Barney. However, in the end it is the acting of Giamatti which will stand the best chance of selling this movie. He apparently sold the Golden Globes as they gave him the award for the best actor in a musical or comedy and we don’t think this movie is a  comedy at all and certainly isn’t a musical. In fact the movie was released in late January 2011 so we aren’t even sure how this qualified for the award. But on the other hand, this isn’t your ordinary story; it is Barney’s Version. (2011)

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Cold Souls – sp – This is one of most unusual movies that we have seen in a long time. We are not sure if it is science fiction, new age, deeply metaphorical or just a ridiculous comedy.

A tortured actor by the name of Paul Giamatti (sic) played by Paul Giamatti can’t stand himself anymore so he goes to a place on Roosevelt Island in New York City that he read about in the New Yorker magazine in order to have his soul removed and put in cold storage. Will he like the one that he chooses to replace it with? How does this affect his acting or his relationship with his wife? What will happen when shady people from Russia are trafficking souls on the black market? Giamatti is on the screen at least 90% if the time and he almost makes everything in this fanciful movie quite believable. It was written and directed by Sophie Barthes in her first feature film produced by Liz Giamatti, Paul’s wife, along with a few other people. While the movie did not hold Susan’s attention and interest as well as it did Michael’s, we both agreed that it ultimately had some flaws in the script and fell short of a great movie. Paul Giamatti should get special recognition for his performance in this difficult role. To be released in August. (2009)

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The Last Station – sp – Leo Tolstoy died in 1910. This is the story of his last year based on a novel by Jay Parini with a screenplay written and directed by Michael Hoffman. Helen Mirren is as good as she ever has been ( and that is saying a great deal ) in her role as Sofya Tolstoy . Leo Tolstoy himself is played magnificently by Christopher Plummer who looks amazingly like the real Tolstoy seen in the film clips shown with the credits at the end of the film. It is the story of this great revered writer who at this late stage of his life has many devoted followers and is leading a movement of peace, love and putting aside the material things in life. The relationship of Leo and Sofya after 47 years of marriage is being examined or perhaps tested as Tolstoy accepts the idea put forth by his devotee Vladimir Chertkov played by mustache twirling Paul Giamitti, that the rights to his work belong to the Russian people and not his family as Sofya vociferously contends. James McAvoy is Valentin Bulgakov, Tolstoy’s young sensitive and naive secretary who is closely observing the struggles of his employer/hero as he himself has just discovered a meaningful relationship with a young woman. Producer Bonnie Arnold related to our preview audience how the movie idea was originally that of Anthony Quinn who hoped to star in it but all the pieces did not come together for him. It was filmed mostly in the East German countryside where Russia in the early 1900s could be recreated including the Tolstoy estate and authentic railroad and station scenes. The Russian backers of the film, which were part of the international consortium, that raised 17 million dollars to make it, required that the music background be composed and recorded in Russia. Sergey Yevtushenko subsequently did just that and his beautiful piano music added greatly to the mood of the film. The relationship between Leo and Sofya as played by two great actors is nuanced in so many ways and is the highlight of the movie all be it perhaps a tad overly dramatic. This may have been why we were always aware we were watching a film and didn’t get completely drawn into it as we both felt should have been the case. Perhaps also if we had read the book or were better students of this part of Russian history we might have also better appreciated their conflict, which was the essence of the story. (2009)