***

Win Win sp- The unglamorous struggles of people’s everyday lives can be the making of a good story and a good movie. Writer /Director Thomas McCarthy who seems to specialize in this approach (The Visitor and Station Agent) takes us to small community in New Jersey where Mike (Paul Giamatti )volunteers as the high school wrestling coach of the very anemic wrestling team,  while he works as a lawyer who helps the elderly. Mike is feeling the stress of the economy and asks the court to appoint him as guardian of a  client with some assets as well as early dementia (Burt Young) so he can get the financial commission. He  puts him in an assisted living facility rather than arranging for him to be cared for at home as he promised the court.. The old man’s taciturn grandson Kyle(Alex Shaffer) appears from out of town and moves in with Mike , his wife (Amy Ryan) their two young daughters and attends the high school . Kyle  happens to be a great wrestler and this is exciting for the  high school team, the Coach and his two assistant coaches (Jeff Tambor and Bobby Cannavale). The conflict is complete when Kyle’s young mother(Melanie Lynskey) also blows into town. She  has been  an addict, not a very good mom or daughter but now wants to be involved with her father because she needs the money. There is poignant meaningful interaction between the main characters by which the audience gains insight into their struggles and growth.  As might be expected Giamatti is the glue of the film as the audience feels his pain, understands his choices and wants to see him work through the jam that he has created for himself. Alex Shaffer apparently a true curly blond teenage boy was a Michigan state high school wrestling champ but had absolutely no acting experience when McCarthy cast him as Kyle and put him under his wing. He carried off his role quite well and needless to say the wrestling scenes were very realistic. Veteran producer of this film Michael London who produced Sideways, was guest speaker at our screening along with Melanie  Lynskey. When a screening is accompanied by an army of security guards as this one was, who search you for cell phones and the like which had to be kept out of the theater, one tends to expect a blockbuster of a movie. That was not the case with this film, but it was a character driven movie that showed real people “wrestling” with the conflicts of their lives and trying to make the best of their situations.(2011)

***

For My Father- nf– This Israeli-German co-produced movie in Hebrew with sub titles gives us a thought provoking storyline as we see early in the film, a young Arab (probably a Palestinian) by the name of Tarek (Shredi Dabarin) is smuggled into Tel Aviv wearing an explosive vest. on a suicide mission. He is angry at the Jews and is ready to die . There is a subplot how he can save his father’s honor by going through with this deed and his father might be killed if he doesn’t. He grits his teeth and pushes the button but there is “ wardrobe malfunction”. There is a faulty switch so he enters an electrical repair shop and orders a new part but it won’t be ready for two days (since the next day is Shabbat). He meets some nice Israelis who treat him well and have their own tales of pain and alienation  including a beautiful girl Karen (Hil Yalon). There are phone calls back and forth to his parents who don’t know what he is about to do as well as calls from his handlers, who once his switch is replaced, want him to find a crowded street and get on with it. They also have the option to remotely push the button but they would rather he find the right spot to do it. What will he do? Then there is the finale. On one hand this movie is simple straightforward and predictable but on the other hand, each character and situation reflects the human tragedy of the Middle East conflict on both sides. This is not a pro-Israel movie.  Rather you come away appreciating some of the motivations and angst of each of the characters whom me meet here. The film holds your attention and forces you to confront all the ambiguities. Hopefully there will be an Arab made movie that tries to do the same thing. (2008)

***

Skateland sp- Anthony Burns along with Brandon and Heath Freeman wanted to write and make their first movie about East Texas in the early 1980s where they grew up. The tag line of the movie expresses what they were trying to capture, “ It was a time when life was easy …in a place they though would never change.”  Skateland was the town roller rink where the young people gathered and some hung around or returned there even after graduating High School. The film focuses on  a crowd where everyone smoked, drank beer and jockeyed for their boy girl relationships. The two main characters are Brent Burkam  (Health Freeman) slightly older than the rest who unsuccessfully raced motorcycles for a few years and comes back to town to hang around with buddies such as Ritchie Wheeler (Shiloh Fernandez)  who is about to graduate high school. He is the assistant manager of the roller rink and can’t decide what to do with his life. There are shades of  young Ron Howard and Richard Dreyfus, playing characters trying to figure out their lives in American Graffiti with the 1970s take on that decade. Jump forward ten years and we have the constant music beat of the 80s setting the background for the young peoples angst, mixed with drinking, parties, cars and some violence. While the story is about the guys, there is an interesting influence of the women. Ritchie’s younger sister Mary(Haley Romm) and his girl friend Michelle(Ashley Greene) are the strong characters of the movie perhaps reflecting the women’s movement as did the actions of Richies Mom (Melinda McGraw). While the setting and life style may not quite be the early 80s of the northeast where our kids grew up, this young movie team has created an enduring period piece. The photography, setting and the direction is definitely first rate . We may look back on this film and realize that it was a breakout for several of the actors who were excellent.  The movie earned a slot at the Sundance Film Festival which is not an easy accomplishment for an Indie low budget film which was a first time effort for  the Director and writers. It will have distribution and will open in late March- early April in NY and LA. (2011)

*****

In A Better World- sp – We saw this film four days before the evening of the Academy awards and we do believe that this Danish film could give Biutiful from Mexico a run for the money for the best  Foreign Language Film. (We must confess that these two outstanding films were the only ones in this category that we have seen.) Director Susanne Bier who was guest speaker  at our  screening collaborated with Screenwriter Anders Thomas Jensen to bring forth a magnificent story and movie which examines the issues of revenge, bullying, family relationships as well as a friendship between two pre-adolescent boys that is forged in their own painful circumstances. Biers effectively shifts  between scenes in Africa where Anton (Mikael Persbrandt), the father of one of the boys is a physician who makes regular trips to a medical outpost and Denmark where  his son Elias is being jerked around by some  classmates who are bullying him. The other boy Christian (perhaps an ironic choice of a name ) has just moved back from London  with his father to live with his grandmother in Denmark after his mother died of cancer. The main characters find themselves in situations where they can choose to act in a manner that may be wrong and immoral or which could also be considered by some to be justified. The presentation of moral ambiguities in characters that we can understand and identify with makes a stimulating and very riveting film. The scenery in Africa is beautiful and the people living in the refugee camp where they were casted are very genuine since most are non-actors. On the other hand the two child stars who were chosen from 120 auditions essentially carry the film as their characters make decisions which will keep you on the edge of your seat  for nearly the same number of minutes. It is all helped along by an appropriate musical background. We will give the edge to Biutiful but would not be surprised to see the Danes take first prize in this category.(2010) Addendum: It won the Oscar for best foreign film ! )

Like everyone else we have our favorite for the Oscar choices .We did not yet see three of the 10 nominees True Grit , Inception or Winters Bone but we still would like to weigh in on our choices. We also have some differences of opinion as to the best of the best. Here are our picks for the major categories

Best Picture & Director of 2010 (we both feel these should be lumped together and they usually go together)

MB: It is interesting that the two favorites The Kings Speech and Social Network as well as The Fighter and 127 Hours are based on true stories. At least part of their appeal is that the movie recreates and provides insight into actual events. It turns out that Kings Speech while correct in the overall theme did take a fair amount of poetic license in laying out the time sequences and the actual timing of his dramatic speech. (He apparently had been seeing the speech therapist for many years at the time of the famous speech and it was not a dramatic moment as depicted.)  For me, no matter how well done the movie may be, that does take away from the value of the film. I also find myself asking the question about Social Network – if it were not a valid depiction would I think the movie was that good and would I care about the characters? As far as I know, it was close to the truth but I find that  the main value of the film is that it satisfies my curiosity about how this world changing phenomena  came about. That by itself for me is not enough for the first place award and aside from that, I believe we are left with a very good movie but not the best. 127 Hours was gripping but it didn’t have enough depth to win the prize. Similarly The Fighter was done well but it is not another Rocky even though based on a true story.  Incidentally, as far as true stories that were made into great films this year, I am sorry that Conviction was not nominated, but as good as I think it was, it wouldn’t win my first prize. The Kids Are All Right was top notch and  a game changer  in many ways. It may even deserve to win as the best screen play but as much as I liked it and also enjoyed Toy Story 3 – they weren’t in the league of my first choice as best film .  This leaves Black Swan as my choice for the best picture of the year. This film combines a fascinating story, a horror film, beautiful dancing, fantasy, psychological intrigue and great acting. In my opinion Director Darren Aronofsky combined them all with wonderful effects and camera work to come out on top for this year’s best picture and director

SB: I thought Social Network takes the prize this year. It had the combination of a fascinating subject, great writing and acting which made it a mesmerizing movie. I really cared about the characters and could understand their point of view . The movie made me feel that I was actually present at the birth of a very important event in our lifetime.

We both were in agreement on the following four categories

Best Actress:

Natalie Portman captured the mystery, agony, fear, horror with the love and beauty of ballet all in this stunning performance of Black Swan.  The other nominees whom we saw were excellent especially Nicole Kidman as the grieving mother in Rabbit Hole but Portman excelled in each of the genres which her film touched.

Best Actor:

While Colin Furth with his poignant portrayal of the stammering King is probably the one to beat, we think Javier Bardem in Biutiful turned in just about a perfect performance of a man living on the edge, strong, sensitive, facing death with a tender caring for others. Bardem deserves his second Oscar

Best Supporting Actor:

Christian Bale earned the Oscar here. Not only did his portrayal of  the character of the older self centered brother who was almost was the champion grab the attention of  The Fighter but in a clip at the end of the film  of the real brother  showed how Bale also nailed his speech and mannerisms . Veteran actor Geoffrey Rush who has been nominated for an Oscar four times and won in 1997 for Shine was wonderful as the eccentric speech therapist but we don’t think he will knock out Bale.

Best Supporting Actress:

Melissa Leo as the mother of the two brothers in The Fighter in our opinion was a run away for this category. She exuded the persona of this character and her misguided view of her two sons and her own entitlement.

The results of the Academy of Motion Pictures will be known in a few days but we will always welcome your comments below.

*****

Biutiful- rm – You will be taken to underside of the streets of Barcelona and get inside people who are scraping by trying to survive and put food on the table for their children. You will meet a man who engages in illegal doings but seems fair and sensitive to his troubled wife, his innocent children and to the immigrants whom he encounters  functioning in the worst possible conditions. You will see him face his own mortality and get a glimpse at what perhaps is Director/Writer Alejandro Gonzalez Inarritu’s view of where death will take us. Make no mistake about it, this is a powerful and depressing movie. Inarritu uses the technique of  weaving together various jarring scenes as he did in his 2006 Oscar nominated film Babel. He very effectively uses dim lighting in many scenes with dark blue colors reflecting the mood of the people and times.  Ultimately it is the journey of Uxbal ( Javier Bardem) which will captivate and haunt you. His empathic nature, love of his children, desperate attempt to survive when the odds are against him which make him a tragic but “biutiful” figure. It may also bring Bardem his second Oscar (he won for Best Supporting Actor in No Country for Old Men in 2008) . There are a lot of things going on in this movie which may not be immediately clear in your consciousness since they are subtle and most of us are relying on the subtitles. All the more reason why the emotional impact that you cannot help but feel as the story runs it’s final course confirms that you have seen an outstanding movie. (2010)

***

The Human Resources Manager sp A woman is killed in a terrorist suicide bombing in Jerusalem but her body is not immediately identified until a paystub found in her belongings places her as working for a large industrial bakery. A newspaper reporter (Guri Alfi) writes a story suggesting that the bakery should have noticed that she wasn’t coming to work and something must have happened to her. The Human Resources Manager( Mark Ivanir) is given the job by his boss  to identify her, notify  the family who is in Romania and avoid bad publicity for the company. The screenplay by Noah Stillman  is based on a novel titled  A Woman in Jerusalem by the well known Israeli writer Abraham B. Jehoshua which we both happened to have read several months ago. The book had the leisure to show in depth  the feelings that the HR manager developed for this deceased woman as he learned more about her. It was able to depict the complex character of this man as he attempted to return the body to her family.  While veteran actor Invanir did an admirable job of trying pull it off, director Evan Riklis orchestrated a tragic comedy which turned in to a road movie rather than a story of a tragic death which slowly reveals the victim and her postmortem impact on people. The film is choppy at times although it moves the story with this unusual plot. In order to give someone who has read the book a worthwhile experience, the movie needs to either capture many of the fine points of the story or present a unique refreshing aspect of it. In our opinion, this film did neither so it will probably disappoint those who read the book but may intrigue those who approach it with a fresh mind.  The film was mostly in Hebrew with subtitles, while English was spoken occasionally. There was a  subtle movie score  by Cyril Morin who attempted to weave a faint suggestion of gypsy music against the bleak Romanian background. (2011)

***

Barney’s Version: rm   The last time we saw a Paul Giamatti film, this talented actor was in  Cold Souls, a 2009 release and he was present on screen for what seemed to be more than 95% of the movie. Such is the case with Barney’s Version as the film revolves around Barney Panofsky and his arrogant, self centered and yet needy persona over a forty year period. A man who meets his third wife (Rachell Lefevre) at his  wedding to his  second wife (Minnie Driver) and then leaves the reception to pursue her is certainly suspect of being not such a nice guy. Then there is the question why would #3 allow her self to be interested in him knowing his history? Despite her seeming to be a charming intelligent, lovely woman herself is she so  flattered by his attention and persistence that she ultimately becomes his wife and mother of his two children? It is interesting to consider how this movie depicts women. While certainly a complicated issue considering the time setting of most the scenes (20-30 years ago), it did seem that for the most part they are shown in a stereotypical manner mainly  as appendages to the men in their lives. Then there is the fact that Barney is clearly Jewish. The wedding is a stereotypical Jewish affair (except perhaps there is an over emphasis on alcohol). The movie is based on a novel by Mordecai Richler is well known for writing about the struggle of Jews such as his acclaimed book Apprentice of Dudley Kravitz set in Canada in a Jewish environment as was much of this story. In this regard Dustin Hoffman plays Izzy, Barney’s very Jewish father but he happens to be a cop! It also seemed to us that the storyline really had to go to an extreme at the conclusion to get us to really feel sympathetic towards Barney. However, in the end it is the acting of Giamatti which will stand the best chance of selling this movie. He apparently sold the Golden Globes as they gave him the award for the best actor in a musical or comedy and we don’t think this movie is a  comedy at all and certainly isn’t a musical. In fact the movie was released in late January 2011 so we aren’t even sure how this qualified for the award. But on the other hand, this isn’t your ordinary story; it is Barney’s Version. (2011)

****

Waiting for Forever: This is a quirky but very well done film, which will completely touch you or you will write it off as in implausible fairy tale. Very early in the film you understand that Will Donner (Tom Sturridge) lost his parents in a train crash when he was 10 years old and moved away from his home to live with an uncle, leaving behind his best friend and life long playmate, Emma (Rachel Bilson). Now here is the tricky part. When he gets older Will follows Emma from city to city just to be near her. He has great trouble approaching her and reintroducing himself to her, so this goes on for several years while she ultimately becomes a television actress. Will is content to be a street juggler/clown and gets by. Inevitably things happen. The key to the movie is the acting of Sturridge as he inhabits the character of Will and projects him as likable, sincere guy with a good heart. He doesn’t come across as a psychopathic stalker and doesn’t seem to be psychotic, although he would have to be somewhat damaged by his childhood trauma. You may find yourself rooting for him as he ultimately approaches the love of his life. While Will is certainly an unusual person who lives an atypical life, the other characters in the story demonstrate complexities and realism. Veteran actors Richard Jenkins and Blythe Danner are terrific as Emma’s parents as they deal with the anticipated death of Jenkins’ character. Bilson as Emma struggles with this event as well as her own love life.  Scott Mechlowicz is excellent as the Will’s older brother, now a successful banker. He is frustrated at his brother’s behavior but understanding and loving him as well as having shared the family tragedy. James Keach, veteran actor/producer/director who directed this movie was the guest at our screening. He clearly had an affinity for this story and he described it as a labor of love for which he took no money up front. In his role as director/producer he completed the film in 24 days with a relatively tiny 3 million dollar budget . It will open in one theater in Los Angeles 10 days before Valentine’s Day, which may be just the occasion to draw in people who will spread the warm feelings about the movie.

*****

Black Swan rm-  This movie is about ballet and there a good amount of ballet in it. It is also about competition, jealousy and the desire to be perfect. There is no better place for these feelings to be played out than when the decision is made for the lead role in the beautiful and powerful Swan Lake Ballet. In the background is the sweeping majestic music of Tchaikovsky which is brilliantly used  by the film’s music  composer Clint Mansell to capture the u underlying theme of the movie. The theme is one of losing touch with reality to the point of psychosis. This allows director Darren Aronofsky to skillfully turn this movie into a horror fantasy where you are never quite sure when Nina Sayers (Natalie Portman) has fallen into the abyss of insanity. Once you are into the crevices of the unconscious, repressed sexual wishes are fair game to examine. Portman rises to the occasion in showing all aspects of the  inner self of her character as well as projecting magnificent graceful dancing skills. She well deserves the multiple nominations for best actress of the year which she is garnering. She is supported by an excellent cast which includes Barbara Hershey who plays her mother. The story by Andres Heinz and screenplay by Heinz, Mark Heyman and John McLaughlin along with the outstanding direction of Aronofsky with his technical staff provide a film you won’t be able to get out of your mind. Interestingly, the film ends  as did one of our favorite ballet movies, Red Shoes.(2010).