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People Like Us – sp We know of several instances, from personal life as well as from our professional work, of friends and relatives encountering siblings who they never knew previously existed. Each story is different but the impact on the people involved is usually quite powerful. No matter what age this revelation occurs it has the potential to shatter one’s concept of your parents, rework your ideas of honesty and truth and lead to a reexamination of your own identity. The writing team of Alex Kurtzman, Roberto Orci and Jody Lambert each had some personal experience or first hand knowledge of such events which they were able to draw upon to put together this remarkable story. They weaved the details of the story line of each character together with the emotional reveal in a manner which riveted the attention of the viewer throughout the whole process. Although most of the characters were quite likeable and the story was sprinkled with some heart warming comedy, we were still witnessing a tragic story which appeared to be doubling down on the bad luck that each character was experiencing. Sam (Chris Pine) and Frankie (Elizabeth Banks) are the family members who once they confront each other have to relive and deal with the meaning of their unhappy childhood. Michelle Pfeiffer has the role of Lilian, Sam’s mother who is hardened, bitter and looks it which in itself is a great accomplishment for this very fine and beautiful actress. Michael Hall D’Addanio is Josh, Frankie’s 11 year son in a performance which may very well be remembered after he establishes himself as an adult star. Josh’s recently deceased grandfather Gerald Harper was a music and record producer who has created all the misery on the screen as he has fathered both Sam and Frankie while neither knew of each other’s existence. Throughout most of the 115 minutes of this movie , it seemed almost impossible to imagine how any type of satisfying ending was remotely possible. Much of the success for the resolution of the story and execution of the movie should go to Alex Kurtzman who not only co-wrote the story but also directed it. In the end not only are the characters all in a better place with a new prospective on life, but the audience has the chance to reconsider our own relationships with parents and children because the movie we have just seen in one way or another is about “ people like us.” (2012)

****

The Invisible War- sp   Usually by the time we see a documentary film on a particular subject , we already have a pretty good idea of the nature of the issue being covered and the film provides some interesting documentation. In the case of this film, most of the audience had no idea of the great travesty of justice that has been taking place where there are violent sexual assaults against women serving in our military services by fellow soldiers, the vast majority of whom are not punished. Female soldiers in combat zones are more likely to be raped by fellow soldiers than killed by the enemy. In 2010 there were 19,000 sex crimes committed in the military. Because of the much larger number of men in the military many of these were directed towards men but percentage wise the women have suffered the brunt of this terrible injustice In fact, 20 % of women serving in the military will experience some kind of a sexual assault .

This movie is not just about statistics. Rather it is a very painful series of personal stories told mostly by dedicated women who entered various services, intent on being the best they could be in the service of their country. Not only were they assaulted and raped by fellow soldiers, even more outrageous, if that is possible, when they complained to their superiors in the overwhelming number of cases they were brushed off and not taken seriously. Heading up the team that put this film together are Kirby Dick ( nominated for an Oscar for Twist of Faith )  who directed it and Amy Ziering who was one of the producers and sensitively did most of  the interviews with the several women and two men who were featured in this movie. Each personal story almost seems worse than the one before it. The traumatic impact of these assaults and in some cases the violence of them crushes these victims physically and emotionally. They go through stages where it seems there is no way out for them and therefore it is not surprising that some of them contemplate suicide. The attempts by the military to raise consciousness of the troops to this problem are almost laughable as well as deeply insulting to women. For example one such campaign exhorts soldiers to “ wait until she is sober before you ask her”

A well thought out coalition of victims attempted to sue the government but their suit failed to gain traction as the first response of a federal court in West Virginia is to turn it down and state that this is an ”occupational hazard.”

The movie offers a glimmer of hope as one week prior to the opening of this movie, it was seen by the Secretary of Defense Leon Panetta, who takes the gigantic step forward by ruling that these assault complaints will no longer handled by the unit commander but rather will go up the ladder to higher ranking officer, presumably with less prejudice. Most probably there will not be justice until these complaints can be fairly dealt with by civilian police and courts. The film does something that many investigative documentaries don’t do well, in that it clearly provides a website (http://invisiblewarmovie.com/) and an opportunity to get involved in this cause by signing petitions and doing other things. This is the power of a documentary film and there is no better cause than the one put up the screen by this movie.(2012)

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Paul Williams Still Alive- sp Filmmaker Stephen Kessler grew up and came of age in the 1970s and 80s and was a big fan of the music and of the personality of Paul Williams. He had thought that Williams had faded from the scene. Therefore he was quite surprised when a few years ago he found out that his music hero was alive and well.  He read that Williams was still writing and performing music. He tracked down 65-year-old Williams at a concert in Winnipeg, Canada where he was playing to an enthusiastic but older crowd. Kessler proposed that he would make a documentary film about the career of Williams. His proposal was politely turned down but Kessler persisted and ultimately made the film with William’s agreement. In an unorthodox documentary style, the film chronicles how Kessler gradually won over Williams to allow him to make this loving tribute. He used flashbacks, mainly in the form of film clips and videotapes of Williams and many others performing his songs. Early music such as the Carpenters singing We have Just Begun and Rainy Days and Mondays as well as many others such as Cried Like a Baby and Talk It Over In the Morning. He co wrote many songs including the music sung by Jim Hensen as Kermet the Frog. He wrote for TV shows such as Happy Days and wrote and sang the music for the TV movie The Boy in the Plastic Bubble that starred John Travolta. Williams was nominated for multiple Academy Awards for writing the best music in a motion picture and won the Oscar for Evergreen in the movie A Star is Born which was co-written and performed by Barbra Streisand. Williams’ status as a pop icon was confirmed by the fact that he was a guest 50 times on the Johnny Carson show. Although 5’2” he was giant in the music industry. Williams himself admits that his fame went to his head and he seemed embarrassed when Kessler showed him some of his old tapes. He came across in them as a self-centered person who was caught up with his own fame and success. Drugs and alcohol became a mainstay of his life. He subsequently had treatment and now has been sober for over 20 years. His wife Marianna is frequently shown at his side in the movie and it is obvious that she and his two children are very meaningful to him. He has evolved to where he clearly cares about people and is deeply passionate about music, not only his own but the music of other composers. He is now President of ASCAP (the American Society of Composers, which is a very powerful organization fighting for the rights of all songwriters. Paul Williams has come a long way and as the title states is “still alive” in every sense of the word.(2012)

****

The Last Ride –sp   If this were just a great buddy movie about two unlikely guys driving together throughout the south, this film would be worth seeing. But it is much more. It is the story of how country music was the fabric of the people and the land where it originated. In 1952 when this movie was set, the personality who embodied that music and the stories that it told was Hank Williams. This is a movie about Hank Williams and yet we never see him sing one note. Director and a co-producer of this movie Harry Thomason is a well known television/movie director/producer as well as a friend of President and Mrs. Bill Clinton. He is also a native of Little Rock Arkansas where he once was a teacher and high school football coach and therefore was able to find authentic settings for all the scenes, which included gas stations, roadside stops, and many local roads.  The storyline shows an 18 year old bumbling but conscientious car mechanic Silas (Jesse James) who   is offered an opportunity to earn some good money by driving a well dressed man with a cowboy hat, unknown to him to be Hank Williams (Henry Thomas) in a lovely blue Cadillac to a destination several hundred miles away. Williams is an alcoholic with a back condition named spinal bifida and a persistent cough, which heralds bad things to come. During the long car ride they get to know each other as they encounter bad weather, a pretty gas station attendant (Kaley Cuoco) who becomes the first date and first kiss for Silas, local musicians gathered around a stovepipe furnace to play true blue country music, a local policeman who pulls them into the local court, a barroom fight and a failed desperate biplane air flight. There is a wonderful soundtrack of country music, which envelops the audience throughout the movie, which complements the warm feelings that we feel for the characters as we get to know them. In The year when Williams took this fateful car ride across country in a powder blue Cadillac, he had a number one hit titled “I’ll Never Get Out of This World Alive”  This song  was more prophetic than anyone would have dreamed as at the end of this buddy trip  twenty nine year old Hank Williams never made it out of his blue Cadillac His persona and his music has lived on as will this film. (2012)