****

Hope Springs- sp. This is the kind of movie that in addition to being quite entertaining, might very well stimulate discussion in married couples about what may have lost in their marriage over the years. Early in the movie we meet Kay (Meryl Streep) and Arnold (Tommy Lee Jones) from Omaha, Nebraska who have been married 31 years, have grown children out of the house and now sleep in separate bedrooms. Kay is not happy with this situation and she books a week of intensive couples therapy with the famous author and therapist in Maine Dr. Feld (Steve Carrell). Then the fun begins or perhaps the pain, depending how you experience this well done movie directed by David Frankel based on script by Vanessa Taylor. Producer Todd Black who spoke to the audience we were in  at the UCLA Extension Course at the Screen Writers Guild theater, noted that varying  groups previewing this movie had different reactions. The younger audiences apparently are rolling in their seats with laughter so you can’t even hear some of the lines. The older audiences laugh a lot but in different places and seem to have a different appreciation of the film. No doubt this is an entertaining movie but sometimes laughter is a cover up for anxiety that can occur when some hidden truths are exposed. Meryl Streep, we are told was one of driving forces wanting to make this movie and send a message to middle aged couples who might need some motivation to examine a marriage that has lost it’s spark. She as usual is terrific. She found a way to look and act like every woman and yet have that special desire and also show it. Tommy Lee Jones was not a bad choice for the husband that most guys wouldn’t mind identifying with as he goes about his everyday business pretending that he doesn’t miss the early days of his marriage. He comes off a little too stereotypical in this role but it works. Steve Carrell has that same bland look and tone that he conveys in the Office but his hint of a smile and his persona makes us believe that he really cares as the doctor therapist. Much of the movie is about what happens to sex in marriage. There is some practice with bananas and at least one orgasm but everybody pretty much keeps their clothes on and the movie did get a  PG 13 rating. If the star power of the movie works and the hype doesn’t scare off the guys, this should be a successful film. All the adults should be in for an enjoyable movie with the possibility of some good repercussions for many.(2012) 

****

Intouchables:  rm– (In French with subtitles)  It may be hard to believe that you can watch a movie about Phillippe (Francois Cluzot), a quadriplegic man who can’t move his arms or legs  and come away feeling optimistic about life and his future. The story is about this but more about a relationship between a very wealthy man who became completely incapacitated in an accident and in his search for a caretaker encounters a most unlikely person, Driss (Omary Sy). They become buddies and this becomes one of the best buddy films that has been around in a long time. You get a sense of where Driss is coming from – low income overcrowded housing in some adopted family arrangement and Phillppe – a deceased wife, a big beautiful mansion and very likely old money. It would have been nice to have a little bit more back story on each of them but the universality of two people being able to understand and care about each other makes this movie work. Speaking of rising above it all, there is one such scene in the movie which is worth the price of admission. It is a  magnificent  paragliding experience  where we  join the characters as they soar above above a beautiful countryside with mountains and valleys. It is  not a only a metaphor for this story but a reminder how we often get caught up in the details and neglect the big picture. Don’t neglect this one. (2012)

***

In the Land of Blood and Honey-nf –Most people probably have some understanding that there was a very bitter civil war in the former Yugoslavia, now Bosnia and Herzegovina which took place between 1992-1995. The acclaimed actress Angelina Jolie  who has served as UN Goodwill Ambassador during her travels learned some the details of the horrors of this conflict which included attempts at ethnic cleansing mostly by the Bosnian Serbs against the Bosnian Croats many of whom have Moslem background. This led her to write this screenplay which she directed and co-produced. It is the story of Danijel (Goran Kostic), a Bosnian Serb soldier serving under his father’s command who encounters his pre-war girl friend, Ajla (Zana Marjonovic) when she is captured by his troops and forced to work as a sex slave. She has seen the able bodied men of her city rounded up and systematically executed while so many of the women are brutally raped and made to serve the captors. Yet she is drawn into this complex and conflicted relationship with Danijel. In a most painful 2 hours and 7 minutes the horrors of this war taking place in and around the city of Sarajevo which is in a state of siege are shown. There were many graphic and dramatic scenes. Using women as hostage shields as the Serbs approached their enemy who were firing from a building was quite unforgettable. Some of the dialog between the characters attempted to describe the history of this conflict but it is much too complex for it to be clearly appreciated . We are given the impression that the Serbs were the really bad people in this conflict, which was probably true. The romance between the two lovers is also shown to be quite complex and we are never sure of Ajla’s true feelings about her captor/lover. Both of the lead actors  were born in this region of the world and there were two versions of the film made, one in English and the other in their native language. It must of have been quite an accomplishment for Jolie to pull off the latter feat. It was difficult enough for us to absorb the full meaning of this terrible period of history even in English. (2011)

***1/2

Robot & Frank – sp   The setting of this movie is “some time in the near future.”  Frank(Frank Langella), an older man living alone,  who may be having some memory problems is visited by his son(James Marsden) who drops off a robot (voice by Peter Sarsgaard) to be his servant/companion. The robot cleans the house, cooks the meals and becomes a meaningful object in Frank’s life. As this very clever story begins to examine the relationship between man and machine, it also allows a look at a film load of life issues. There is the father/son thing especially when father has been away at his own doing for long periods of time and maybe wasn’t the best of dads. The searchlight is put on aging and how an old guy can get marginalized and might want to feel he still is in the game. Not only is there the question of will machines take on human personas in the future but we are reminded that we may be on a path where technology take away things like the intimacy of being able to read and share an actual paper book. All these themes and more are examined as our Don Quixote like character and his faithful Sancho Panza type robot tilt at  Frank’s windmills. The closest thing to a Dulcinea is the warm hearted librarian (Susan Sarandon) who has a good reason to have a special  spot in her heart for Frank. This is all a lot going on in a tender movie about a robot that originally started off as a short film as part of the NYU Film School  studies of C.D. Ford who expanded that project to this screen play along with his then classmate Jake Schreier who directs his first feature film.  They now have a really good movie with an award winning performance by Frank Langella. (2012)

***

Restrepo-  Most boys ( and maybe some girls these days ) while growing up play soldier and war. As kids we can recall some war movies that I thought were pretty good. Now days there are the futuristic blockbuster war movies.  In most of these films there is lots of action, soldiers are killed, there is a good cause and usually a hero with whom the viewers will identify. On the other hand there is this documentary film, the real story of small platoon of soldiers in Afghanistan as recorded by reporter Sebastian Junger and photographer Tim Hertherington who were embedded with this fighting unit. They were assigned to the strategic Korengal Valley and they had to establish an outpost in the midst of the Taliban. Early on in a firefight, one of their group is the first to be killed. They subsequently named this outpost after him, Restrepo. There is no glory or heroic actions (although it is fair to say that they are all heroes). You can see how the memories of their friend stays with them and lingers on as do all the effects of this experience There is constant fear, anxiety, shooting at the enemy or being shot at, having to go on frightening patrols and hanging around in their lonely little fortress which seems so vulnerable. While this gallant group seems to know what they are fighting for, the viewer is never given a very clear picture. It is somehow to let the local people build a road and be helped by the US so they won’t favor the Taliaban. We haven’t figured out if this was the right war for the US to be in and for how long and how we should have fought it. However, we do come away with the feeling that if there has to be this kind of a war, these young men were trained how to do it and were good at it. But we know, so many of them paid a heavy price by loss of life and limb as well as a continued emotional toll. One year after this movie came out and received an Oscar nomination, the co- filmmaker Tim Hertherington was killed, at  40 years of age, while covering the conflict in Libya.  (2010)

****

The Magic of Belle Isle –sp  Rob Reiner has brought a bit of magic to this story by Guy Thomas. There is this older curmudgeon alcoholic  (Morgan Freeman) who used to be a western novelist but doesn’t write anymore since his wife died 6 years ago. His nephew drops him off at a vacation cabin for the summer on this lovely island.  Next door is this woman (Virginia Madsen) and her three kids. You probably can guess most of the remaining outline of the plot of the story and you wouldn’t be too far off. Yes, at times it seems contrived but you won’t mind at all, as you get a feel for the characters and really like each one of them. What comes across is a real sense of how people can care for each other. Age, race, disability don’t matter. The ability of a person to see what isn’t there and imagine what could be is an important part of the story. The dialogue is wonderful from all the characters but especially the expression and wisdom coming from the 9 1/2 year old Finnegan (Emma Fuhrmann) are perfect. The story will touch you and it is definitely worth experiencing for any adult. We also can’t imagine a better film to bring along a pre-adolescent girl. (2012)