***

Don Juan DeMarco nf   – When we chose this film for our next Netflix choice, we thought it might be quite interesting to see two great actors of different generations interacting. We also heard that Brando played a psychiatrist, which is always of special interest to us. We encountered an extremely obese Brando (almost 70 years at the time) playing Dr. Jack Mickler, a psychiatrist working in an hospital in Queens,  New York 10 days away from retirement, who encounters Depp, 31 years old at the time but playing Don Juan De Marco , 21 years old on the verge of suicide, who believes he is the greatest lover in the world, having made love to over a  1000 women. The young masked lover relates his tale of growing up in Mexico and having fallen in love with his tutor at age 16 and then the circumstances which  led to his having to revenge his father’s death in a dual while defending his mother’s honor. He goes on to relate  the unusual story which this young lover of women has experienced in his short life. It is told with such intensity, sensitivity and almost believability that the good doctor reexamines his relationship with his wife (still beautiful Faye Dunaway) and their romance seems revitalized. The story was written and directed by Jeremy Leven who shared the writing credits with Lord Byron , who wrote the original Don Juan. The magic of this movie is both the empathy which Depp elicits for the tale of his life and the empathic feelings and identification which Brando conveys for his patient. The latter is in contrast to the psychiatric colleagues who are insisting on antipsychotic medication rather than hearing him out and understanding his story (which is something we do encounter from time to time  in well meaning colleagues in various mental health settings). In the end we had the pleasure of getting a taste of the subtlety that Brando could bring to a role as he performed in  the 35^th of what was to be a 39 film magnificent career. At the same time we saw Depp in his 12th film appearance which thus far has included 49 movies in which he often takes on as he did in this one, a very unusual and unique character. (1994)

***

The Way, Way Back- rm   It is not an easy feat to make a coming of age movie that gets grown adults to identify with a kid who is supposed to be 14 and barely looks that age. In our opinion Nat Faxon and Jim Rash (Oscar winning writers for the Descendants), the duo who wrote and directed this film (and also gave themselves small to medium acting roles in it ) successfully just did that with us. By the end we were rooting for the kid and had a tear in our eyes. Steve Carrell steps out of his comedic shoes and does a formidable job playing Trent, the intense but not quite true blue boyfriend of Pam (Toni Collette), who is taking  her son Duncan (Liam James) along with Trent’s  daughter to his summer New England beach house. Duncan is struggling with  his unhappiness with his divorced family and this summer excursion that he doesn’t want to be on. . They meet next door neighbor bubbly friendly Betty (Allison Janney) her son and daughter who become important characters in what unfolds. There are other summer people including a flirtatious housewife played by Amanda Peet. We begin to appreciate everybody’s situation and most of all how Duncan feels. The plot has a fairy tale quality but instead of a castle there is a big water ride and a bunch of grown ups who work at the water ride and befriend Duncan. The most improbable of this group is Owen  (Sam Rockwell). He is very funny, one of the supervisors of the water enterprise and immediately sensitive and insightful into the struggling Duncan. We would have to picture him as the big brother or ideal cool dad that we are sure Duncan  would have loved to have had . Owens’s girl friend is Caitlin (Maya Rudolph), a bit wiser than the others, but delightful. Two other workers in this water ride are blended into the story and are played as previously mentioned by the directors and writers of  the film. These director/writers should also get credit along with Mr. James who successfully inhabits Duncan for the sensitive depiction of the pain, suffering , determination and triumph that he projects on the screen  as he ultimately finds himself. (2013)

***

The Spectacular Now –sp    If you are ready for a film about high school seniors that don’t turn into zombies or are “glee” fully dancing and singing, this film might catch your fancy. It is based on National Book Award 2008 finalist by author Tim Tharp which was adapted for the screen by Scott Neustadter and Michael H Weber before a very thoughtful, intelligent director, James Ponsoldt was brought in to direct the film. The movie was R rated because the main  characters put whisky in their 7-up slurpies and have pocket flasks, talk about drinking and say and do things that high school seniors frequently say and do. Sutter Keely (Miles Teller) might not be the typical student but is probably one that exists in most high schools. He seemingly is the life of the party, first one in the pool with clothes on, goes through many girl friends, popular, well liked, not doing very well in school but he didn’t really care because he is “living in the moment.” Not surprising, he is from a divorced family being raised by single mom and never really had any role models. After he is dumped by his last girl friend he meets Aimee (Shailene Woodley) shy, not popular, smart, somewhat naïve and destined to change his life. We don’t know how their lives will ultimately progress (unless a sequel develops down the road) and one of us hopes that “therapy” would be in the cards for someone like Sutter. However, it  is the interaction between these two that provides us insight into Sutter’s personality, which gives this movie the depth and intensity to merit the attention of both young and older film viewers.(2013)

***

Edward Scissorhands  nf    We had missed this classic 1990 film so we put in on our Netflix list. It is a fairytale like none that we have ever seen or  heard before. Edward (Johnny Depp) is boy who was born with no hands  was brought up in an old mansion on the hill by his inventor father (Vincent Price) who outfitted him with scissor hands and died before he could invent and attach  real ones  for him. The Avon lady, (you know the one who knocks on doors to sell cosmetics) played by Diane Wiest, takes him home to her typical 1950s suburbia house down the hill from the mansion where she lives with her husband (Alan Arkin), son and daughter (Winonna Ryder) We come to realize that Edward’s handicap is also a wonderful talent as he can sculpt hedges, women’s hair and do lots of other things with his scissor hands. Hence, we are being taught something about differences in people and certainly they are not always what they seem to be. Fairytales often have a special love story, a villain and unexpected but understandable endings and this one doesn’t disappoint. This whole story originated in the mind of a young Tim Burton, who when he grew up, co–wrote the story as well as co-produced and directed  the film. Johnny Depp is  quite remarkable, in that he hardly speaks in the film but he conveys so much. Ryder also shows great  emotion and feelingwith her facial  expressions and Diane Wiest absolutely inhabits the Avon lady. The music by Danny Elfman sets the underlying haunting mood of the film, We certainly think it was still  worth seeing 23 years after it was made (1990)

****

Blackfish –sp  – Many of us have taken children to one of the Sea Worlds or other similar aquariums around the world and enjoyed with them the wonderful antics of the gigantic beautiful killer whales, known as orcas or blackfish, as they interacted with their talented trainers. This documentary film directed and written by Gabriela Cowperthwaite will change your understanding of that experience and may kill any desire to pay any such future visits. The film consists mainly of up close and personal interviews with several former Seaworld trainers intermixed with video clips of these killer whales (which can also  be properly identified as very large dolphins ) both in nature and in captivity. We come to understand that they actually are quite intelligent with larger and more complex brains than humans (seemingly in the part of the brain related to emotions), have methods of communicating by sound and are very family oriented as they exist in pods in nature. We follow the capture of one “small” baby whale, known as a calf as he is separated from this family much to their despair. This one is named Tilikum and we see video footage of him growing up and performing in captivity as we see others also in this position. They are trained by being confined to small places especially at night, rewarded by food (fish) or punished by the lack of it and molded into performing artists who seem to happily be interacting with their trainers to the delight of the public especially screaming appreciative children. Or are they?? We learn of some tragic “accidents” and see video clips of very clear incidents where trainers are injured and even one very experienced popular trainer, Dawn Branchaeau is actually viciously attacked and killed by Tilikum who is now the star of the show. It is suggested that we may be seeing frustrated dangerous animals who are living in unnatural circumstances. While the spokespersons for this multi billion-dollar industry has been trying to cover up and minimize these events, we learn of quite a different version. This film reminds us on one hand of the award wining film, The Cove. It may also be considered in the tradition of the great documentaries that first exposed the cigarette industry and certain aspects of the food or oil businesses. As in these cases, the things that have to be rectified don’t easily change. Just recently OSHA (the federal Occupational Safety and Health Administration) successfully sued Sea World to keep trainers behind barriers during shows. However this may be a drop in the bucket in an attempt to return these beautiful creatures to their natural habitat. In fact, they are now being artificially inseminated and bred in captivity. The full story is yet to be written but this documentary will open your eyes.  (2013)

****

Romantics Anonymous- nf– (French with subtitles) This is a romantic comedy about an extremely anxious and shy woman (Isabelle Carre)  who is hired  at a chocolate factory to be a sales representative,  by the owner (Benoit Poelvoorde), who is equally anxious and shy. In fact, he sees a therapist on a regular basis who gives him little assignments to carry out to try to socialize him. She is in a therapy group of equally afflicted men and women who tell their stories while supporting each other. She is actually a talented chocolate maker but is afraid to let it be known because she feels she couldn’t handle the recognition. The screenplay is by Diane Bardinet and by Director Jean Pierre Ameris. The writing, direction and magnificent  acting  results in a laugh out loud comedy which also tugs at your heart and has you rooting for the characters. Perhaps it is characteristically French that even after the couple eventually have sex together they are still hilariously shy and anxious about being together. This is really a gem of a movie that should not be missed.(2011)

****

Still Mine – sp  The population is aging and many movie goers are ready for a good, interesting, tough, moving but heartening story about relationships towards the end of life. This is one such film which will get you behind the main characters, allow you to root for them, feel their anguish, appreciate their caring for each other and share their successes. Michael McGowan read about the Canadian man who was trying to personally build a house that could accommodate his wife when she returned from the hospital. He investigated the details behind this news story and ended up writing directing and co–producing this film. Veteran actors James Cromwell and Genevieve Bujold play Craig and Irene Morrison who live on farm not too far from their grown children. They find themselves in a changing world but Craig more than amply demonstrates that he has the skills and knowledge to build a new home for he and his wife. His quest to do this reflects a familiar theme that makes a great subject for this movie to examine. The execution is almost faultless as is the great acting which matches this excellent screenplay. (2013)

*****

Fruitvale Station-sp  This is one of the most realistic, gripping and yet personal  depictions of a tragic event that we have seen in a long time. It is well known to residents of the Bay Area and many other people that a few years ago there was a shooting of a 22 year old black man by the name of Oscar Grant by the BART (transit) police. This event was vividly captured by numerous cell phone videos on that day and was shown in the opening of this movie. Ryan Coogler, a black film student of the same age, was very much impacted by this event, as he felt it could have been him. Nina Yang Bongiovi, movie producing partner of the well known actor/director Forest Whitaker, in their quest to support young filmmakers, connected with Coogler and were impressed by his student work  and his motivation to make this film. Bongiovi in our post screening discussion related how once Coogler was chosen to direct this film, he wrote the screenplay in 4 weeks and along with the producers convinced Michael B. Jordan to play the role of Oscar Grant. Melanie Diaz then signed on to play the girlfriend and veteran actress Octavia Spencer took on the all-important role of the mother. Both were magnificent in their sensitive emotional roles of these devastated women. Jordan who has acknowledged that he also felt quite related to his character handled the multifaceted parts of him quite well. It is the presentation of the persona of Grant that raises this movie to the five star level we believe it deserves. He is shown to be a caring young man who loves his daughter, girl friend and mother and is quite capable of extending his sensitivity to others in many ways. At the same time he is not totally honest with himself or others.  He is troubled, and angry. He has a temper which can lead him to  provoke as well as respond to temptations to fight and lash out. It may be argued that he may have become a symbol of the persistent racial tensions in the Bay Area and now to a worldwide movie audience. However the insight shown into him may also be able to allow both sides of the divide to identify with him and his aspirations which raises the possibility that this understanding will help to defuse these racial tensions which are still with us.  Once the story begins to develop, it  is very fast moving aided by the hand held camera work by Rachel Morrison who brought her reality TV experience to this movie. In the end, the great effort from both sides of the camera gave us a first rate movie that has the potential to make a big difference in how we understand ourselves and others. (2013)

**

Double Indemnity- nf– The main thing that we can say about this classic film is that it reflects the state of the art of the time  and demonstrates what would have been a thrilling mystery in the 1940s. (It is set in 1938 probably to avoid any wartime issues) Other than an historical film document, there is no way that a modern  filmgoer would view this movie other than as a unsophisticated black and white  film noir drama. It is hard to believe that it was co-written by the  premier mystery crime writer of his time,  Raymond Chandler, along with the premier filmmaker, Billy Wilder who directed it. Fred MacMurray played the slick insurance salesman, cocked hat and all, who gets drawn in by beautiful, unblinking ,sparkling eyes,  glossy lips, sexy voice  Barbara Stanwyck who also wore an enticing ankle bracelet. Edward G Robinson who has a voice and a tone just like everyone who has ever imitated him,  plays the tough, all wise insurance adjuster who is in the process of sniffing out out the plot to kill the Stanwyck  character’s husband and make it look like an accident to collect double indemnity !! The music background is as you would have expected it. The crime has to be solved without any  CSI techniques. Hardly anything in the film was believable but it held our interest. This was partly because of the twists and turns of the thin plot and partly because we were thrilled to be watching the ancestors of the some of the great crime movies and TV shows that we can see today. (1944)