****
You Will Be My Son-sp -(French with subtitles) This is an intense drama involving family relationships, specifically fathers and sons. The characters and their personalities are clearly defined through the story line and the great acting. There is Paul de Marseul(Niels Arestrup) owner of a magnificent French winery who is self centered, arrogant and insensitive to the desire of his son to please him and follow in his footsteps. Martin de Marseul (Lorant Deutsch) is the owner’s son, college trained in the science of wines, married to Alice and living on the grounds of the winery. He is emotionally tortured by his father’s neglect. Alice (Anne Marivin) is Paul’s beautiful and supportive wife. Francois Amelot (Patrick Chesnais) is the Estate Manager of the winery, the man who has been the brilliant wine expert who knows when and how to harvest . He has been vital to the success of the business. He also lives on the grounds with his wife and is slowly dying of pancreatic cancer. Phillip Amerlot (Nicolas Bridet) is Francois’ son, an up and coming wine expert himself who has just left his last job and visits his ill father. Paul de Marseul the owner and honcho clearly likes Phillip and favors him over his son to take over the fading Francois’ position and ultimately the winery. The movie is filmed and framed in the lush French countryside. The winery itself is a character in the movie played by a vineyard estate with endless fields of growing grapes, modern harvesting equipment including shaking machines which remove the picked grapes from the vines, large temperature controlled vats where the wine ferments deep in the vast cellars where there are also thousands of stored bottles of valuable wine. There are close ups of the interesting attractive faces of all the characters as well as of the swirling glasses of wine which they are frequently analyzing and drinking during the dialogue. Wine aficionados will particularly appreciate the banter about wine and how the two sons seem to be measured by Paul de Marseul based on their knowledge in this regard. However even deeper insight into his feelings about his own son due to some unresolved grief comes out in a brief cemetery scene. Sometimes we complain that characters are too underdeveloped. In this case who they are is very clearly put forward, perhaps a tad too much. A little more subtlety in the writing and direction by first time director Gilles Legrand might have made this film even better than it turned out. Overall it was thought provoking, unpredictable, out of the ordinary and worth seeing. One more thought which is not very important for the enjoyment of this movie but worth contemplating when the film is over. That is the question of whether cell phones would work in a wine cellar? (2013)

*****

The Butler – rm This is much more than the story of Cecil Gaines (Forest Whitaker) who served as a butler in the White House for United States Presidents from Eisenhower through Reagan. It is a moving depiction of the civil rights movement in the United States from the maltreatment of blacks in the south in the 1930s through the dramatic integration of schools in Little Rock, to Sit-Ins to integrate diners in the south , to the brave Freedom Bus Riders, the civil rights legislation, the tragic assassination of Martin Luther King and the continued demonstrations which followed in the years to come. The viewers are taken on a very personal journey to experience these events and others, as the Butler’s grown son Louis (David Oyelowo) participates in them while his father views the role of the United States President in shaping and responding to them. The movie is based on a newspaper article by Wil Haygood about a real person who served United States presidents as a White House butler for this large span of years and lived long enough to vote for Barack Obama. Even if screenwriter Danny Strong and Director Lee Daniels may have taken poetic license by having the older son Louis being present at all of the major events in the Civil Rights Movement shown in the film, it allows us to emotionally go through these milestones in a first hand manner. They are brought to life as if they were ripped from the pages of history. The friction between father and son emphasizes the differences in generational thinking not only of this one black family but would also reflect some of the changes in thinking which many of us have seen in this country during our life time. Forest Whitaker is magnificent as the Butler as he captures the soul and dignity of his character. Oprah Winfrey is outstanding as the sensitive wife who struggles with the frequent absence of her husband due to his long hours at the White House and the pain which the lives of her sons brings her. We don’t know if the words attributed to each U.S. President are known quotes but the character of them and the significant events that were shown during their presidencies all ring true. The mannerisms of each them were handled quite well by Robin Williams as Eisenhower, John Cusack as Richard Nixon, James Marsden as John F. Kennedy, Liev Schreiber as LBJ and Alan Rickman as Ronald Reagan along with Jane Fonda as Nancy Reagan. There were many other very fine supporting roles. In addition, the movie is bookended quite well by a most dramatic and traumatic turn of events from the young Cecil Gaines as a youth working in the cotton fields in the south to him being an aged man walking in to meet the first black President of the United States. The sense of the historic chain of events which this encompassed will send chills up your spine and probably bring tears to your eyes. (2013)

***
The Quartet-nf The setting is a home for retired musicians in Great Britain which apparently does exist in some form there. Many of the retirees are well known opera singers as well as other types of musicians. Three of the main protagonists played by Billy Connolly, Tom Courtenay, and Pauline Collins are joined by the fourth (Maggie Smith) who makes a grand entrance befitting the diva that she must have been. It turns out that many years ago she had been married to one of the men (Courtenay’s character),for nine hours, but he has never gotten over their romance and being jilted. He thus is quite unhappy about her arrival. Life in the home seems meaningful to the residents who interact with each other, reminisce about times gone by and sometimes play their instruments and also do some singing. Director Dustin Hoffman in an extra clip on Netflix declares that this is a film about life and (older people) enjoying it and living to their fullest. There was no dialog in the film which indicated that any of these residents had meaningful relationships with their families (although some small children were seen visiting and even being given music lessons). It may be that many very successful professional musicians have traveled a great deal and never have time to develop such connections and that such a retirement home serves this very special purpose. It is also of note that aside from the 4 main stars many of the other musicians seen doing small bits of performing from opera to comedy were actual retired professional musicians. This was demonstrated also in the closing credits where they were identified with a picture of them in his or her prime. It becomes clear early on in the film that the issue, which must be resolved, is whether the four main characters will perform the Quartet from Rigaletto in a benefit show to keep the home open. It will not spoil this movie experience to learn in the end they do it and we hear what have to be recordings of the rich voices of the real opera stars in their prime. Dustin Hoffman’s goal is achieved as we have a feel good experience about the ability to find meaning and satisfaction late in life. (2012)

***

Jobs-sp – Steve Jobs has to be one of the iconic figures of our time. Any attempt of a film to get into his head and show what makes him tick would be of great interest. This movie directed by Joshua Michael Stern, with screenplay by Matt Whiteley and starring Ashton Kutcher as Jobs certainly held our attention but it provided no particular insight into the dynamics of Job nor did it provide a clear understanding  of  the life of this man who is one of  founders of the company that makes the computer, iphone and ipad that so many of us hold in great esteem. We see a young man who is intensely interested in innovation,  who over and over again insists upon perfection and appears to have a clear deficit in his ability to have empathy for other people. Had he not met Steve Wozniak (Josh Gad), we might still be using typewriters and even Bill Gates wouldn’t have had a model to rip off for the  IBM PC. It was Wozniak who designed the workings of the  personal computer but it was Jobs who had the vision how it should look and how  people would use it . It is Jobs who we see in the movie ruthlessly demanding what is seen as the impossible from his designers and computer geeks. The film follows Job’s through the founding of Apple , development of Apple 2, Lisa and the early  Mac. While his expulsion and his return to glory is shown, the several years away from Apple including his time with Pixar pictures is not covered  However the journey that is depicted is choppy. The other characters from the original scruffy band of developers , Mike Markkula (Dermott Mulroney), an executive from Intel who joined Jobs early on,  to  Jon Sculley( Matthew Modine) the honcho from Pepsi, one of several CEO’s who replaced Jobs for awhile,  may be difficult to to appreciate exactly who they are and their significance. Unless, of course, you have read the official best selling biography by Walter  Issacson which the movie is not based upon but may be the basis of another  future movie being worked on by Aaron Sorkin. Job’s personal life is particularly confusing in this film . He is not accepting responsibility of the pregnancy of his girl friend and then later in the film he is briefly seen married to another woman with this first child visiting him as a teenager (named Lisa which is the name of  one of the Apple computer  models which appeared after the Apple 2). The film is carried by Ashton Kutcher who mastered Job’s mannerisms as well as projecting his narcissistic characteristics.  In addition the actor is known to have shared Job’s love of technology and innovation which may have added to his successful portrayal. (2013)

 *** Blue Jasmine rm -  This is another Woody Allen movie which is a study of two sisters. It is an in depth character analysis but yet we never really understand the origins of their personality development. Jasmine (Kate Blanchett) who gave up her last year of college to marry the man of her dreams . He is quite wealthy , seemingly devoted to her, gives her everything she could ever desire from clothes, beautiful home, vacations and even a son from another marriage who eventually goes to Harvard. Hal is a smooth and slick  as Alec Baldwin who actually plays him but is not who he seems to be (think a younger Bernie Madoff). Her sister Ginger (Sally Hawkins) is a San Francisco waitress, down to earth with two young children who is married to Augie (Andrew Dice Clay) when we meet her. They visit Hal and Jasmine in their luxurious New York City apartment and make the mistake of asking for advice from Hal on how to handle their $200,000 lottery bonanza. Circumstances that you can probably imagine reverse Jasmine’s good life and she now has to live with her sister in a cramped San Francisco apartment where we meet divorced Ginger’s now boyfriend Chili (Bobby Carnnavale). All these characters are very compelling and interesting including Al (Louis C.K.) who has a quick fling with Ginger The story shows the desperate, superficiality of Jasmine’s character and many of women who surrounded her and similarly although to a lesser degree presents her sister as eager, if not desperate  to latch on to a man. But if Allen is showing us a weak image of woman, there is not much to say for all the men in the story. They are lying, cheating, crying, groping or phony. However, Woody Allen who wrote and directed this movie gets your attention and holds it. The casting, as usual, is near perfect. The dialog draws you into the characters. He used flashbacks to effectively tell the story so you ultimately understand all the nuances. Allen as a writer gets away with using several coincidences to develop his story line such as characters just happen to witness some indiscretion in a busy city street or just happens to bump into somebody who says something that changes everything. Nevertheless, he gets great performances from the actors including what we think could be Oscar nods for Kate Blanchett and maybe Ginger Hawkins. Chalk this one up to ano   ther Woody Allen movie worth seeing. (2013)

***

Don Juan DeMarco nf   – When we chose this film for our next Netflix choice, we thought it might be quite interesting to see two great actors of different generations interacting. We also heard that Brando played a psychiatrist, which is always of special interest to us. We encountered an extremely obese Brando (almost 70 years at the time) playing Dr. Jack Mickler, a psychiatrist working in an hospital in Queens,  New York 10 days away from retirement, who encounters Depp, 31 years old at the time but playing Don Juan De Marco , 21 years old on the verge of suicide, who believes he is the greatest lover in the world, having made love to over a  1000 women. The young masked lover relates his tale of growing up in Mexico and having fallen in love with his tutor at age 16 and then the circumstances which  led to his having to revenge his father’s death in a dual while defending his mother’s honor. He goes on to relate  the unusual story which this young lover of women has experienced in his short life. It is told with such intensity, sensitivity and almost believability that the good doctor reexamines his relationship with his wife (still beautiful Faye Dunaway) and their romance seems revitalized. The story was written and directed by Jeremy Leven who shared the writing credits with Lord Byron , who wrote the original Don Juan. The magic of this movie is both the empathy which Depp elicits for the tale of his life and the empathic feelings and identification which Brando conveys for his patient. The latter is in contrast to the psychiatric colleagues who are insisting on antipsychotic medication rather than hearing him out and understanding his story (which is something we do encounter from time to time  in well meaning colleagues in various mental health settings). In the end we had the pleasure of getting a taste of the subtlety that Brando could bring to a role as he performed in  the 35^th of what was to be a 39 film magnificent career. At the same time we saw Depp in his 12th film appearance which thus far has included 49 movies in which he often takes on as he did in this one, a very unusual and unique character. (1994)

***

The Way, Way Back- rm   It is not an easy feat to make a coming of age movie that gets grown adults to identify with a kid who is supposed to be 14 and barely looks that age. In our opinion Nat Faxon and Jim Rash (Oscar winning writers for the Descendants), the duo who wrote and directed this film (and also gave themselves small to medium acting roles in it ) successfully just did that with us. By the end we were rooting for the kid and had a tear in our eyes. Steve Carrell steps out of his comedic shoes and does a formidable job playing Trent, the intense but not quite true blue boyfriend of Pam (Toni Collette), who is taking  her son Duncan (Liam James) along with Trent’s  daughter to his summer New England beach house. Duncan is struggling with  his unhappiness with his divorced family and this summer excursion that he doesn’t want to be on. . They meet next door neighbor bubbly friendly Betty (Allison Janney) her son and daughter who become important characters in what unfolds. There are other summer people including a flirtatious housewife played by Amanda Peet. We begin to appreciate everybody’s situation and most of all how Duncan feels. The plot has a fairy tale quality but instead of a castle there is a big water ride and a bunch of grown ups who work at the water ride and befriend Duncan. The most improbable of this group is Owen  (Sam Rockwell). He is very funny, one of the supervisors of the water enterprise and immediately sensitive and insightful into the struggling Duncan. We would have to picture him as the big brother or ideal cool dad that we are sure Duncan  would have loved to have had . Owens’s girl friend is Caitlin (Maya Rudolph), a bit wiser than the others, but delightful. Two other workers in this water ride are blended into the story and are played as previously mentioned by the directors and writers of  the film. These director/writers should also get credit along with Mr. James who successfully inhabits Duncan for the sensitive depiction of the pain, suffering , determination and triumph that he projects on the screen  as he ultimately finds himself. (2013)

***

The Spectacular Now –sp    If you are ready for a film about high school seniors that don’t turn into zombies or are “glee” fully dancing and singing, this film might catch your fancy. It is based on National Book Award 2008 finalist by author Tim Tharp which was adapted for the screen by Scott Neustadter and Michael H Weber before a very thoughtful, intelligent director, James Ponsoldt was brought in to direct the film. The movie was R rated because the main  characters put whisky in their 7-up slurpies and have pocket flasks, talk about drinking and say and do things that high school seniors frequently say and do. Sutter Keely (Miles Teller) might not be the typical student but is probably one that exists in most high schools. He seemingly is the life of the party, first one in the pool with clothes on, goes through many girl friends, popular, well liked, not doing very well in school but he didn’t really care because he is “living in the moment.” Not surprising, he is from a divorced family being raised by single mom and never really had any role models. After he is dumped by his last girl friend he meets Aimee (Shailene Woodley) shy, not popular, smart, somewhat naïve and destined to change his life. We don’t know how their lives will ultimately progress (unless a sequel develops down the road) and one of us hopes that “therapy” would be in the cards for someone like Sutter. However, it  is the interaction between these two that provides us insight into Sutter’s personality, which gives this movie the depth and intensity to merit the attention of both young and older film viewers.(2013)

***

Edward Scissorhands  nf    We had missed this classic 1990 film so we put in on our Netflix list. It is a fairytale like none that we have ever seen or  heard before. Edward (Johnny Depp) is boy who was born with no hands  was brought up in an old mansion on the hill by his inventor father (Vincent Price) who outfitted him with scissor hands and died before he could invent and attach  real ones  for him. The Avon lady, (you know the one who knocks on doors to sell cosmetics) played by Diane Wiest, takes him home to her typical 1950s suburbia house down the hill from the mansion where she lives with her husband (Alan Arkin), son and daughter (Winonna Ryder) We come to realize that Edward’s handicap is also a wonderful talent as he can sculpt hedges, women’s hair and do lots of other things with his scissor hands. Hence, we are being taught something about differences in people and certainly they are not always what they seem to be. Fairytales often have a special love story, a villain and unexpected but understandable endings and this one doesn’t disappoint. This whole story originated in the mind of a young Tim Burton, who when he grew up, co–wrote the story as well as co-produced and directed  the film. Johnny Depp is  quite remarkable, in that he hardly speaks in the film but he conveys so much. Ryder also shows great  emotion and feelingwith her facial  expressions and Diane Wiest absolutely inhabits the Avon lady. The music by Danny Elfman sets the underlying haunting mood of the film, We certainly think it was still  worth seeing 23 years after it was made (1990)

****

Blackfish –sp  – Many of us have taken children to one of the Sea Worlds or other similar aquariums around the world and enjoyed with them the wonderful antics of the gigantic beautiful killer whales, known as orcas or blackfish, as they interacted with their talented trainers. This documentary film directed and written by Gabriela Cowperthwaite will change your understanding of that experience and may kill any desire to pay any such future visits. The film consists mainly of up close and personal interviews with several former Seaworld trainers intermixed with video clips of these killer whales (which can also  be properly identified as very large dolphins ) both in nature and in captivity. We come to understand that they actually are quite intelligent with larger and more complex brains than humans (seemingly in the part of the brain related to emotions), have methods of communicating by sound and are very family oriented as they exist in pods in nature. We follow the capture of one “small” baby whale, known as a calf as he is separated from this family much to their despair. This one is named Tilikum and we see video footage of him growing up and performing in captivity as we see others also in this position. They are trained by being confined to small places especially at night, rewarded by food (fish) or punished by the lack of it and molded into performing artists who seem to happily be interacting with their trainers to the delight of the public especially screaming appreciative children. Or are they?? We learn of some tragic “accidents” and see video clips of very clear incidents where trainers are injured and even one very experienced popular trainer, Dawn Branchaeau is actually viciously attacked and killed by Tilikum who is now the star of the show. It is suggested that we may be seeing frustrated dangerous animals who are living in unnatural circumstances. While the spokespersons for this multi billion-dollar industry has been trying to cover up and minimize these events, we learn of quite a different version. This film reminds us on one hand of the award wining film, The Cove. It may also be considered in the tradition of the great documentaries that first exposed the cigarette industry and certain aspects of the food or oil businesses. As in these cases, the things that have to be rectified don’t easily change. Just recently OSHA (the federal Occupational Safety and Health Administration) successfully sued Sea World to keep trainers behind barriers during shows. However this may be a drop in the bucket in an attempt to return these beautiful creatures to their natural habitat. In fact, they are now being artificially inseminated and bred in captivity. The full story is yet to be written but this documentary will open your eyes.  (2013)