***

Hidden Figures-sp

Prior to John Glenn’s historic flight circling the earth as the first person in orbit, something went wrong in the planning which required new landing coordinates to be calculated. Glenn asked NASA control to “have the girl check the numbers.” He was referring to Katherine Johnson (Taraji Henson) in this fascinating movie about the little known story of the role that black women played in the space program.

The setting was the early 1960s. There were still “for colored only” bathrooms in the NASA Government facility in Virginia. A group of bright, black women mathematicians were working in a segregated office doing work, supporting the program. Another one of these women was Dorothy Vaughn (Octavia Spencer) who was initially a supervisor in name only and deserved to be officially promoted to that position. Another black woman in this story was Mary Jackson (Janelle Monae) who despite being a recognized mathematician in the space program had to fight to be able to take some courses to qualify in order to get an advanced degree. At the end of the film, we learned that she ultimately became one of the top engineers in the NASA program. We also learned that Katherine Johnson at the age of 96 recently received the presidential medal of freedom for all her groundbreaking work at NASA.

So much credit deserves to go to Allison Schroeder and Theodore Melfi co-produces, who became aware of this story due to a book by Margot Lee Shetterly of the unknown situation where black women were excluded from positions which they deserved to hold in the NASA program. Fox Studios ultimately took on the movie and Theodore Melfi directed his vision of the story which was quite on target.

The cast was magnificent. In addition to the three women mentioned above, special credit should be given to Kevin Costner who played Harrison, the guy who ran the space program and headed up all the stuff at NASA that made things fly. We recall a cigar chomping Jim Webb who most probably this character was based on. There were also excellent performances by Kirsten Dunst, Aldis Hodge, Mahershala Ali, and Jim Parsons.

This movie should be seen by everyone in order to understand this piece of American history that has been overlooked for years. Although this was not, in and of itself a great film, the stellar performances and important story it tells are not to be missed.(2016)

**

Amy – nf

As you may know, Amy Winehouse came from a Jewish middle class family in England and became a world famous singer. She died of alcohol and drug use at the age of 27. This documentary film directed by Asif Kapala uses archival film and narrations by people who knew her. We see her as a four or five-year-old girl seemingly independent with a mind of her own which was characteristic of her as she got older. She was confident in her singing as well as in her writing lyrics and she brought to life the words that she wrote which described her life and world around her.

We really were not shown enough to understand her family dynamics. Her parents divorced when she was 10 years old and her father was shown trying to control her career and her mother seemed to be a loving woman in the background. While her music was meaningful to a very large audience, her personal relationships seemed quite troubled. Blake, her boyfriend, then husband and then ex-husband who also spent a few years in jail, brought her deeper into drugs as she got older. Amy was an interesting young woman who had a meteoric rise and then fall. However, we are not really provided with in-depth interviews of the significant players in her life. Perhaps some future biography will provide this. The film, of course, was mostly in a foreign language (British English). Subtitles were frequently provided especially when she sang but not all the time. So occasionally, we would not know what was being said on the screen.

The highlight of the movie was a video segment showing Amy and Tony Bennett working in the studio to produce a recording of their duet by them. Bennett said that he thought Amy Winehouse was one of the greatest jazz singers of all time alongside of Ella Fitzgerald and Sarah Vaughan. (2015)

*****

Fences-sp

August Wilson is a Pulitzer Prize winning playwright who died in 2005 at the age of 60. He originally wrote Fences for the stage. Wilson had an unusual propensity for capturing accent and dialogue in all his plays. In 1987, James Earl Jones starred in Fences on the Broadway stage where it won a Tony Award. It was more recently recreated on Broadway and received critical acclaim starring Denzel Washington, Viola Davis and much of the same cast that now appears in this movie. August Wilson wrote the screenplay for this movie, but died before it could be brought to fruition as a movie. It was Denzel Washington who persisted and connected with Scott Rudin to produce this movie which he directed and co-starred with Viola Davis, and were joined by some of the other actors who played their parts on the stage.

As is characteristic of Wilson, the dialogue in this film is breathtaking. It wonderfully captures the life circumstances, the dilemmas and the character of so many people living in this setting. In this situation, it is a struggling, mostly black people in a poor but proud Pittsburg neighborhood in the 1950s. It is no easy task to not only capture the dialogue and nuances of the written word, but to also project the character of these individuals. There is no doubt in our minds that Denzel Washington and Viola Davis should be nominated for Oscars for their work in this movie. The cast of veteran stage and movie actors who played a close family friend (Jovan Adepo) as well as  family members  were Mykelti Williamson, Stephen Henderson, Russell Hornsby and Saniyya Sidney. They were all superb. The movie is 135 minutes long, but the story and setting will envelope you and you will be caught up in this wonderful intense and poignant production. (2016)

*****

La La Land – rm

This movie makes the statement that Los Angeles is where dreams are made and are broken and yet it is the city where anything can happen. This is a movie in the tradition of Gene Kelly, Fred Astaire, Ginger Rogers, Cyd Charisse and reflects so many great musicals of the past that have come across the silver screen.

Emma Stone is Mia, a young woman who works in a coffee shop on a big movie lot and aspires to be an actress. So many times she seems to be just one audition callback away from starting on the road to her dreams. Ryan Gosling is Sebastian, a musician who masterfully plays piano and keyboard and could be a great modern musician but he really favors old-fashioned jazz. He would prefer the music that was played in small clubs in days gone bye where each session was a creative story onto itself.

This movie is filled with  great music. The characters break into dance and song quite spontaneously and, believe it or not, there is nothing that seems unnatural as they glide or tap across the screen singing and swaying with each other. Despite some stereotypical dialogue, you will get drawn into the storyline quite easily. We can just about guarantee that while at times you may not be sure if you are watching a dream unfold, the story will touch you and probably bring tears to your eyes.

Stone and Gosling have certainly mastered the song and dance. Great credit for this movie goes to director/writer Damien Chazelle (known for his direction of the movie “Whiplash”). The photography was magnificent and very skillfully directed by cinematographer, Linus Sandgren. Credit for the songs and original score goes to Justin Hurwitz with lyrics by Benj Pasek and Justin Paul. Don’t miss the opening sequence. It shows LA at its best and worst, and what seemed to be one of the longest, continuous, complicated takes in movie history (there probably was some editing here but it didn’t look like it to us). This movie deserves the Oscar hype that it is getting. Don’t miss it. (2016)

****

Land Of Mine

We just had the opportunity to see Denmark’s entry for the Academy Award for best foreign film this year and we met the writer/director, Martin Zandvliet and one of the producers, Mikael Rieks. This is a very well-done movie, but what stands out about the film is learning a previously little-known aspect concerning World War II and the unique ethical dilemma which the film spotlights.

Towards the end of World War II, the Germans anticipated an Allied invasion of their occupation of Europe and thought it would likely occur on the shores of Denmark which would give the Allies the shortest distance to Berlin. The Germans planted hundreds of thousands of explosive mines on the beaches of Denmark. Of course, instead, the Allies successfully invaded at Normandy. Once the war was over, the Danes were faced with a dilemma of how to go about the dangerous task of removing these deadly explosive mines. They chose to use thousands of German prisoners of war, many of whom were young teenage soldiers who had beenconscripted into the German army towards the end of the war in a desperate attempt to fight off the Allies.

So now the Danes were forcing these mostly young prisoners of war to learn how to do the dangerous task of defusing the enormous number of mines on the coastline. You also may want to consider if there is  a valid question whether such forced life-threatening labor is against the treaties signed at the Geneva Convention.

So if this movie accomplished nothing else but to highlight this fascinating ethical dilemma, it would deserve to be seen. However, the production did this in a very personal and dramatic fashion. Most of the movie focused on a group of about a dozen German prisoners of war, most of whom appear to be young teenagers, perhaps as young as 15 or 16 who are under the command of a Danish soldier Sergeant Rasmussen (Roland Moller). Most viewers who appreciate the inhumane treatment to millions of people by the Nazi invaders of course might understand the initial harsh treatment by the sergeant of his captors as he trained and forced them to undertake the mine-clearing task.

However, the added dimension of this drama being played out on the screen was the viewers’ empathy for these young prisoners of war who shared dreams and aspirations of returning home to their families. Not surprising, the Danish sergeant himself, begins to understand his young prisoners and even care about them.

So our emotions are stirred up as we appreciate a great conflict and we can identify with the characters on the screen. There is drama, tension, and excellent photography by Camilla Hjelm Knudsen who is the wife of the director/screenwriter. We come away with a little more insight into history and human nature which adds up to a very good film. (2016)

****

On The Edge Of Seventeen-sp

This film is very effective as it smoothly slides the viewer into the mind of a 17-year-old high school girl. We appreciate her desire for friends, perhaps being sensitized by some childhood experiences of being bullied. Then there were other potential conflictual events that can happen in any teenager’s life in high school. But as much as the audience was getting a feel of this life stage and perhaps being reminded of their own individual experiences, this movie inevitably became the story of this one girl, Nadine (Hailee Steinfeld), and how she had to deal growing up with a “perfect” older brother (Blake Jenner) and a far from perfect mother (Kyra Sedgwick) as well as all the events that transpired during her 17 years of life. As any therapist can tell you, there is no truly typical teenage girl. We are all a function of our family dynamics and subsequent conflicts and fantasies. We all emerge from this life stage with varying degrees of subsequent mental stability which will then influence the next generation. Sometimes an experience in therapy will help unravel the painful missteps and unpredictable events that occur as we attempt to navigate this life stage.

Miss Steinfeld, who turned in an outstanding performance, is certainly already a rising star. She received great recognition at age 14 when she was nominated for an Academy Award for her supporting role in True Grit and has made starring appearances in many subsequent films. Woody Harrelson was also excellent in this film as the thoughtful, sensitive high school teacher and Haley Lu Richardson did a great job as Krista, the girlfriend. Screenwriter and director, Kelly Fremon Craig has given us a great story and done a very good job presenting it. The photography in this movie was magnificent. While you might not pay close attention to the music during the film, there was a constant flow of it in the background influencing our unconscious. The overall experience of this movie was a powerful and enjoyable one. (2016)

***

Center Stage-nf

In addition to now being a TV network, NetFlix still offers subscribers the ability to reach into the past and request a DVD of a movie or an online play which we may have missed when it came out, or is about a subject that has great appeal to us. SB has always been a lover of ballet and all dance, so she pulled the trigger on this one. We both were not disappointed with this 16-year old film about the audition process to be chosen as a dancer to a topnotch ballet company. The setting is New York City, and any New Yorker will immediately recognize the streets surrounding Lincoln Center, where the American Ballet Theatre has its home.

Ballet stars start at a young age and most of the young faces in this film may not be out of their late teens. The storyline shows each aspiring dancer, male and female, having their own personality and their individual story. Some of the conflicts may be predictable and familiar, but they held our interest and drew us closer to the characters. However, the star of this film was the great dancing of this ensemble and the outstanding choreography.

While we didn’t recognize any of the cast, we suspect that many have gone on to great careers in professional dancing around the country. One outstanding male dancer, who is well-known at the time the movie was made, was Ethan Stiefel. Also, Zoe Saldana who played a rebellious young dancer, became a well-known actress who starred in two subsequent Star Wars movies as well as other big hits. Nicolas Hytner, the veteran British director, captured the great dancing throughout the film but also kept the pace of the storyline moving along quite well. There were no big surprises in the plot, but if you signed up for a dance movie, you will not be disappointed, especially with the finale. (2000