****

The Post

This movie tells a great classic American story with outstanding lead actors a strong supporting cast and of course it has Steven Spielberg as director. We approached this film with very high expectations. After its sluggish start, where we weren’t sure who were all the characters and what exactly was going on, we soon got with the flow and we were not disappointed. We trust the filmmakers, so we believe this is a true behind-the-scene story which those of us who can recall the time and the events, did not know all the details.

If you know anything about these historical events, a government worker by the name of Daniel Ellsworth (Matthew Rhys) leaked secret documents to the New York Times and Washington Post which reveal a government study showing that the United States could not expect to win the Vietnam War. This had tremendous implications since this would mean that subsequent United States military deaths and casualties would serve no purpose.

The drama centered around Katharine Graham (Meryl Streep) who inherited the ownership of the Washington Post and had to make the decision whether or not to publish these papers and Ben Bradlee (Tom Hanks) the heroic editor of The Post who advocated publishing the story despite possible risks to the newspaper and staff. There was an important back story as the viewer came to appreciate that Graham found herself in the unexpected role for a woman of her time and rose to the occasion. One of us was disappointed that part of the story, which involved Daniel Ellsworth’s psychiatrist, was not explored. Much of the drama in the movie involved phone calls often in the evening, which will have to be explained to any younger generation you might bring to the theater as they used “dial phones” “Princess phones” “payphones” which will be totally unknown to anyone under 40 who of course only has been familiar with cell phones (2017).

***

Battle of the Sexes-sp

Most of you may know about the story of the tennis match between Billie Jean King and Bobby Riggs in 1993. We have memories of the time and the famous event that took place. However this movie does capture more than a battle between a talented, skillful female tennis champion standing up to an older male, retired professional tennis player who was a male chauvinistic showman who thought he could laugh his way to making money and putting down women. This story and this well-done film shows us the beginning of the Women’s Movement and also the glimmer that eventually grew to a shining light where gay women could eventually be themselves. This goal still had a long way to go in the 1970s when this story took place.

Emma Stone was excellent as Billie Jean King and Steve Carell could not have been better as the clueless self-proclaimed, “Man” of the hour. Andrea Riseborough was very good as Billie Jean’s intimate confidant and hair dresser. The excellent supporting casts included Nathalie Morales, Bill Pullman, Elizabeth Shue, Alan Cumming and Eric Olsen. The movie was directed by Jonathan Dayton and Valerie Faris with the screen play by Simon Beaufoy. The dramatic tennis matches which were shown in the film may have used actual archived footage, which certainly added to the excitement of the movie. This story deserved to be told and we are sure that it will have an important place in cinematic history about the role of women in sports and in American culture as well as memorializing an exciting key moment in time. (2017)

**

Film Stars Don’t Die in Liverpool

This film is an example of really great acting by the two leads who both captured the personality of their interesting characters, but in our opinion the movie experience fell flat and did not hold our interest.

The movie is based on a true story about a well-known movie actress, Gloria Grahame, who won an Oscar for best supporting actress in 1947. She had four marriages and four children from three of her husbands. She apparently was very “young at heart” as her husbands’ tended to be on the younger side and one of them was a stepson of an ex-husband.

This movie was about Grahame’s last relationship, which was with a young actor, Peter Turner, who wrote the book upon which the screenplay by Matt Greenhalgh was based. Turner was played by Jamie Bell and Gloria Grahame was played by Annette Bening. The story encompasses the time of their relationship with flashbacks to when they met and we follow her in failing health, which we are introduced to as the film opens. (You need not be concerned, as the heroine does not die in Liverpool.) Director Paul McGuigan used period music to establish various moods of the film. Bening showed the appeal, which made us understand why the younger man was drawn to her. A supporting cast of Julie Walters, Kenneth Cranham, Stephen Graham, Frances Barber, and even a brief stint by Vanessa Redgrave where as they were excellent as they should be.

The premise of the film held interesting promise. It provided some understanding of the feelings and chemistry of both characters. But in the end, we found the movie lacking and we were not sufficiently touched or moved to urge our readers to put it on your list of films to see. (2017)

*****

The Shape of Water

This is an unusual conglomeration of a movie set in the 60s, combining a science fiction and fantasy genre with a classical cinematic musical, mixed with a cold war spy thriller. Much of the story takes place in some kind of a government facility where Eliza (Sally Hawkins) a mute cleaning woman works. She happens in on a government research project where a gentle monster of an amphibian man (Doug Jones – not the politician) is being housed. They communicate with silent gestures as two kindred souls. Meanwhile in the background there is a tough government official (Michael Shannon) who seems to be against everyone who is not patriotic. There is the spy but really a good person (Michael Stuhlbarg), a sympathetic fellow cleaning lady (Octavia Spencer) and a lonely neighbor artist (David Hewlett). We get the feeling that perhaps this is a satire, which is confronting a political climate where people who are different are marginalized. (Sound Familiar?)

This unusual story is written by Guillermo del Toro, who directed the film and also co-wrote the screenplay with Vanessa Taylor. Sally Hawkins did a knockout job despite playing a mute woman (she did appear to sign quite proficiently and actually had a chance to do a spot of singing and dancing quite beautifully in a fantasy scene). The story will pull you in and touch your emotions with its content and with the period music. It goes to show you that despite the unlimited choice of entertainment on television, movies are still better than ever. (2017)

*****

Wonder-rm

It might not be too difficult to remember your feelings or your children’s anxiety at the time of the first day of school. In this case it is magnified exponentially as we see the situation through the eyes of a young boy who has facial deformities since birth. In addition he has been home schooled by his mother (Julia Roberts) until he is now starting fifth grade. This movie is based on a bestselling novel by R.J. Palacio, which has been extremely popular with both parents and children.( See Book review – Age 10 in 2014) In fact after Ms. Roberts read this story to her children and heard that the movie was being made, she wanted to play the mother.

The storyline follows the experience of this young boy Augie Pullman (Jacob Tremblay), as he encounters his new classmates. We also appreciate the complicated reactions of other kids both boys and girls in this New York City Prep School. In addition, we gain insight into his oldest sister (Isabella Vidovic), who has been growing up with a brother she loves, but yet whose circumstances have indelibly shaped her relationship with her parents (Julia Roberts and Owen Wilson). We see how not only does Augie and his family have to deal with the challenges of the boy’s life circumstances but so do his teachers, the school principal (Mandy Potankin), classmates and some of their parents.

Accolades have to be given to Jacob Tremblay, the star of this movie who was ten years old when the film was made. In his young career he has been in several well-received movies including The Room for which he received critical acclaim. Director Stephen Chbowsky also deserves recognition not only because that should be the case whenever a young child actor stands out but also because he co-wrote the screenplay and directed a very complicated emotional story.

We both felt  that we were not only experiencing a very well done movie that was examining children and adults’ complex understanding in responses to one of the sad and unusual variations of the human condition but we also were deeply and visceral touched and brought to tears by how the story was played out on the screen. (2017)