****

The Divine Order

The suffrage movement, women’s rights and women’s liberation is one of the most dramatic and heartwarming stories of American history. It also resonates in a country such as Switzerland where women did not have the right to vote until the 1970s. Screenwriter and director Petra Volpe shows to focus on the particular process around a countrywide referendum whether women should have the right to vote. The story takes place in a small town in Switzerland and follows Nora (Marie Leuenberger), her husband Hans (Max Simonischek), her sister-in-law Theresa (Rachel Braunschweig), their family and mainly the women of this town. The story touches upon the changing traditional roles between men and women. It highlights generational differences and even puts the focus on women’s new awareness of their own bodies. The moving storyline about the interpersonal relationships as well as the emerging self-awareness of both men and women will push your buttons and touch your emotions. This has all the hallmarks   of a well done successful movie which is worth seeing now and preserving for future generations. (2017)

****

Wonder Woman – rm

You take a $149 million budget (which thus far has earned six times that amount), pull together a cast and crew with behind the screens technicians probably totaling at least a thousand people (based on the credits), put it together in at least four different countries (USA, Italy, Hungary and New Zealand) and build a story around a character who has been a heroine to at least three generations of girls and you get magnificent Wonder Woman! (Gal Gadot) She, of course, can leap buildings in a single bound (like Superman did), can stop bullets with her wristband or even catch them, has super strength and of course she has a magic lasso which will make anyone tell the truth.

We meet our heroine as a young girl as she is training to be an Amazon (all powerful women) on a secret island. It is during World War I and a British pilot (Chris Pine) on a spy mission is being chased by a flotilla of German boats with lots of German soldiers. He crashes into the water and is saved by our heroine who fights off the pursuing Germans until the other Amazon women come to help and wipe them all out. But our spy knows that the Germans have a new secret weapon that involves a deadly gas and he must, get the news back to the Allies. They’re in a tremendous battle, a confrontation with the evil of all evil men and many other things that you can imagine.

But the real heroes and heroines of this film have to be the behind the scenes technicians who produced the tremendous special effects that are throughout just about every scene with appropriate sound effects and music. This is all under the direction of Patty Jenkins with a screenplay and story by Zack Snyder and Allan Heinberg. There was an excellent supporting cast including Robin Wright, Connie Nielsen, Danny Huston, David Thewlis and many others.

We understand that most women viewers have been quite touched and even tearful at the end of this film and the female member of our duo was also moved. We don’t know if many guys felt that way and it could be a whole new discussion figuring out what this film is tapping into. But all should agree that we are seeing a classic and there will probably be a sequel (2017).

**** 

I Am Not Your Negro-sp

In 1979, the esteemed writer, James Baldwin, proposed a book to his agent which would deal with the life and death of Malcolm X, Medgar Evers and Martin Luther King. He only got around to completing 30 pages of this book and he died eight years later in 1987. Director and Screenwriter, Raoul Peck, picked up the ball and constructed this documentary film using the beginning 30 pages plus clips of Baldwin and other important voices on the subject and brought in Samuel Jackson to do the voice over. He constructed a story that highlighted the oppression of blacks in this country dating back to slavery and moving forward to the modern civil rights movement in which Malcolm X, Evers and King made such major contributions each in his own way.

This is more than a review of history. It captures how Baldwin and others have felt as they were denied the freedoms (overt and subtle) that so many Americans take for granted. His passion comes across so clearly whether it is in viewing clips of interviews with him on the Dick Cavett Late Night Television Show or the voice of Samuel Jackson as he speaks through the written words of Baldwin and the director/writer Peck. There are appropriate film clips from classic American films which include well-known actors, as well as newsreels which show Evers, King and Malcolm X making their indelible mark on American history.

We would like to say that this is all past history. Baldwin died 30 years ago and the three subjects of his proposed book are gone even longer. While these great men and many others have brought us much closer to a time when racial discrimination would be ancient history, we are not there yet. This documentary film which was nominated for an Oscar as best documentary film last year will allow its viewers to reflect about contemporary times and consider what still has to be done. (2017)

***

THE FLORIDA PROJECT-nf

The amazing aspect of this movie is the great accomplishment of director Sean Baker, who also co-wrote the screenplay with Chris Bergoch, in assisting six or seven-year-old Brooklyn Prince to play Moonie, the perky daughter of an immature but loving tattooed mother (Bria Vinaite). They live in a motel named Magic Castle Motel, a stone’s throw from Disney Land. You may remember Mr. Baker’s previously well-received low budget movie titled Tangerine which was about transgender prostitutes and was shot with cell phones. The budget for the current film has obviously been upped and brings aboard William Dafoe who does a great job as the kind, compassionate motel manager. There are a bunch of cohort children living in the motel and they are partners in crime with lovable Moonie. Mr. Baker has once again shown us the underbelly of society which is before our very eyes but most of us never see it. We wanted the film to end in a happy romp in Disney World but imagined some terrible accidental or purposeful tragedy would occur. We didn’t leave the theater with any satisfaction but imagine some of you might find it in the spotlight that the movie puts on our societal shortcomings. (2017)