***

Summer 1993-sp

This is a personal story of the writer/director Carla Simon. The movie tells a story of when she was a little girl and her parents died of AIDS at the height of the HIV epidemic which in Spain was in 1993 (a little later than in the United States). She was sent to live with her uncle, aunt, and a younger cousin and had to deal with her inner turmoil at this very tender age. It was quite an accomplishment that the director/writer was able to find a seven-year-old girl, Laia Artigas to play her at this young age as well as a four-year-old, Paula Robles to play her younger cousin Anna. These child actors joined Bruna Cusi, David Verdaguer and Fermi Reixach, who play some of the other members of her family. The story line shows the everyday interactions of these two younger girls mostly with each other but also with Frida’s aunt, uncle and also with the grandparents who come to visit.

It is rare that the personal emotions of a young child are captured so well on the screen. Perhaps it is even more of a feat that the movie was made in Spain, in Catalan with English subtitles. As much as we admired the unusual cinematic accomplishments of bringing the inner feelings of young girls to the screen, we felt that the 96-minute running time to watch them play and cry may not have been worth the time spent watching it. (2018)

*****

RBG-rm

When you view an outstanding documentary film such as this one, you might wonder whether it was excellent because of the subject or was it mostly due to the work of the filmmakers. In this case it was clearly both. Ruth Bader Ginsburg is a remarkable woman who came from Brooklyn with the support of family and a brilliant mind. She attended Cornell University a few years before one of us was there(SB) and was one of the increasing number of her generation who was not just going to accept the traditional role of women. She was one of the few women to be accepted to Harvard Law School. She married a great guy who encouraged her career early on and throughout their lives. They were able to jointly raise their children in a very successful marriage. She even transferred from Harvard to Columbia Law School so her husband could accept the job at a New York firm. She soon found her issue which was close to her heart and which deeply resonated within her. That was the equal rights for everyone, including women. She ultimately  became the second woman appointed to the Supreme Court. 

The filmmakers, Julie Cohen and Betsy West, didn’t just tell us about her brilliance but made it come to life with film footage, of her and others discussing court decisions in addition to painting a wonderful picture of her personal life. The movie was interspersed with familiar faces such as Gloria Steinem and Nina Totenberg who were able to reflect and put her ongoing life in perspective. The viewer could experience her life and the development of her thinking almost as if we were living with her. Great job. Great film. Great person. (2018)

****

Book Club-sp

It is a rare phenomena that we will see four outstanding veteran actresses star in a film with each of them having roles portraying an in-depth character who has an arc of development and change.

Screen writer and first time director Bill Holderman teamed up with Erin Simms to co-write and co-produce this movie. They won over Diane Keaton, Jane Fonda, Candice Bergen and Mary Steenburgen to come together in this movie about relationships, love and sex in women of a certain age. The well-known male actors who joined this romantic film were Andy Garcia, Craig T. Nelson, Don Johnson, Richard Dreyfuss, Ed Begley Jr. and Wallace Shawn. In case you are curious about the name of the book the “Book Club” was reading, it was “Fifty Shades of Grey” although the film was not R rated.

We predict that in addition to being a big hit with the older demographics, word will get around that this film will have great appeal to romantics of all generations and it will be a great success. (2018)

*****

The Seagull

This classic Chekhov story became fascinating movie with an excellent screenplay by Stephen Karam, very skillful directing by Michael Mayer, superb musical background Nico Muhly and Anton Sanko and of course an outstanding cast. This group of mostly veteran actors and actresses were top notch. They include Annette Bening, Saoirse Ronan, Billy Howle (his first film), Corey Stoll, Elisabeth Moss, Mare Winningham, Jon Tenney, and Brian Dennehy.

Chekhov and his team, which adapted his work, examine human interaction and emotion in what could be a class for students of human behavior. In particular, Ms. Bening’s character, Irina, is a textbook example of narcissistic character where her self-love ultimately destroys herself and her son. Also, there is a fascinating and penetrating study with multiple examples of unrequited love and the pain which this almost universal experience can bring. If you like this type of a psychological study, you will find this cinematic experience to be quite captivating. (2018).

****

Little Pink House

Whether you are an on-the-ground activist, a student of law, or an activist at heart, you will be drawn to this movie. It is a docudrama that tells the true story of Susette Kelo (Catherine Keener), a woman who worked as a dedicated EMT, had just been through a second divorce and found a quaint fix-up house in New London, Connecticut on the water where she decided to settle and build her life. Needless to say, the finishing touch on her hard work of fixing up the house was to paint the exterior pink (hence the film title).

And now the plot thickness. Pfizer pharmaceutical company begins to work out a plan with the town fathers to build a new large plant in New London. This has the potential to bring new revenue and jobs to this town which could well use the infusion. The viewer then becomes introduced to the term from the United States Constitution called Eminent Domain. A group of home owners, mainly elderly, are now threatened with either being forced to sell their home or be evicted.

Ms. Keener plays her character quite well as she becomes the symbol of the embattled home owners with the support of her boyfriend, Tim (Keith Rennie) and her lawyer Scott Bullock (Giacomo Baessato) against the Director of Corporate Development (Jeanne Tripplehorn), the city attorney (Jerry Wasserman), and the governor (Aaron Douglas).

Director and writer, Courtney Moorehead Balaker, leads this band of actors to the Supreme Court of The United States where the case is settled (at least for the time being). This adventure is a worthwhile cinematic experience (2018).