**

The Mustang-rm

There is a program in a western U.S. maximum-security prison where inmates can learn how to train a wild mustang horse. If they succeed the horse can be sold at auction. Horses that can’t be tamed are often euthanized.

We meet Roman Coleman (Matthias Schoenaerts) a somewhat taciturn violent prisoner who becomes involved in this program. There are interesting well-photographed scenes where we see the trials and tribulations of men working with their horses. There are short but well-done supporting roles by Connie Britton a prison psychologist and Bruce Dern who plays the old guy who tells the prisoners how to train their horses.

Unfortunately, we learn very little about the previous background of the main protagonist as we are just given fleeting glimpses of what happened to him and his relationship with his adult daughter (Gideon Adlon) who visits him periodically in the prison. We learn essentially nothing about the other prisoners who are participating in the program and must have stories to tell.

Seeing a wild horse show some recognition to the human trying to train him is a touching emotional experience but is not enough to carry this film and make it worthwhile. We feel that the storyline failed and therefore the movie failed, however, well directed by Laure de Clermont-Tonnerre. Even though there were some great scenes of horses running wild or even cozying up to their trainer, we just cannot recommend this movie. (2019)

Any comments are welcome in the section below 

***

William-sp

Certainly, this story is one of the most creative and imaginative movie plots that we have seen in a long time. Two professors at a university who ultimately become a husband and wife (Maria Dizzia and Waleed Zuaiter) are interested in certain characteristics that they believe existed in the Neanderthals who inhabited the earth before the homo sapiens dominated them and led to their extinction. These scientists have found a method of extracting some of the DNA from artifacts still existing and injecting them into a biological specimen that can become a human embryo to be carried by the women professor. This leaves to the birth of William (Played by Will Brittain and Callum Airlie). However, William seems very bright but with some limitation in his ways of thinking. He ultimately develops into a high school student. William, however, does seem to be “different” which he himself acknowledges. This concept is one of the themes of the movie. We believe that the movie is trying to make a statement that the majority of people look in a negative way at those people who are different. There is also the the underlying question of how we might have been developed as a human race if the Neanderthals had dominated over our ancestors.

Tim Disney, whose grandfather gave us one type of a fantasy land has worked hard to put together a story with another type of an imagined premise. His direction was on the mark assisted by a very talented team with camera work by directors of photography Nelson and Graham Talbot and some very creative design work including some prostheses for William lead by Daren Luc Sasges . There is also appropriate, somewhat haunting music background by Craig Wedren which rounds out this very well-done production. However, we suspect that not everyone will be completely satisfied with this imaginative experience (2019).

Any comments are welcome below

****

Best of Enemies-rm

This is ultimately a feel good movie, but it is hard to believe whether this is a true story that went down as it is depicted in the film. Truth is stranger than fiction and the movie is based on a  story, which was confirmed at the end of the film by showing us some clips of the real people.

The setting is Durham, North Carolina in the 1970s. The Ku Klux Klan is active and we meet the local Klan leader, C. P. Ellis (Sam Rockwell). We also meet a local black activist, Ann Atwater (Taraji P. Henson). Both of them are about to clash after a fire makes the black grade school uninhabitable. There is great conflict as the local city council has to decide what to do since the white folks do not seem to want to share their grade school with the black children who have lost their school.

We never heard the term “charrette” before. It refers to a meeting in which the various sides of a conflict get together to resolve the conflict and work out a solution. The local city council brings in a “charrette expert”, Bill Riddick (Babou Ceesay) who sets up a committee to discuss and vote a solution. The “coaches” of the committee were appointed to be the clan chief and the black activist. We get a glimpse of the back story of some of the characters especially the clan leader who has a hospitalized developmentally disabled child. We also meet a local white pharmacist who is the member of the committee and he himself has hired a black Vietnam war buddy to be his assistant manager in his pharmacy. We see that the local clan group likes to practice shooting guns and are prone to intimidate white people who are sympathetic to blacks.

You might say that the story line is somewhat predictable, but it still created a strong emotional impact on us, which was made even more powerful as we learned more about the real people upon whom these characters were based as we saw them speak during the credits.

Director, Robin Bissell certainly knew how to pull our emotional strings and Mr. Rockwell and Ms. Henson may get some award nods for their performances (2019).

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*****

The Chaperone-sp

Elizabeth McGovern not only played the role of the chaperone in this movie but she actually chaperoned this film project to fruition after reading the book by Laura Moriarity showing it to Julian Fellowes and Michael Engler who were the writer and director of Downton Abbey and who then took on these roles with this movie.

The story opens in 1922 in Wichita, Kansas, where a talented teenage dancer (Haley Lu Richardson) from a well to do family has the opportunity to go to New York City and study with a prestigious dance school for a few months. Her family requires that a chaperone should accompany her and a neighbor, Mrs. Norma Carlisle (Elizabeth McGovern), is ready to take a break from her husband and volunteers for the job.

A cross country train trip sets the mood for their exciting time in New York City where well-dressed people parade in midtown Manhattan, the Prohibition laws are disregarded behind closed doors at various clubs and romance appears in unexpected places. In addition to being a delightful view of New York City about 100 years ago, the story reflects meaningful psychological issues that both the chaperone and her charge have to confront. Surprises, along with some in depth insight into the two main characters all add up to an excellent movie. (2019)

Your comments on this review or the movie are always welcome in the section below