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POTICHE – nf  (French with English subtitles)

Potiche is a French word which refers to a person, a man or a woman (although in this case, it is a woman) whose function is purely decorative and who has no power at all. This is obviously meant to refer to Suzanne Pujol (Catherine Deneuve), wife of Robert Pujol (Fabrice Luchini), manager of the family umbrella factory. He is kidnapped by union zealots who are demanding better pay and working conditions. They are led by a communist member of parliament (played by another French superstar Gerard Depardieu). Although this film was made in 2010, the setting is the late 1970s and the film is clearly about the changing role of women. Deneuve’s character is a beautiful mature woman with two grown children played by Jeremie Renier and Judith Godreche, is initially referred to as the “trophy wife” but when her husband after being freed from his captivity is incapacitated by a heart attack, she takes the role as manager of the factory and chief negotiator. Being a French film, we should be not surprised that her husband of course, has had many affairs including a current one with his secretary, Nadege (Karin Viard). Of course his wife (Deneuve) has had her share of trysts in her day and there is even some question about who is the father of her son. But the real intrigue and strength of this movie is the evolving of Deneuve’s character as we come to understand her and see her relate to her family, former lover, and to the new era for women. This film is punctuated by Deneuve, in character, singing a song at the end of the film which captures the uplifting theme of this movie which was directed by Francois Ozon.  Since you will most likely view this film on Netflix, we highly recommend that you watch the special feature which shows many in-depth clips about the making of the film. You will see the director and the well-known French actors and actresses professionally plying their trade but also informally interacting with each other and the crew. This is a worthwhile viewing experience in and of itself. (2010)