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This Is Where I Leave You– rm This movie recreates the novel by Jonathan Tropper who also wrote the screenplay for this film. He is true to the characters he created but the difference is that they are now inhabited by an ensemble of some very talented actors. The story line is that the patriarch of the Altman family has died and the wife (Jane Fonda) calls back her grown children to return to the family home and sit Shiva for a week, which she says was the father’s request. In the course of this expedition we learn about each of them and their relationships and also see how they feel about each other. The main focus and is on Judd Altman (Jason Bateman) who early in the film walks in on his wife having sex with his boss (Dax Shepard who is well know to Parenthood fans as Crosby Braverman). In a sensitive performance Judd not only must reevaluate his relationship with his wife (Abigail Spencer) who has a little surprise up her uhh “ sleeve” but also deal with his reawakened feelings for his old hometown girl friend Penny (Rose Byrne) who is even more appealing than he remembered her as she spins around the old ice skating rink. The youngest brother in the Altman family, Phillip, is played by Adam Driver (known as one of the guys on Girls). He is more or less the unsuccessful playboy type. He comes home in a Ferrari bought by his latest older but beautiful and successful girl friend, Tracy (Connie Britton) who accompanies him. Driver’s performance provides the gathering of the clan with energy and humor. The opposite is shown by Paul Altman (Corey Stoll) the older brother who had stayed with his late dad to run the family store. He is in a thus far unfruitful marriage with Alice (Kathryn Hahn) who injects some humor as the very desperate but devoted wife who would even try to get Judd who has enough troubles on his own, to help her make a baby. There is not much humor coming from the sister Wendy Altman (played by usually hilarious Tina Fey). Wendy has two small kids and a husband who is preoccupied with his phone and business. She tries to buck up other family members while reflecting on the past on seeing her old neighbor Horry (Timothy Olyphant) who had been her boyfriend until he had suffered a head injury in car accident while she was with him. So these are the four siblings who return home for the Shiva which by the way is more or less supervised by the local rabbi (Ben Schwartz) who happens to be a childhood friend of the sibs and they keep referring to him by his youthful nickname “boner“ so labeled because he always had one. We should mention that Hillary Altman (Jane Fonda), the widow and matriarch of the family is played as a tough but caring woman who is a therapist and had written a well received book now having a 25^th anniversary edition, which used the family members childhood and adolescent secrets as examples in her text. Needless to say they haven’t been very happy about this, nor do they appreciate her frank talk about sex and the causal and open way she will display her breasts. (This must somehow be related in some way to Ms. Fonda’s well-known bout with breast cancer and plastic surgery. “Credit” here must be given to director Terry Stacey. In the end we are left with a movie that introduces us to a bunch of family members all of whom are having problems. They do seem to mostly care about each other but don’t really know where they are going, nor do we. As one of us said when we reviewed the book:  In the future when the author comes up with an intriguing story line and adds his uncanny ability to capture inner feelings and thoughts, I believe he will bring his writing to a  new award winning level.  Any future film based on such a book will stand a chance to rise to the to the top. Not this one.

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Draft Day- rm You have to give credit to a movie that comes up with an original theme about which millions of Americans will feel great passion. The subject is football and one of the most important, if not crucial days of the football season, which is the NFL Draft Day. In this fictional story, leading up to this day, Sonny Weaver (Kevin Costner), the general manager of the Cleveland Browns, trades away his team’s number one draft pick, for three years of future number one picks. Which player he chooses with that pick, who he doesn’t choose and the drama behind all the deals and horse trading that does go down, is the essence of this movie. Costner is supported by Jennifer Garner who plays his girl friend. She is a football executive with the Browns in charge of keeping track of the “cap” (football fans will know what this means). Dennis Leary plays the coach of the Browns with the Super Bowl ring and a million dollar salary, who is supposed to lead next year’s team to that very Super Bowl. Only he is not so sure that he likes Weaver’s intended draft picks. Speaking of million dollar salaries, Roger Godell the real Commissioner of the NFL, who is known to have a multi-million dollar salary, plays himself in the movie (obviously not for the money). By coincidence, the day that we saw this film on a cross-country air flight, the NFL is in the headlines as Roy Rice, an NFL star, has been suspended for punching out his fianceé, which was caught in an elevator video. There is a somewhat related theme in this movie, as the question is raised of how should the character of the potential draftee influence whether he is chosen as a high draft choice as compared to being chosen solely on the basis of his athletic accomplishments. You can guess which one wins out. The film is directed and co-produced by Ivan Reitman (Ghostbuster I and II and other mainly comedies). This movie won’t be at the top of our ‘picks” and we rate it a notch below Moneyball, which dealt with a related theme in professional baseball.  However, we know that football fans will eat it up and there are lots of them out there. (2014)

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A Five Star Life-rm   – Can you picture a woman in her 40s who feels that she pretty much has things going very well in her life? She has a dream job where she travels and gets treated extremely well. Although she broke up with her boyfriend, they are best friends and frequently spend time together. She seemingly has a great relationship with her sister who is married with two kids who she sees quite a lot. She is quite attractive and she appears ready to have another relationship with a man. That is the situation with Irene Lorenzi (Margherita Buy) who has the unique job to travel to the world’s most luxurious hotels as the “mysterious guest” and evaluate and report to the management every aspect of their supposedly immaculate service for their guests. This is an Italian film directed by Maria Sole Tognazzi who also shared in the writing credits. The setting is the most beautiful parts of the world and the comfortable life style that exists for certain travelers. It shows us a view of the top of the line service that is offered in these 5 star hotels. Not only is your suitcase delivered to your room, but the bellboy will unpack it and put things away for you. For some reason you don’t even seem to tip them at least for each individual service. If you are living in such a pampered life style what would it require for you to do a self evaluation. In this case, it is a brief chance meeting with an author Kate Sherman (Leslie Manville) who is making some television appearances to talk about her views about intimacy, shortly before she departs and leaves the hotel. This limited encounter, and the circumstances surrounding it, bring about a self reassessment of the main character. If this film is successful you will question if things are always what they seem to be and even more important, is it possible to change? (2014)

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Frederick Law Olmsted: Designing America –sp  If you were looking for an exciting documentary film to watch one evening, you probably would not come up with this film. You might choose one about whales, some aspect of war, the Holocaust, something related to sports or politics. Maybe you would choose Robert Reich’s Inequality for All but chances are you would not think of a film about the man who designed Central Park in New York City and a lot more. However, this very well done film by Emmy nominated husband and wife team documentary film makers Lawrence Hott and Diane Garey has the potential to give you an unforgettable perspective on the beauty and living spaces of your city as well as many other places throughout American and the world. As former New Yorkers, we have spent time over the years enjoying the beauty and comfortable space of Central Park in Manhattan and Prospect Park in Brooklyn. We assumed it was simply the original natural beauty that was preserved by our fore fathers. In actuality it was the vision of Frederick Law Olmsted who not only worked on and designed these parks with his colleague Albert Vaux but who fought to convert and build spaces into the magnificent parks with roadways, bridges, water, greenery and a backdrop of one of some of the most magnificent skylines in the world. Similarly Olmsted was also the driving force in setting up a series of parks and wonderfully designed open spaces in Buffalo, New York, which became a model for similar designs throughout the world. The setting, which encompasses Niagara Falls, was converted from a shoddy commercial exploitation to what is rightfully called one of the wonders of the world, thanks again to the work of this man. He became the planner of Boston’s “ Emerald Necklace” of green space and the creator of park systems in many other cities. He helped to make Yosemite the attractive place of beauty that millions of people have visited throughout the years. He played a major role in designing the now beautiful setting that surrounds the U. S. Capitol. He also was the site planner for the “Great White City” of the 1893 World Columbian Exposition in Chicago. This unusual story is told with fascinating old photos and breathtaking very well photographed stills and video clips. Being California people now, we especially appreciated the rich autumn colors in many of the locations that were shown. The personal history of this man and his family some of whom carried on his work is another part of the film. Showing this film in schools will not only inform young people about this subject but may also inspire some creative ones to study landscape design and perhaps carry on the tradition which is so well documented in this movie. (2014)

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Killer Mermaid-sp – As readers of this blog well know, we have not previously reviewed movies of the  monster genre. However, when circumstances provided us with a preview DVD of such a film, we decided to go for it. This is a Serbian movie in English. It is filmed in Montenegro, Serbia with an experienced director,  Milari Todorovic (Apocalypse of the Dead) and starring a veteran actor, Franco Nero (Django) and a group of young actors who have already established themselves in this genre: Kristina Klebe (Rob Zombie’s Halloween), Natalie Burn (The Expendables 3) and Dragon Micanovic (Rocknrolla). The setting could not be more intriguing as a beautiful seaside town with a mysterious island off shore with an old stone prison, where during World War II the Nazis were said to have done some nasty business. Two attractive young women come to visit their old college friend who is at this seaside town with his beautiful fiancee. They meet another young man and decide to explore this island named “Marmula.” The story line will grab your attention and keep your anxiety level high. The script is well constructed and qualities of the characters play out in what is soon to be developed. There is vicious murder, blood and guts, suspense, scary music, surprises, twists and turns, hypnotic enchantment and of course a killer mermaid. She is a combination of outstanding natural beauty and is also about as horrific as you will want to see, all due to a combination of CGI, some very skillful make up and state of the art mask construction. It is well done and deserves to join the growing number of well-received horror films. It will stand out because as best we understand, it is one of the first to use the deep sea and fantasies of living mermaids. As the movie concludes we see a clear set up for a sequel. The film and future follow-ups will stand a very good chance of high success since it has the backing of Epic Pictures which has an outstanding track record of frightening people around the world with some great horror flicks. (2014)

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Celeste and Jesse Forever nf-   Young couples that start as a high school romance may have tremendous chemistry and compatibility but one or both may not be mature enough to stick it out and allow the couple to develop into a long term relationship. They may breakup early on or split after a couple of years of marriage. They may move on never to forget each other and what could have been. That is life . It also is the essence of this very thoughtful and touching film. Jesse is played by Adam Samberg (of SNL fame but comes across as a serious, sometimes silly but very likeable guy) and Celeste is the successful half of the couple but with still room to grow (played by Rashida Jones who had to have understood this character quite well as she co-wrote the screenplay with Will McCormick who also played a role as a friend). The movie is directed by Lee Toland Krieger, who is under 30, as would seem to be most of the characters in the film. The setting is current day Los Angeles where we see how young people party, drink and smoke weed. It is also where we are led to believe there is opportunity for success if you have talent and you hustle, or find the absence of it, if you don’t make the big effort. This would seem to be in job success as well as romance. This is a light modern romantic comedy that will touch a lot of people. No matter what your age, unless you were born a mature adult, you will probably find something in this movie that could have been you. (2012)

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Get On Up –rm This is the story of a young boy from rural Georgia who was abandoned by his parents, raised by madam from a brothel, fascinated by the gospel music in the local church and ultimately became the godfather of soul music. It is about a young man who spent time in jail, who essentially only had himself to rely on and yet always had tremendous belief in himself to the point of being self-centered, egotistical or narcissistic if you will. But in this case, he had the goods. He became a music legend he of course is James Brown.

The film is the brain child of Brian Glazer who is a well known movie and television producer who combined his talent with the skills of another music legend Mick Jagger, who has acknowledged being a great fan and being influenced himself by Brown. Jagger brought his music skills to the film as producer and music director. There are at least two more essential ingredients to this biopic and that would be director Tate Taylor (The Help) and Chadwick Boseman who previously starred as Jackie Robinson in 42.and now becomes James Brown. He does this by his speaking voice, mannerisms and learning the distinctive choreography of Brown’s movements during song and everyday life. This includes his swagger as well as his splits and the special way he whipped a microphone around. There also was some very skillful lip-synching accomplished by Boseman and the actors who played his band and backup singers since the great singing in this movie was the original voice of James Brown.

In addition to Boseman there was some great acting that needs to be acknowledged. Lennie James play Brown’s tough and angry father while Viola Davis was the woman inside the mother of Brown who loved him. yet abandoned and rejected him but still tried to come back when he was a success. Octavia Spencer was the madam in the brothel who took him in and more or less had the heart of gold. Dan Aykroyd was Ben Bart the white Jewish agent who became very close to Brown throughout much of his career and was called papa by him. Neisan Ellis was Bobby Byrd one the most loyal members of the original Flames which was Brown’s first groupbefore Brown became a phenomenon by himself. Brown’s complicated relationship with Byrd reflects his self-image of seeing himself as something very special but yet having a lingering need for close friendship that he may never have found.

On one hand the film used flashbacks to effectively show the genesis of Brown’s unique character but yet they seemed to abruptly pull us away from the engrossing music and the story of how Brown was rising to the top, dealing with racial issues including the country’s response to the death of Martin Luther King as well as how Brown faltered in his personal life. There were many backup players moving in an out of Brown entourage as well as various women and children We could not always be sure who they were in his life which might be defect in the film. In addition, we and at least one other person agreed that the conversations of Brown and some others were not always understandable which could be the dialect, or an audio problem but would seem to be a flaw. The running time of the film was 2 hours and 18 minutes and while we can’t say what should have been cut, it probably could have been shorter. However,we have no complaints in re-experiencing the great music and moves of the incomparable James Brown.(2014)

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Obvious Child-rm– If you can relate to women in their late 20s, especially New Yorkers and a situation where they might end up needing an abortion, this film will probably resonate with you. Donna Stern (Jenny Slate) is a 28-year-old single woman living in Manhattan and has a one-night stand and finds herself pregnant. By day she works in a bookstore and by night she is a standup comedian. Gillian Robespierre who directed the film and wrote the screen play based on a story by Elisabeth Holm, Anna Bean, Karen Maine and himself, skillfully used this latter occupation to share with the audience the inner thoughts of this character as her comedy shtick was truthfully talking about her life and whatever she was experiencing. In this case it was a break up with her boyfriend who had an affair with her previously good friend. She then meets Max (Jake Lacy), which leads to a wild night and the “slip up” leading to the pregnancy. The movie is really a comic drama. On one hand we see the empathic feelings of Jenny’s close friend (Gabby Hoffman), her new boy friend and her divorced parents (Polly Draper and Richard Kind). The interaction with her mother did bring out the greatest comedic moment of the film as when Jenny tells mom she has to discuss something very serious with her and then reveals her pregnancy. Mom then responds, “Oh, I was concerned you were going to tell me that you were moving to LA.” Mom however did go on to tell her about her own abortion before her marriage and before it was legal. So this movie is also a political statement that is being released as the controversy about a women’s right for health insurance to cover contraception as well as her right to an unencumbered abortion is back in the headlines. It is therefore also noteworthy that in the credits of this movie there are numerous names of individual people who financially supported this movie as part a “kickstarter” program to get it made.This might be an added incentive to support this film at the box office or on Netflix.. (2014)

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Oranges and Sunshine–nf This film is a good example of how we might rate a film 3/5 and yet highly recommend it as one that should be seen by anyone who cares about social injustice. There are many better examples of dramatic films with unforgettable performances by talented actors and directors, which will win Academy Award nominations. But this Australian film directed by Jim Loach with a screenplay by Rona Munro plods along but rivets our attention because it tells the true story of a historical event that we and we are sure many other people had no idea had occurred. It is about a British social worker by the name of Margaret Humphreys who in the 1980s stumbles upon the situation that in the 1940s and 50s the British government deported to Australia young children born to troubled poor mothers who couldn’t care for their kids. The mothers were often told that the children were being adopted in England by various couples although if they did make efforts they would not be able to track them down. The truth was that they lived in various orphanages in Australia in very dire circumstances, were treated very badly and many were abused. During this blight on British history there were 130,000 children who went through this pipeline to Australia. They never had a chance to find out who their mothers were and whether they were still alive. Margaret Humphreys (played by Emily Watson) at first took on the task of trying to help some of these now adults find their mothers. She then devoted herself to exposing this great injustice in addition to reuniting these adults with their mothers when possible. We see how she set up a program in Australia where most of these orphans lived and held some reunions with each other. We also see a scene in a monastery, which may have been the site of some of the stories of abuse. There was a scary episode where an intruder who seems to be warning her to cease her efforts, threatens Ms. Humphreys at night. It is a weakness of the film that we never learn more about the nature of these threats. Ms. Humphrey made efforts to publicize the story of these mass deportations in the media and to get the government to help in her endeavors. She spent an increasing amount of time in Australia, away from her own family. Some of the horrors that the children went through are related in excellent performances by Hugo Weaving and David Wenham. We learn during the credits at the end of the film that it was not until 2010 that the British government acknowledged its mistake and the Prime Minister apologized. It was at that point that we learned of the tremendous number of children that had gone through this disruption of their lives with all its repercussions. As a sidebar we are reminded of the large number of films that we have seen as well as some true life stories that we have heard, which  in some way recount the desire to reunite with one’s biological parents. Of course in the situations recounted in this film, these people did not have parents who adopted them. Some discussion of this topic can be found in MB’s blog http://www.psychiatrytalk.com/2014/04/the-search-for-a-persons-biological-identity/  (2011)

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Jersey Boys- rm– If you are of a certain age and when you hear the high pitched voice of Frankie Valli singing “Sherry” in full harmony with the rest of the Four Seasons, you want move around and do some dancing, then this film will be a most enjoyable experience for you. We suspect many other generations will also enjoy the musical re-creation of this 50s group. Director and Producer Clint Eastwood has chosen to take this story and the music to the silver screen after a version of it was a successful Broadway Show. This is certainly more of a musical accomplishment than dramatic achievement. Each member of the group was quite distinctive in their personality and story. Frankie Castellucio alias Frankie Valli (John Lloyd Young) was shown to evolve from a naïve young man to the star he became. Tommy DeVito (Vincent Piazza) was originally the brains behind the group and the one who first recognized Valli’s star potential but didn’t have the know how or the integrity to financially help them thrive and survive as a group. Nick Mass (Michael Lomenda) by dropping out prematurely allowed Valli to complete his career without the intact Four Season. Bob Gaudio (Erich Bergen) was the last to join the group and was the talented songwriter who probably provided the key ingredient, which allowed Valli and the group to shine so bright. Not only is the music captivating but also there is excellent choreography. There is also some very well done subtle aging of these guys as they grow into mature men. Gangsters and the mob were an important part of the scene in the upbringing of these young men and in their rise to the top. The leading gangster kingpin is well played by Christopher Walken. This is a story about boys growing into men and ultimately loyalty among men is a theme which Director and Producer Eastwood knows well and has brought to the screen many times. The women in their lives are downplayed and almost presented as incidental characters. However there is some attempt to show the meaning of a lost family life. But what will not be lost will be the history of this legendary early rock and roll band and a most enjoyable musical experience.(2014)