*****

La La Land – rm

This movie makes the statement that Los Angeles is where dreams are made and are broken and yet it is the city where anything can happen. This is a movie in the tradition of Gene Kelly, Fred Astaire, Ginger Rogers, Cyd Charisse and reflects so many great musicals of the past that have come across the silver screen.

Emma Stone is Mia, a young woman who works in a coffee shop on a big movie lot and aspires to be an actress. So many times she seems to be just one audition callback away from starting on the road to her dreams. Ryan Gosling is Sebastian, a musician who masterfully plays piano and keyboard and could be a great modern musician but he really favors old-fashioned jazz. He would prefer the music that was played in small clubs in days gone bye where each session was a creative story onto itself.

This movie is filled with  great music. The characters break into dance and song quite spontaneously and, believe it or not, there is nothing that seems unnatural as they glide or tap across the screen singing and swaying with each other. Despite some stereotypical dialogue, you will get drawn into the storyline quite easily. We can just about guarantee that while at times you may not be sure if you are watching a dream unfold, the story will touch you and probably bring tears to your eyes.

Stone and Gosling have certainly mastered the song and dance. Great credit for this movie goes to director/writer Damien Chazelle (known for his direction of the movie “Whiplash”). The photography was magnificent and very skillfully directed by cinematographer, Linus Sandgren. Credit for the songs and original score goes to Justin Hurwitz with lyrics by Benj Pasek and Justin Paul. Don’t miss the opening sequence. It shows LA at its best and worst, and what seemed to be one of the longest, continuous, complicated takes in movie history (there probably was some editing here but it didn’t look like it to us). This movie deserves the Oscar hype that it is getting. Don’t miss it. (2016)

*****

Moonlight-sp

In order for this film to be successful, it would require an insightful sensitive story by a McArthur genius award-winning writer Tarrell Alvin McCraney, interpreted by an empathic screenwriter/director Barry Jenkins who would work with his usual brilliant cinematographer James Laxton along with a haunting musical score by Nicolas Britell. There would have to be perfect casting and performances which might include an experienced actor such as Mahershala Ali who has been featured in House of Cards as well as Noemi Harris, Janelle Monae and a very talented newcomer Trevante Rhodes as well as two child actors who nailed their performances. Needless to say, all these elements were present and came together in the perfect storm. The result is a movie which empathically presented the struggle of a person who realized he might be different and tried to find himself. The story was divided into three parts as we meet Chiron first at age 10, then at age 16 and finally as an adult. In each phase, we feel and understand his search for identity. This could be any outsider who grows up and doesn’t feel readily accepted and understood by his peers who might bully him. It could be any child who yearns for an understanding parent or a parental figure. It could be anyone who is different because of their age, sex, religion or sexual orientation. It happens that this story is in an all Black setting and community and all the cast is Black. The characters are Black and the speech has a local vernacular which might mean that we occasionally miss a phrase or a nuance. The story is however universal and talented actors of any background could have performed it. We can equally assume that this talented cast could have portrayed these emotions and conflicts in any other setting. This realization and the acclaim that this production deserves to receive may be groundbreaking for the modern film industry. This is probably one of the reasons why Plan B, Brad Pitt’s innovative production company, has chosen to be part of the team bringing this important picture to life.(2016)

*****

Eye in the Sky-rm

Not since the Hurt Locker have we seen a film, which provides a deep emotional insight into an aspect of modern warfare in which the United States is involved. In this case it is a U.S. drone pilot ( Aaron Paul) working with Colonel (Helen Mirren) and a British Lieutenant General (Alan Rickman) across the pond, who are about to direct a drone missile strike at a group of terrorists who are strapping on explosives for a planned suicide bombing in Nairobi, Kenya. Collateral damage must be taken into account and high-level government officials in both countries are asked to weigh in on this process. What is the right thing to do? It becomes clear that firing this missile could be an extremely important event in the war against terrorism by eliminating one of the major leaders as well as saving many innocent lives from the impending terrorist attack. All of this might depend on whether a  nine-year-old girl is able to sell all her baked bread and thus leave the street outside of where the terrorists are located.

We know that modern warfare has changed forever when the commanding pilot of a strike airplane is actually taking his or her eight-hour shift in the pilot’s seat in a shed in Texas where the sophisticated controls and video screens are set up to fly a drone thousands of miles away, which is locked and loaded with deadly missiles. On top of all this, we learn that smaller drones in the form of little birds can be flown to hover over a target to get more intelligence and they can even be in the form of flying insects which can be dispersed to get a closer look. This is no longer science fiction but it is a story that could be ripped from today’s headlines.

As this film unfolds, the viewers are challenged to decide whether they would pull the trigger to kill an innocent child, who we have come to know and see, in order to save many other adults and children in the near future. Also we have to consider the propaganda implications if we kill one civilian versus if the terrorists kill many  civilians. These are the choices to be made.

When our military men and women make these types of decisions they are often doing them based on what they have experienced in real combat zones. The late Alan Rickman, in his last role, playing the veteran lieutenant general delivers a line which we believe will live on in movie history as he tells a well-meaning woman politician, “Never tell a soldier that he does not know the cost of war.”

We are sure that Director Gavin Hood (who gave himself a small part in the film) had a very large budget for this film, which he put to good use. There are realistic special effects and we felt we were side by side with the struggles that are made by modern-day warriors. The film is carefully constructed, enlightening and thought-provoking . It will take you on an emotional roller coaster and is well worth seeing. (2016)

*****

The Danish Girl-sp

You probably know the modern day’s story of Caitlyn Jenner. You may be familiar with the successful TV series Transparent. If you are old enough, you may remember Christine Jorgenson, who was one of the first transsexuals to have successful reassignment surgery. Certainly you are aware of the transgender community and their fight for recognition and for fair and equal treatment. But you are probably not aware of the little known love story of Einar/Lili and Gerda, circa 1920s, which culminates when Einar recognizes that he was a woman trapped in a man’s body and is going to try to do something about it .

This is a true story based on a book by David Ebershoff brought to life in the screen play by Lucinda Cox, which went back to the original diaries left by Gerda. This was a movie project carried for 15 years by producer Gail Mutrux who optioned this book over this period of time and went through over 70 potential directors and a few actors who were considering these fascinating roles including Nicole Kidman who at one point was interested in playing the transgender role. It was not until Mutrux was able to interest director Tom Hooper (Academy Award wining director of The King’s Speech) that this project that got its legs. Hooper showed the script to Eddie Redmayne (Oscar winner for the Stephen Hawking role in The Theory of Everything) who came on board. Swedish actress Alicia Vikander joined the cast and there was a chemical reaction which brings us one of the highlight films of the 2015 season.

Redmayne combined his sensitive demeanor with a soft spoken rendition of a talented painter and happily married man who becomes acutely aware of his feminine side which breaks out of its shell and could not longer be contained. His transformation from Einar to Lili is one of the acting triumphs of the season. At the same time Alicia Vikander turns in a performance which matches Redmayne with sensitivity and insight, as we see joy turn to doubt and then to disbelief but yet she maintains her unyielding love for her husband.

This is a period piece which reproduces the European setting in which it is taking place. The two main characters are artists and the paintings and drawings in the movie are very much a part of the story. We understand that these pieces, which were used in the film will live on for some worthy causes. The photography by Danny Cohen is magnificent and Alexandre Desplat does his usual great job with a musical score that you may not recall but has set the mood of the film. We know this movie will long be remembered as a representation of the real life struggle that so many transgender people are experiencing. (2015)

*****

Spotlight-rm

Almost 40 years ago a film about investigative reporters who exposed the Watergate break-in and brought down the Nixon presidency was nominated for eight Academy Awards including best picture. That was All the President’s Men. Jason Robards, Jr. won for best supporting actor. Now today we have Spotlight, a terrific film about an investigative reporter team of the Boston Globe, who in 2002 dug into the hidden scandal of about 90 catholic priests who were molesting children. These horrific crimes were covered up and even when some of them were exposed, the priests were not prosecuted and would just be re-assigned to churches in other cities. The reporting team persisted in their work and even exposed the fact that Cardinal Law also knew about these activities and participated in the cover-up. This ultimately led to him being re-assigned to a posh position in a prominent church in Rome. This exposé rocked the Catholic Church and has implications that extend to the present time.

It will be very difficult to choose a best actor or supporting actor from these outstanding performances, since this was truly the work of an ensemble. The real life reporters, Mike Rezendes was played by Mark Ruffalo, Sacha Pfeiffer was played by Rachel McAdams, Matt Carroll was played by Brian d’Arcy and the Spotlight team team leader, Walter “Robby” Robinson was played by Michael Keaton. There also were great performances by Liev Schreiber as Marty Baron, the newly brought in overall senior editor of the Boston Globe who happened to be Jewish. John Slattery played Ben Bradlee, Jr. the long-time editor of the Boston Globe, who was a supervisor to the Spotlight Team. Interestingly, Ben Bradlee, Jr. is the son of the famed newspaper icon, Ben Bradlee who was the editor of the Washington Post during the Watergate scandal exposé. There were some other fine performances by familiar faces which included Stanley Tucci as one of the many lawyers in the film and Len Cariou (who plays the grandfather on Blue Bloods TV program) as Cardinal Law.

The director of this movie was Tom McCarthy who co-wrote the screenplay with Josh Singer. They made the decision not to collapse some of the characters in order to keep the team as the ensemble it was in real life. This may have somewhat diffused the potential drama of the movie. Early in the film, as each reporter went off on his and her own investigative aspects of the project, it was a little confusing as to who they were interviewing and why. This all came together as the two-hour and nine-minute film flew by with the tension mounting as the story progressed. We got the message that investigative reporting is hard, tedious work but when you see your subject in your “gun sight” and you realize you are dealing with a worthy subject, all the effort is worth it. The realism of the movie was also enhanced by some collaborative meetings by the actors with the real reporters. We understand that they held meetings with their respective characters and with some of them even watched how they performed in their workplace. The result is a movie that should not be missed or forgotten. (2015)

*****

LABYRINTH OF LIES -sp

To us, one of the most important and memorable aspects of this outstanding film is that the current generation of German filmmakers and the people related to this industry, have decided to make this movie the 2015 entry from Germany to the Oscars for best foreign film. Doing this also reflects the monumental theme of this movie, which is the responsibility of the German people for Auschwitz and the Holocaust.

The story is based on actual events and follows a young German prosecutor (Alexander Fehling) in Frankfurt, Germany in the early 1960s as he becomes aware that identifiable people now living in Germany were responsible for murder in the Auschwitz Camp during World War II. Although the Nuremberg trials, which occurred shortly after World War II nearly 20 years previously, were monumental in the prosecution of members of the political, military, and economic leadership of Nazi Germany who participated in the Holocaust and other war crimes, those trials were carried out by the victorious allies. In the film, which depicts a true story, we see, probably for the first time ever, a government trying to prosecute its own former soldiers. The question of who was guilty and was there any family spared having a war criminal among them is raised. As one of the characters states, the only innocent people were those who weren’t born yet or who were small children when all these events happened.

It matters very little that the main focus is on Johann Radmann who is the prosecutor played magnificently by Alexander Fehling, who was in reality a composite of three prosecutors in real life. All the characters in the movie are true to life and very believable. One of them, Fritz Bauer, played by the famous German actor, Gert Voss, has a famous legal institute now named in his honor. One of the buildings where the archival records were being searched in the film is the actual location of where the well kept records of the Nazi regime are now stored for historical examination.

Director/writer Giulio Ricciarelli has been very thoughtful in his choices, so as not to make the movie a recapitulation or a reenactment of the horrors of the Holocaust. Rather, he puts the focus on the impact on the people living in post-war Germany. One interesting point that was made very clear was that most of the German people at the time, depicted in the film, did not know about Auschwitz nor did they want to know about it.

We were reminded that our recent personal observations have shown that most contemporary Germans no longer deny their history. This was very clear to us in our recent visit to Berlin, where we saw the names of displaced Jews embedded in plaques on the sidewalks in front of their former houses. We also visited the very complete and well-done Holocaust museum as well as many other points of remembrance. This film clearly created an honest reflection of German history, which was not known to most of us. It was a powerful and beautifully done work of fact, emotion and importance. (2015)

People often ask us for recommendations of films to see. Soon Oscar season will be upon us and we will want to see the newest films which will be contenders for the Academy Awards.

In the meantime, we have put together a list of 14 excellent movies which we have reviewed  between January and June and which we suggest that you consider viewing this summer. Most of them will be out by July and probably all can be found on Netflix.

The top four were 5 star movies in our opinion and others were excellent 4 star movies. You can click and see our reviews for each one. As always your comments at the end of each review are welcome.

Michael and Susan Blumenfield

Desert Dancer

Wild Tales

McFarland USA

Red Army

The Little Death

Me, Earl and the Dying Girl

Girl on the Edge

The Road Within

Danny Colllins

Potiche

The Forger

5 to 7

Merchants of Doubt

Tangerines

Desert Dancer sp

Although Iran is known to have a repressive government, it still has one of the highest percentage of educated people in the world as well as having 60% of its 73 million people under the age of 30. Therefore, it would still seem surprising that any kind of dancing in Iran is forbidden. This movie shows the true story of a student at the University of Tehran who five years ago with the few other students began to secretly learn how to dance in order to express their emotions. They gathered at a deserted basement and studied forbidden YouTube videos. They knew that they could be beaten and even killed if discovered as had happened to many other young people who flaunted the authority of the President of Iran, Mahmoud Ahmadinejad, and his paid thugs.

First time British director, Richard Raymond, read a newspaper article about  Afshin Ghaffarian, who led this group of dancers as they practiced and put on a performance in the desert for a small gathering of students who were secretly brought to this hidden recital. Ghaffarian’s life was threatened and he eventually made it out of Iran to Europe where he told this story. He then received further dance training and ultimately formed his own dance company, performing throughout the world.

Thanks to this film, the true story of the suppression of art and dance in Iran is told. It is also a metaphor for what is being done to the human spirit that is being highlighted here. Mr. Raymond put together a multi national cast of actors who were then taught to dance by Okram Khan, the choreographer of the opening night of the 2012 London Olympic Games. Although their names are not known to American audiences, their dedication to this story deserves to be recognized. Afshin Ghaffarian was played by Reece Ritchie. The other actors were Nazanin Boniadi, Freida Pinto, Tom Cullen, Makram J. Khoury, Marama Corlett and Daniel Bass. You probably won’t remember their names but you will remember this film. It will touch you and remind you how sad it is when the creative expression inside of us is not allowed to come out and how glorious it can be when it becomes free. (2015)

*****

McFarland, U.S.A. – sp –

What could be more all American than a sports film staring Kevin Costner? (think Bull Durham, Field of Dreams, Tip Cup, For the Love of the Game) Add to this, a New Zealand director who has established credentials in understanding cultures, not her own, by immersing herself within these places. That is Niki Caro who previously made the award winning film “Whale Rider” about an obscure Maori tribe. On top of that , Disney Studios is backing the film. McFarland, U.S.A. is certainly a United States story, but it is also an authentic depiction of first generation Mexican immigrants living in the Central California town of McFarland. The community lives by picking fruit and vegetables that will be on American tables. The kids attend school but are also employed in the fields doing the back-breaking “picking” work to add to the support of their families. Along comes a new teacher, Jim White, (Kevin Costner) who had had problems in his previous jobs and comes to McFarland as the only place which was so desperate for a teacher that he is hired. He arrives in this small, dusty, impoverished town with his wife and two daughters, none of whom is happy to be coming to this place so alien to them. He is to be the assistant football coach and teach life sciences courses. While his job as football coach soon ends, he realizes that while the kids have little going for them, some of them are incredibly fast, strong runners. The story takes off from there. On one hand you might think that you can guess the drift of the film, but this is much more than a “Chariots of Fire” lookalike. It is a moving story based on the lives of real people who you will hear about in the closing scenes and rolling credits. It will touch you, excite you and make you laugh. It will send a chill up your spine, bring a tear to your eye and you will walk out of the theater knowing you have experienced an outstanding film. (2015)

*****

The Red Army-sp The Red Army is a film about hockey, except that it isn’t! We agreed with several people in the audience, with whom we saw this film, who stated that they had not been looking forward to this documentary about the national hockey team of the Soviet Union. However, we, like they, were entirely captivated by this incredibly well executed documentary written, directed and produced by the young filmmaker, Gabe Polsky. While much of the film showed actual footage of hockey games played by this extraordinary team, the scenes were beautifully put together between photos of early years of some of the players, magnificent interviews with a wide range of people and footage of life in the soviet union over the years. Mr. Polsky created a film that was enlightening, poignant and engaging by focusing mainly on one player, Viacheslav (Slava) Festinov and telling his story. By doing that, he told the story of the proud Russian people and their culture. He was able to explicate the determination and love of country, even in the face of adversity and lack of freedom that existed. Festinov as a young boy was like millions of other youths who wanted to play hockey and dreamt of being on his national team. Because of his skills he became part of the national hockey-training program that selects the best and vigorously trains them for several years. Through carefully constructed and interwoven interviews and film clips we come to see the total dedication to the game that these young men developed. We are introduced to the coaches who revolutionized the game by treating it on the level of complex ballet and complicated chess games, both of which the Russians had been known to be masters. We also see the unrelenting, even cruel training techniques that required total dedication and the total power that a coach with support of the government could have over the players. The film shows the fascinating years of the amazing world wide successes, then the 1980 “Miracle on Ice” in which the United States Olympic hockey team upset the Soviet Union and went on to win the Gold Medal at Lake Placid and the redoubled efforts following that loss which created a whole new “must win” era in the Soviet Union. The events that then occurred with all the twists and turns of a “must see” thriller are captured in the film keeping the viewer totally engaged. The events in Festinov’s life as well as the changes in the Soviet Union are compelling. With hockey as a platform, it is what happens in the lives of the people in this space that makes for a film that compels you to become involved. It is the best of what a good documentary does. You see, you learn and most of all you care. (2014)