*****

A Better Life –sp– Kirk Honeycutt, film critic for the Hollywood Reporter and host of the UCLA film course where we previewed this movie immediately compared it to Vittorio De Sicas’s  1948 classic film The Bicycle Thief . In it a man and his son search for a stolen bicycle vital for his job. Fast forward to the present time as Carlos, an undocumented immigrant,  (played by Mexican super star Demian Bichir) and his teenage son (played by Jose Lulian, an American making his acting debut ) are on a similar quest. They are searching for Carlos’ stolen truck which he bought with borrowed funds to give him his one chance to make a decent living as a gardener and pay off  his debts. Where the original Italian movie painted a picture of the poverty in post war Italy, this film provides an insight into life in East Los Angeles with its poverty, gangs, immigrants desperate for work and living with constant fear of being deported. It captures the poignancy and the dilemmas of hard working immigrant families in cities like Los Angeles who are trying to survive and provide a better life for their children while one step away from being arrested and sent home. The screenplay by Eric Eason is short on words  but crystal clear in the emotional impact which it provides not only with the stark reality of the situation that the father and son are faced with but in the emotional struggle that each of them must feel. Bichir’s performance could not be better as his face tells his story as does his words in both English and Spanish (with appropriate subtitles). Veteran director Chris Weitz teamed with  award winning Spanish cinema photographer Javier Aguirresarobe to put together a realistic vision of the characters and environment which was filmed in 69 different locations in Los Angeles. Despite the effectiveness of the film, there are no clear villains and no new calls for action. While there may be a morsel of hope there is also the depressing possibility of a never ending line of people with crushed dreams. The film, itself, is an amazingly powerful and authentic glimpse into the human story that is part of the “intractable immigration issue.”  The emotional pull precludes over intellectualizing. (2011)

*****

Adam’s Rib- nf.  Every once and awhile we like to go back and view a well acclaimed classic film. We do it for enjoyment but also to  try to figure out what is that makes it so great and so enduring. We chose one the 10 best films of all time according to the American Film Institute. The magnificent screenplay by Ruth Gordon and Garsen Karnin, nominated for an Academy Award puts a comedic spin on the age old battle of the sexes which really foreshadows the Women’s Movement and Women’s Liberation which was still 20 years away. The story opens as a woman (Judy Holiday) secretly follows her husband (Tom Ewell) to the apartment of a woman with whom he is having an affair. Quite distraught, she pulls out a revolver and tries to shoot the couple injuring her husband. The following day over breakfast, in a beautiful Manhattan apartment, another husband and wife are reading about the impending trial of this woman. The man who happens to be an Assistant District Attorney (Spencer Tracy) feels that this woman deserves to be fully punished for her terrible deed. His wife, a high powered attorney (Katherine Hepburn), isn’t so sure about that and believes that if the shooter were a man finding his wife having an affair, there would be much more sympathy the perpetrator. Wouldn’t you know it, the husband is assigned to be the prosecutor and the wife has independently decided she would offer to defend the shooter. The trial becomes the vehicle for a hilarious but penetrating analysis of society’s attitude towards women. All the arguments and counter arguments get played out in the courtroom during the day and then in Mr. and Mrs. Bonner’s (Tracy and Hepburn) apartment in the evening. Throughout the film each time one of the characters would seemingly make the winning point in the  male-female conflict, the other would seem to find a way to swing the pendulum in the other direction. The chemistry between these two people is quite palpable. Not only are they great actors but it is well known that they also had a real life romance over many years although never married to each other. The icing on the cake for this movie is that it also introduced an unforgettable Cole Porter song Farewell Amanda which is weaved into the story as it is sung by one of the characters (David Wayne) accompanying himself on the piano, reprised by the voice of Frank Sinatra on the radio, whistled by Katherine Hepburn and sung a cappella by Spencer Tracy. So put together a top notch story with a contemporary social issue that everyone can relate, add well timed comedy, two very well liked actors who have something special between themselves and a hummable musical theme and voila – you have an American classic film ! (1949)

*****

The Conspirator- sp You may think you know the story about the assassination of Abraham Lincoln but you don’t know Jack ! You probably most certainly don’t know the story of one of the so called conspirators Mary Surratt who ran the boarding house where John  Wilkes Booth met with his friends one of whom was her son. Producer Brian Falk is part of a new production company called the American Film Company, which has a mission to make films about American history. When he came across this 18 year old screenplay by James D. Solomon  about this story, the company decided it should be their debut movie. They took a chance and showed the script  to producer Bill Holderman who is a partner in Robert Redford’s company and the next thing they know they have Redford directing it and they were able to put  together an all star  cast. It then seems that they became obsessed about the authenticity and had a team of historians not only vet the script but were on speed dial for every detail of the film from the courtroom trial transcripts to the exact buttons on the soldier’s uniforms. The story starts off focusing on Frederick Aiken (James McAvoy) a young wounded Union officer on the battlefield. It turns out that he is a lawyer in civilian life and shortly after he leaves the military he is being pressured by his senior law associate (Tom Wilkerson) to defend Mary Surratt (Robin Wright). The trial is being conducted by a military court ( think Guantanamo) with judge and jury being Union soldiers and an ace prosecutor Joseph Holt  (Danny Huston ) with Secretary of  War Edwin Stanton (Kevin Kline) trying to call the shots from behind the scenes. Besides being a  fascinating piece of little known history, the film is beautifully photographed, with near perfect period costumes but yet it draws the viewer in and makes you feel that you are watching a very real life high stakes drama. Of course this is also a thinking person’s movie and you have to come away appreciating how the strength of our constitution gets tested from time to time and you wonder if it passed the test after Lincoln got shot as we sometimes wonder how it is doing today. Speaking of Lincoln, this movie opens April 15^th on the day of his death. We highly recommend it as one of the best films we have seen this year.(2011)

*****

Trust- rm -  This is an important movie. It addresses a serious problem that every family with budding teenagers will have to face. We want our children to master the Internet and the unlimited horizons which it offers them in their education and future ability to navigate in this global world. We also don’t have any choice because this wonderful technology provides us instant communication with cell phones and the ability to stay in touch with family and friends. It also gives young people the ability and opportunity to meet and communicate with anyone and everyone. There are teen chats where teenagers can meet other teenagers anyplace in the world or in the next town. Of course teenagers, especially girls tend to develop crushes and infatuations and it is only natural that they might want to meet their computer/phone pal. What if it turns out that he isn’t really a teenager but a little or a lot older but still seems like a nice guy? This is the situation that a 14 year old from a very solid home with successful loving parents, a brother going away to college and a younger kid sister, found herself in. Teenage life being what it is, includes up pressures in one’s school and social life and a natural desire to be accepted, loved and to explore their new sexuality. This very relevant story written by Andy Billin and Robert Festing , produced and directed by David Schwimmer considers  the devastating consequences which befall this girl and  her parents. Liana Liberato captures the spirit of an enthusiastic teenager who just made the volleyball team but yet has the   uncertainty and vulnerability of so many girls who are trying to get hang of the complexities of socializing in their new school environment. Catherine Keener plays her impacted mom and  Clive Owen  is her dad originally from Great Britain and a successful  advertising  executive which is helping to create the tween market which he at one point ironically and sickenly realizes may be creating sexual interest in youngsters  the age of his daughter. He struggles with his own feelings of inadequacies as a father and rage at anyone who might threaten or hurt his daughter. You might expect this subject to best dealt with by a documentary which could provide statistics, interviews with therapists, police and FBI agents as well as some parents or victims. This movie had all of the above in the form of a fast moving drama which conveyed the emotional pain of everyone involved. Schwimmer, who actually is  on the board of directors of the Rape Foundation for the Rape Treatment Center of Santa Monica, with this film  may have ended up  protecting untold numbers of young girls  from being hurt because of knowledge and awareness gained by viewing this film.  In fact this is the ideal movie to be viewed by parents and teenagers together followed by a nice dinner or snack to provide the vehicle and a good discussion. (2011)

*****

Exporting Raymond sp If you know anything about the Successful TV series  Everybody Loves Raymond , you know that the co-creator writer/producer of this classic comedy show that ran 9 seasons was Phil Rosenthal. So much of the humor of it came from the observations, sensibilities, family experience and sense of humor of this young man. Therefore when SONY pictures and the Russian TV network decided they wanted to make a Russian version of this hit TV series, they decided to invite Phil Rosenthal to come to Russia and advise the writers, directors and producers  how to pull it off. However, SONY also thought it would be a good idea if Rosenthal took a film crew with him to document the entire process. The result is a hilarious, insightful and very fascinating look at Russian television, Russian family life and the Russian sense of humor or lack thereof. It also shows how all of the above in many ways are quite different from it’s American counterpart but yet beneath it all are quite similar. The success of this very funny documentary (how often do you see a funny doc?) is Phil Rosenthal. He is not only the writer/producer/director and star of this masterpiece but it is his sense of humor and timing, which carries this film. He was present at our screening and claimed he had a great deal of luck and just happened to be there filming at the right moment. There were a few spontaneous encounters caught on film with Rosenthal’s parents and it was ELR all over again. The initial attempts to remake some of the original programs in Russian were wildly funny as the show was suffering in its cultural transplantation. The Russian writers, directors and involved in the making of the show were hard to believe but were quite real. There was the  humorless Russian network Director of Comedy. There was a costume designer who believed it was the purpose of a TV comedy to show great trends in fashion even when depicting a typical housewife cleaning her home. In the end Everybody Loves Kostya is now the number one TV show in Russia. This documentary will be released in April and may fall between the cracks but it should definitely not be missed. You will laugh, come away with not only a lighter heart but also with a depth of insight and respect for an incredibly complex process (2011)

*****

In A Better World- sp – We saw this film four days before the evening of the Academy awards and we do believe that this Danish film could give Biutiful from Mexico a run for the money for the best  Foreign Language Film. (We must confess that these two outstanding films were the only ones in this category that we have seen.) Director Susanne Bier who was guest speaker  at our  screening collaborated with Screenwriter Anders Thomas Jensen to bring forth a magnificent story and movie which examines the issues of revenge, bullying, family relationships as well as a friendship between two pre-adolescent boys that is forged in their own painful circumstances. Biers effectively shifts  between scenes in Africa where Anton (Mikael Persbrandt), the father of one of the boys is a physician who makes regular trips to a medical outpost and Denmark where  his son Elias is being jerked around by some  classmates who are bullying him. The other boy Christian (perhaps an ironic choice of a name ) has just moved back from London  with his father to live with his grandmother in Denmark after his mother died of cancer. The main characters find themselves in situations where they can choose to act in a manner that may be wrong and immoral or which could also be considered by some to be justified. The presentation of moral ambiguities in characters that we can understand and identify with makes a stimulating and very riveting film. The scenery in Africa is beautiful and the people living in the refugee camp where they were casted are very genuine since most are non-actors. On the other hand the two child stars who were chosen from 120 auditions essentially carry the film as their characters make decisions which will keep you on the edge of your seat  for nearly the same number of minutes. It is all helped along by an appropriate musical background. We will give the edge to Biutiful but would not be surprised to see the Danes take first prize in this category.(2010) Addendum: It won the Oscar for best foreign film ! )

*****

Biutiful- rm – You will be taken to underside of the streets of Barcelona and get inside people who are scraping by trying to survive and put food on the table for their children. You will meet a man who engages in illegal doings but seems fair and sensitive to his troubled wife, his innocent children and to the immigrants whom he encounters  functioning in the worst possible conditions. You will see him face his own mortality and get a glimpse at what perhaps is Director/Writer Alejandro Gonzalez Inarritu’s view of where death will take us. Make no mistake about it, this is a powerful and depressing movie. Inarritu uses the technique of  weaving together various jarring scenes as he did in his 2006 Oscar nominated film Babel. He very effectively uses dim lighting in many scenes with dark blue colors reflecting the mood of the people and times.  Ultimately it is the journey of Uxbal ( Javier Bardem) which will captivate and haunt you. His empathic nature, love of his children, desperate attempt to survive when the odds are against him which make him a tragic but “biutiful” figure. It may also bring Bardem his second Oscar (he won for Best Supporting Actor in No Country for Old Men in 2008) . There are a lot of things going on in this movie which may not be immediately clear in your consciousness since they are subtle and most of us are relying on the subtitles. All the more reason why the emotional impact that you cannot help but feel as the story runs it’s final course confirms that you have seen an outstanding movie. (2010)

*****

Black Swan rm-  This movie is about ballet and there a good amount of ballet in it. It is also about competition, jealousy and the desire to be perfect. There is no better place for these feelings to be played out than when the decision is made for the lead role in the beautiful and powerful Swan Lake Ballet. In the background is the sweeping majestic music of Tchaikovsky which is brilliantly used  by the film’s music  composer Clint Mansell to capture the u underlying theme of the movie. The theme is one of losing touch with reality to the point of psychosis. This allows director Darren Aronofsky to skillfully turn this movie into a horror fantasy where you are never quite sure when Nina Sayers (Natalie Portman) has fallen into the abyss of insanity. Once you are into the crevices of the unconscious, repressed sexual wishes are fair game to examine. Portman rises to the occasion in showing all aspects of the  inner self of her character as well as projecting magnificent graceful dancing skills. She well deserves the multiple nominations for best actress of the year which she is garnering. She is supported by an excellent cast which includes Barbara Hershey who plays her mother. The story by Andres Heinz and screenplay by Heinz, Mark Heyman and John McLaughlin along with the outstanding direction of Aronofsky with his technical staff provide a film you won’t be able to get out of your mind. Interestingly, the film ends  as did one of our favorite ballet movies, Red Shoes.(2010).

*****

The Fighter rm-  Why is it that a good fight movie in the end will push your emotional buttons and bring a tear to your eye when it comes to the conclusion? Think Rocky. However, this movie isn’t really about boxing although there is lots of boxing in it. It is about family, loyalty. dreams and aspirations, self determination but not forgetting where you came from. It is based on a real people and a true story. It is the story of the boxer Mickey Ward(Mark Wahlberg)  and his relationship with his older ½ brother Dicky (Christian Bale), a former boxer who once fought Sugar Ray Robinson  but became involved with drugs and spent time in prison. Dicky comes back after much family interaction and soul searching and he trains his brother for the ultimate championship fight . Writers Scott Silver and Paul Tamasy along with Director David Russell provide a story with great character development where you understand them as well as seeing  them grow and change. The acting is fantastic. Mark Wahlberg does a very good job getting into shape and carrying off the role of boxer and the sensitive brother here. But the major acting kudos have to go to Christian Bale who brought the older brother and his fantasies for himself and his kid brother to life. No matter how he came to this portrayal it would be a worthy tour de force but at the very end of the film there is a brief film clip of the real brothers interacting and you can see that Bale nailed all mannerisms of his character. If this film should get two acting awards, the second one would be for Melissa Leo who plays the brother’s Mom as an insensitive, selfish mother who had been managing her son’s boxing career as it was going downhill. Maybe deep down she loves her kids perhaps the older one more but you won’t feel neutral about her.  We have seen Leo in other great performances in Frozen River and Conviction. The latter film along with Kings Speech, 127 Hours , The Social Network, including this one are in our opinion among the best of the films of 2010 and are all based on true stories. Truth may be better than fiction but you have to be able to tell a good story and this one certainly did.(2010)

*****

The Kids Are All Right  rm- By now you know that this movie is about two lesbian parents who are raising two teenage kids. But actually it could be about any heterosexual couple who just happened to have their two kids by artificial insemination with the use of a sperm donor. (Technology these days overcomes physical infertility) The film raises the possibility of what might happen if one of children decides to track down his or her biological father. The system allows for a grown child to meet his donor if the donor is willing, In this case the 15 year old sibling convinces his 18 year old sister to make the telephone call to the Sperm Donor agency. The donor Paul (Mark Ruffalo) says he is cool on meeting them and then the complications begin. The script by Lisa Cholodenko and Stuart Blumberg is well written, creative, and insightful. It deservse Oscar consideration.  Jules (Annette Benning) is one of the parents, a successful hardworking obstetrician who doesn’t quite appreciate the frustration of her stay at home wife Nic (Julianne Moore) who put her career aspirations on hold and now is trying to establish a architectural landscaping business. This new man in their life is not only her first client but emerges as a lover. This becomes an examination of how people change in a marriage and find that their needs are not being met any more. Established roles may need to be reexamined. Are partners being appreciated for who they are and how they may have evolved? When you can put all these issues into a creative story that shows that a gay marriage can be just like any other marriage- good and bad, and you have a winning film. It is directed by Cholodenko who deserves  much of the credit for the perfect balance in this film about human relationships, sexual attractions, social commentary and real life issues with which most everyone can identify. (2010)