***1/2

Robot & Frank – sp   The setting of this movie is “some time in the near future.”  Frank(Frank Langella), an older man living alone,  who may be having some memory problems is visited by his son(James Marsden) who drops off a robot (voice by Peter Sarsgaard) to be his servant/companion. The robot cleans the house, cooks the meals and becomes a meaningful object in Frank’s life. As this very clever story begins to examine the relationship between man and machine, it also allows a look at a film load of life issues. There is the father/son thing especially when father has been away at his own doing for long periods of time and maybe wasn’t the best of dads. The searchlight is put on aging and how an old guy can get marginalized and might want to feel he still is in the game. Not only is there the question of will machines take on human personas in the future but we are reminded that we may be on a path where technology take away things like the intimacy of being able to read and share an actual paper book. All these themes and more are examined as our Don Quixote like character and his faithful Sancho Panza type robot tilt at  Frank’s windmills. The closest thing to a Dulcinea is the warm hearted librarian (Susan Sarandon) who has a good reason to have a special  spot in her heart for Frank. This is all a lot going on in a tender movie about a robot that originally started off as a short film as part of the NYU Film School  studies of C.D. Ford who expanded that project to this screen play along with his then classmate Jake Schreier who directs his first feature film.  They now have a really good movie with an award winning performance by Frank Langella. (2012)

****

The Magic of Belle Isle –sp  Rob Reiner has brought a bit of magic to this story by Guy Thomas. There is this older curmudgeon alcoholic  (Morgan Freeman) who used to be a western novelist but doesn’t write anymore since his wife died 6 years ago. His nephew drops him off at a vacation cabin for the summer on this lovely island.  Next door is this woman (Virginia Madsen) and her three kids. You probably can guess most of the remaining outline of the plot of the story and you wouldn’t be too far off. Yes, at times it seems contrived but you won’t mind at all, as you get a feel for the characters and really like each one of them. What comes across is a real sense of how people can care for each other. Age, race, disability don’t matter. The ability of a person to see what isn’t there and imagine what could be is an important part of the story. The dialogue is wonderful from all the characters but especially the expression and wisdom coming from the 9 1/2 year old Finnegan (Emma Fuhrmann) are perfect. The story will touch you and it is definitely worth experiencing for any adult. We also can’t imagine a better film to bring along a pre-adolescent girl. (2012)

****
People Like Us – sp We know of several instances, from personal life as well as from our professional work, of friends and relatives encountering siblings who they never knew previously existed. Each story is different but the impact on the people involved is usually quite powerful. No matter what age this revelation occurs it has the potential to shatter one’s concept of your parents, rework your ideas of honesty and truth and lead to a reexamination of your own identity. The writing team of Alex Kurtzman, Roberto Orci and Jody Lambert each had some personal experience or first hand knowledge of such events which they were able to draw upon to put together this remarkable story. They weaved the details of the story line of each character together with the emotional reveal in a manner which riveted the attention of the viewer throughout the whole process. Although most of the characters were quite likeable and the story was sprinkled with some heart warming comedy, we were still witnessing a tragic story which appeared to be doubling down on the bad luck that each character was experiencing. Sam (Chris Pine) and Frankie (Elizabeth Banks) are the family members who once they confront each other have to relive and deal with the meaning of their unhappy childhood. Michelle Pfeiffer has the role of Lilian, Sam’s mother who is hardened, bitter and looks it which in itself is a great accomplishment for this very fine and beautiful actress. Michael Hall D’Addanio is Josh, Frankie’s 11 year son in a performance which may very well be remembered after he establishes himself as an adult star. Josh’s recently deceased grandfather Gerald Harper was a music and record producer who has created all the misery on the screen as he has fathered both Sam and Frankie while neither knew of each other’s existence. Throughout most of the 115 minutes of this movie , it seemed almost impossible to imagine how any type of satisfying ending was remotely possible. Much of the success for the resolution of the story and execution of the movie should go to Alex Kurtzman who not only co-wrote the story but also directed it. In the end not only are the characters all in a better place with a new prospective on life, but the audience has the chance to reconsider our own relationships with parents and children because the movie we have just seen in one way or another is about “ people like us.” (2012)

****

The Last Ride –sp   If this were just a great buddy movie about two unlikely guys driving together throughout the south, this film would be worth seeing. But it is much more. It is the story of how country music was the fabric of the people and the land where it originated. In 1952 when this movie was set, the personality who embodied that music and the stories that it told was Hank Williams. This is a movie about Hank Williams and yet we never see him sing one note. Director and a co-producer of this movie Harry Thomason is a well known television/movie director/producer as well as a friend of President and Mrs. Bill Clinton. He is also a native of Little Rock Arkansas where he once was a teacher and high school football coach and therefore was able to find authentic settings for all the scenes, which included gas stations, roadside stops, and many local roads.  The storyline shows an 18 year old bumbling but conscientious car mechanic Silas (Jesse James) who   is offered an opportunity to earn some good money by driving a well dressed man with a cowboy hat, unknown to him to be Hank Williams (Henry Thomas) in a lovely blue Cadillac to a destination several hundred miles away. Williams is an alcoholic with a back condition named spinal bifida and a persistent cough, which heralds bad things to come. During the long car ride they get to know each other as they encounter bad weather, a pretty gas station attendant (Kaley Cuoco) who becomes the first date and first kiss for Silas, local musicians gathered around a stovepipe furnace to play true blue country music, a local policeman who pulls them into the local court, a barroom fight and a failed desperate biplane air flight. There is a wonderful soundtrack of country music, which envelops the audience throughout the movie, which complements the warm feelings that we feel for the characters as we get to know them. In The year when Williams took this fateful car ride across country in a powder blue Cadillac, he had a number one hit titled “I’ll Never Get Out of This World Alive”  This song  was more prophetic than anyone would have dreamed as at the end of this buddy trip  twenty nine year old Hank Williams never made it out of his blue Cadillac His persona and his music has lived on as will this film. (2012)

****

The Grand Canyon nf– After recently seeing Director/Writer Larry Kasden’s latest film Darling Companion and liking it very much we decided to view this 1991 film also directed by Kasden and co- written with his wife Meg Kasden. This film was nominated for an Oscar for best screenplay. It is set and made in Los Angeles about one year before the LA Riots. It is about people from different parts of town whose lives intersect due to some random circumstances. Kevin Kline plays Mac, a successful attorney who goes off the beaten path in more than one way but finds himself seemingly rescued by Simon (Danny Glover), a tow truck driver. Their lives and their life styles reflect their different social, racial and economic settings. The important people in each of their lives are struggling with their own identities and life crisis. Mack’s wife Claire (Mary McDonnell) questions her marriage and tries to deal with her feelings as she is watching her teenage son grow up and have his first romance. She has to decide how to fulfill her own life as well as that of a newborn abandoned child who she discovers while out jogging. Simon’s sister (Afre Woodard), on the other side of town is trying to figure out how to raise her teenage son who can’t see any other choices than being a gang member. Everyone’s lives are intersecting. Not only does the film contrast different life styles in Los Angeles that are only a few minutes car ride away from each other but also puts a mirror to the personal decisions that each person has to make. Kasden uses an ensemble cast of excellent actors and it seems that he has chosen Steve Martin to play the character closest to himself. In a non-comedic role Martin is Davis, a movie producer who wants to make honest films that show the human condition even if they contain realistic violent action that he does best. We come away from this movie reflecting that we are each a tiny spec in this universe that we can’t control but we still have decisions to make that can make a difference. (1991)

***

Where Do We Go Now? sp—It could have been New York City and the gang war between the Jets and the Sharks as seen in Westside Story. Or perhaps it could be the Bloods and the Crypts  who in reality  have an uneasy truce in Los Angeles which usually prevents them from killing each other. However this movie takes us to small village in Lebanon (although the name of the country is never mentioned to suggest a certain universality to the theme). In this case there are two factions Muslims and Christians with their respective houses of worship being literally facing each other. They live side by side in this small village but all too often friction occurs and the men are at each other and young men die. It is not this way with the women of this village who are friends and share their mourning and grief as they periodically bury their men. Second time Lebanese filmmaker Nadine Labaki who wrote, directed and starred in this movie was inspired to create this movie shortly after she had her first child and was in anguish over a political rift in her country during which men were fighting in the street. She was moved to consider how horrible it must be to raise your son in this environment. She wrote a screenplay of what might happen if the women of this village were to get together and conspire to stop this senseless killing of the boys and men. The result is a poignant and comedic fable, which reminds us what women can do when they work together to try to protect their families. Ms. Labaki is not only inspired but is very talented. She created this movie using mostly non-actors, who often worked from the concept of a scene rather than following a tight script. Nevertheless there were some particularly authentic dramatic moments, which were done quite well. It did take a little while for us to get completely oriented to the storyline and the 100 minutes running time could have been edited more tightly. The theme partially echoes an  Albanian film The Forgiveness of Blood where ancient traditions of mediation are used to try to prevent the feuds but in the current film Ms Labaki‘s  instincts clearly focuses on the power of women. (2012)  

****

Salmon Fishing in the Yemen- rm   Simon Beaufoy, who won an Academy Award for best adapted screen play for Slumdog Millionaire, this time adapts a screen play of a fanciful novel by Paul Torday. Director Lass Hallstrom crafts this almost fairy tale story with many levels and it comes across with an authentic ring. Of course it doesn’t hurt that you have some outstanding actors who do a great job. Dr. Albert Jones (Ewan McGregor) is a British government fishing expert who is approached by Harriet Chetwode-Talbot (Emily Blunt), a financial consultant who is acting on behalf of Sheikh Muhammad (Amr Waked, an excellent Egyptian actor) who is willing to spend at least 50 million dollars to redo the desert country of Yemen to introduce his favorite sport  salmon fishing there. It is suggested at one point that the fishing expert might have “a touch Asbergers” since he can’t seem to help but tell the truth and he has little sense of humor. He is very likeable and there is chemistry between him and Harriet who is initially all business but vulnerable when the short term love of her life seems out of the picture. The British government officials who spur on this outlandish project, add humor to the story but everything always seems possible. We cared about all the characters and somehow never believed that the Shiekh was just a self-indulgent playboy. In the end we are reminded of what it means to have vision, to believe in your ideas as well as the joy in discovering romance in a special relationship. That makes this movie, in our opinion, a successful romantic comedy. (2012)

****

Mamitas- sp  This is a coming of age movie that takes place in East Los Angeles. Jordin Juarez (EJ Bonilla) is a bright defiant high school student living with his dad and brother and close to granddad (Pedro Armendariz, Jr.). His mother died at his birth and this “know it all guy” on the outside, with a lot of baggage on the inside, wasn’t sure where he was going but it wasn’t going to be college. The tagline of the movie is “You never know who will change your life forever and in this case it is Felipa (Veronica Diaz), visiting cousin of one of the local high school “chics.”  Felipa , big glasses and hidden good looks is hoping for a college scholarship but she too has her family secret. There is an interesting storyline but it isn’t as important as appreciating the slowly developing chemistry between these characters as well as the authentic East LA Latino setting. The movie was written and directed by first time feature filmmaker Nicholas Ozchki who met one of producers while they were both students at Chapman Film School. They subsequently have formed Right Brain Films, a group we are going to hear more about in the future.  EJ Bonilla first came to our attention in another recent film where he magnificently played a completely different character, which was, that of a young man who danced with his girl friend who was in a wheel chair in Musical Chairs. His mannerisms, charm and angst in the current role in Mamitas is also a tour de force as is the entire movie. (2012)

***

50/50- nf  A 27 year old single guy (Joseph Gordon-Levitt)  gets a diagnosis of cancer with a 50/50 chance of survival. His girl friend (Bryce Dallas Howard) gets him a boney dog but can’t handle the situation and they break up. His mother (Angelica Huston) as usual tries to smother him. His best buddy (Seth Rogen) sticks by him and decides that this will be a great pick up line to get girls. Rogen’s comedic style carries the movie and allows a painful subject to be appreciated in a more palatable manner. Admittedly as a psychiatrist and a social worker who have trained medical students and physicians how to talk to patients, it was disappointing to see the cancer specialist as being quite insensitive. It also was a little disheartening to see the student therapist (Anna Kendrick) who was supposed to help him deal with the situation, act out a romantic crush that she developed for him. But it was done in good taste and, after all, it is only a movie. On the other hand the back-story for the film is quite authentic. As shown in the bonus feature of the DVD, the script writer (Will Reiser) actually lived this story and his best friend who stood by him through this ordeal was Seth Rogen. (2011)

****

Darling Companion- sp  This is a wonderful “ feel good “ movie that everyone can enjoy. It will be especially meaningful to anyone who has been part of a family when the last child is married off and the parents deal with their  adult relationship  with each other and other members of their families. It was directed  and produced by Lawrence Kasden (Big Chill, Grand Canyon and many more big time hits) who also wrote the script along with his wife Meg Kasden . They  put together an honest story that showed love, romance and  every day comedy in a way that most people should be able to relate to and immensely enjoy. They assembled a cast of actors who were able to embody the characters they created in a skillful and very authentic manner. Beth (Diane Keaton) and Joseph (Kevin Kline) are the newly “empty nested” parents  as their daughter Grace (Kate Moss of “Mad Men” fame) ,the youngest of their children, finally finds Mr. Right and gets married. Joseph  is a spine surgeon whom Beth acknowledges may have always been a little full of himself but is shown to ultimately be a good guy. Penny is Joseph’s divorced  sister (Diane Wiest) who has found her new love Russell  (Richard Jenkins) who is a bumbling guy who wants to marry Penny and open an English pub in Iowa. Bryan (Mark Duplass) is Penny’s son who is also a spine doctor and  has a touching flirtation with a gypsy like housekeeper (Ayelet Zurer) of the family’s vacation house in the beautiful Colorado mountains (which was filmed in the beautiful Utah mountains) . Sam Sheppard is Sheriff Morris who adds further warmth to the already tender story. What we haven’t told you yet is that the story is tied together by a loveable  dog – that almost magically appears and then disappears ! The movie is the story about the search for the dog which occurs while the characters are finding themselves and their own bearings. The story is just right at 103 minutes . The acting is perfect-Diane Keaton is at her mature best, the country type music hits the spot and the film features a a dog! How can it go wrong? (2012)