****

Super 8 rm If you have seen anything about this movie directed by J.J. Abrams and produced by Steven Spielberg you know that it is about young children, making a movie, science fiction, a train crash,  the world being threatened and a  scary monster from outer space. This may sound like some coming attractions of a bunch of other movies that you have seen in the recent past which you should have been advised to take a pass on. However, the real filmmakers of this picture achieved a touch which not only held our interest, stimulated our thinking but also pushed our emotional buttons. It is well know that Abrams and Spielberg (in different generations) started making films at rather young ages. One could just picture them recalling their idealistic creative youth and putting it into this band of preadolescent kids who are on their super 8 movie making project when all hell breaks loose in their hometown. In the course of confronting supernatural forces and life threatening “ special effects” we get a chance to examine the relationships between these kids as well as the tension and bonding between two  of them and their single parents. We get a glimpse at young budding romantic feelings and also see how most kids would like to imagine they might be a hero and confront dangers. We also are reminded of the potential that our military may not always get it right  It is suspenseful, adventuresome, fun and poignant all at the same time. The young films makesrs as played by  Riley Griffiths, Ryan Lee, Gabriel Basso, Zack Mills and Joe Courtney  are wonderful in their roles as they show their enthusiasm , humor and horror. Courtney also has the opportunity to reach down into his short life and demonstrate some effective emoting. Elle Fanning, the younger sister of the talented Dakota Fanning is a real standout as the young girl who joins the boys in their filmmaking adventure. Every detail of the plot may not be completely clear but nevertheless you will be on the edge of your seat   emotionally whipped around and still have a lot to think about when you leave the theatre. This adds up to a worthwhile movie. (2011)

****

All She Can (previously named Benavides Born) –sp  When a movie can target a contemporary social issue in human terms with a fresh approach, it deserves attention. Young people growing up in South Texas, despite many of their families having lived there for several generations, have very few options for breaking out of poverty and achieving the American dream. Husband and wife filmmakers Amy Wendel and Daniel Meisel  looking to write their screenplay and make their first feature film were drawn to this area and wanted to tell this story. They spent a great deal of time in and around Benavides Texas where they came to understand the plight of a number of young people in this community. The main character of their screenplay is Luz (Corina Calderon) a high school senior and a competitive weight lifter who sees the possibility of winning the state championship as the road to a college scholarship which will pay for her college education. In reality, other sports provide the more likely avenue for college scholarships although the introduction of this mostly unknown high school competition is part of the attraction and fascination of this movie. In Texas the top 8% of any high school class is accepted to the University of Texas but they have to come up with the money to pay for tuition. Perhaps this is why this film also showed the friendly military recruiters in the halls of the high school and also why a disproportionate number of our combat soldiers come from rural areas such as the one shown in this film. This also accounts for the desperation that we see in Luz and the extremes to which she is willing to go to win her weight lifting championship and achieve her goal of getting a college education. This is not your typical “ Rockyesk “ movie where the hero or heroine is shown delivering their triumph in the end. In fact, despite the difficulty and hardships of the struggling high school students, the film reminds us that this is nothing compared to the desperation of the people risking their lives and the lives of their children as they sneak across the border. This determination becomes the inspiration of the main character and of this movie. This film will touch your emotions as well as educate you about some painful realities in this country. It merited being selected for the Sundance Film Festival this year and we highly recommend it.

****

Made in Dagenham- nf- If you are one of those people who care about the important equal rights and social justice moments, especially those of the last 50 years, you will not want to miss this movie. It is a dramatization of a true story that took place in 1968 when the women in a Ford manufacturing plant in London who sewed the upholstery for the car seats demanded the same pay as men for their work. The movie shows the coming together of three unlikely allies in the cause of justice for women. Rita O’Grady (Sally Hawkins) a young factory worker becomes incensed when she realizes the inequalities towards women and takes a leadership role in organizing the strike of the 187 women of a factory which also employs thousands of men. She by chance meets Lisa (Rosamund Pike), wife of one of the company executives who despite being wealthy feels treated as a second class citizen even in her marriage and lends encouragement to the beleaguered strikers. Ultimately a meeting with the British Secretary of Labor Barbara Castle (Miranda Richardson), who also identifies with the strikers who by this time are quite determined although holding on by their finger tips. Despite facing the serious threat of Ford pulling out from England Carson  then institutes the deal which promises near parity with men and a plan to put forth equal rights legislation. The dramatic victory at the conclusion will send a chill up your spine and a tear to your eye. The acting is excellent and it was well directed by Nigel Cole . There are no big surprises but the movie will grab your emotions. In a sense, it  channels the 1979 classic film Norma Rae which told the true story of one woman’s battle to organize the minimum wage workers in a cotton mill and which earned Sally Fields an Academy Award. We need films like this to remind us what determined people can do and how some things are worth fighting for. (2010)

*****

A Better Life –sp– Kirk Honeycutt, film critic for the Hollywood Reporter and host of the UCLA film course where we previewed this movie immediately compared it to Vittorio De Sicas’s  1948 classic film The Bicycle Thief . In it a man and his son search for a stolen bicycle vital for his job. Fast forward to the present time as Carlos, an undocumented immigrant,  (played by Mexican super star Demian Bichir) and his teenage son (played by Jose Lulian, an American making his acting debut ) are on a similar quest. They are searching for Carlos’ stolen truck which he bought with borrowed funds to give him his one chance to make a decent living as a gardener and pay off  his debts. Where the original Italian movie painted a picture of the poverty in post war Italy, this film provides an insight into life in East Los Angeles with its poverty, gangs, immigrants desperate for work and living with constant fear of being deported. It captures the poignancy and the dilemmas of hard working immigrant families in cities like Los Angeles who are trying to survive and provide a better life for their children while one step away from being arrested and sent home. The screenplay by Eric Eason is short on words  but crystal clear in the emotional impact which it provides not only with the stark reality of the situation that the father and son are faced with but in the emotional struggle that each of them must feel. Bichir’s performance could not be better as his face tells his story as does his words in both English and Spanish (with appropriate subtitles). Veteran director Chris Weitz teamed with  award winning Spanish cinema photographer Javier Aguirresarobe to put together a realistic vision of the characters and environment which was filmed in 69 different locations in Los Angeles. Despite the effectiveness of the film, there are no clear villains and no new calls for action. While there may be a morsel of hope there is also the depressing possibility of a never ending line of people with crushed dreams. The film, itself, is an amazingly powerful and authentic glimpse into the human story that is part of the “intractable immigration issue.”  The emotional pull precludes over intellectualizing. (2011)

***

Incendies –rm It would help if from the beginning, you were aware that this movie is mostly involved with the vicious  Lebanon civil war between the Moslems and the Christians. It make take a bit to become completely oriented as the movie does consist of alternating stories in different time. It also doesn’t help that it is mostly  in French with English subtitles. But eventually we got the hang of it and the very unusual plot which we are introduced to at the beginning as twins  Jeanne and Simon are being read their mother’s will and realize she has asked them to carry out her final wishes and deliver two letters on her behalf.  Their task seems almost as difficult as finding a needle in a haystack. If you don’t mind fiction being stranger than the really terrible things that happen to people in these type of wars, the movie provides a gripping story. It is horrifying at times with what should be an unexpected ending. It provides lessons of persistence, forgiveness, motherly love  and an appreciation that any one of us if we were switched at birth, could be quite the opposite of the person we turned out to be. The movie, which was co-written and directed by Denis Villeneuve, received recognition with several film festival awards and was nominated for an Oscar for Best Foreign Language Film.(2011)

****

The First Grader-sp We take for granted that everyone in this country is entitled to an education. We especially can appreciate it when we see it through the eyes of eager children trying to learn the their ABCs in a dusty one room class room in Kenya where the government has decreed, for the first time, the right of everyone to be educated. We are taken to a new level of appreciation when we see it from the point of view of an 85 year old man Kimani Ng’ang’a Maruge (Oliver Musila Litondo) who is determined to join this class and get the education he never had and learn to read. This is based a true story of a   man who became a national hero in Kenya and a symbol of the universal desire for education as his quest ultimately brought the real Maruge from his country village to address the United Nations. However important this theme may be, there also was another story going on here. This proud man had been part of Kikuyu tribe, which produced the Mau-Mau rebellion, which ultimately led to the Kenyan independence from British colonial rule. He demands and gets the respect as others realize that he had been one of freedom fighters who took a sacred oath to return the land controlled by the British back to the native people. As a young man he endured torture and witnessed the death of his wife and children at the hands of the British who demanded that he give up his oath of resistance. The movie flashes back from the present day of this old man trying to learn to read to when he was resisting the powerful British. This is a poignant and dramatic story about a piece of history that most of us do not know much about. It is based on screenplay by Ann Peacock but carried forth and molded by director Justin Chadwick. It is all the more remarkable because it paints an extremely negative picture of colonial Britain by this British Director with the initial support of the BBC, which took the project into development. The school children and most of the characters were not professional actors but all real life Kenyan people. This included the children and their school, which was quite genuine. The exception was Naomie Harris an outstanding English screen actress who had a major role-playing Jane Obinchu the schoolteacher who believed Maruge deserved the opportunity to learn to read. The performance by Litondo as Maruge is totally believable, as he seems to embody this “Mandelaisk” persona. Litondo is a native Kenyan who used to be a news anchor with no previous acting experience.  Harris, Chadwick and their entire crew spent several weeks in Kenya working with locals and preparing to shoot this movie there. The result is an extremely, sensitive effective and emotional film. A middle school teacher in our audience mentioned how she was inspired to go back into her classroom and we all could feel the awe and the thirst for learning that young people and a deprived older man might feel. We also have had our interest peaked to learn more about this very interesting and complicated piece of African history about which this story only scratched the surface. It is a movie that should not be missed. (2011)

***

The Double Hour sp– This Italian film with English subtitles is billed as a romance, a robbery and a mystery and the movie itself is given a subtitle of “nothing is what it seems” That about sums up this well done thriller. You are not sure what is real.  Is it a dream? Is it the main character ‘s mind playing tricks on her or is something else going on here? This reminds us a little bit of the outstanding French film Tell No One which we saw a couple years back. Director Giuseppe Capotondi in his first full feature film initially establishes the story through the eyes of Sonia (Ksenia Rappaort) an attractive hotel chamber maid who is shown connecting with Giudo ( Filippo Timi) after a session of speed dating although you may have some doubts as to what your eyes are really seeing. In the second half of movie we realize we are seeing things from Guido’s point of view as he thinks that he understands the reality of things. While the storyline will dip into the unconscious in more than one way, it doesn’t really give us any Freudian psychodynamics. Needless to say this is the kind of a movie that you will probably understand better the second time you see it but we think once is a enough if you pay close attention. The movie was chosen for distribution by Samuel Goldwyn Films at the Toronto Film Festival by Head of Acquisitions Peter Goldwyn ( grandson of Sam )  who is betting that word of mouth will move this film around the art houses and boutique theatres that show the best of the foreign films. (2011)

*****

The Conspirator- sp You may think you know the story about the assassination of Abraham Lincoln but you don’t know Jack ! You probably most certainly don’t know the story of one of the so called conspirators Mary Surratt who ran the boarding house where John  Wilkes Booth met with his friends one of whom was her son. Producer Brian Falk is part of a new production company called the American Film Company, which has a mission to make films about American history. When he came across this 18 year old screenplay by James D. Solomon  about this story, the company decided it should be their debut movie. They took a chance and showed the script  to producer Bill Holderman who is a partner in Robert Redford’s company and the next thing they know they have Redford directing it and they were able to put  together an all star  cast. It then seems that they became obsessed about the authenticity and had a team of historians not only vet the script but were on speed dial for every detail of the film from the courtroom trial transcripts to the exact buttons on the soldier’s uniforms. The story starts off focusing on Frederick Aiken (James McAvoy) a young wounded Union officer on the battlefield. It turns out that he is a lawyer in civilian life and shortly after he leaves the military he is being pressured by his senior law associate (Tom Wilkerson) to defend Mary Surratt (Robin Wright). The trial is being conducted by a military court ( think Guantanamo) with judge and jury being Union soldiers and an ace prosecutor Joseph Holt  (Danny Huston ) with Secretary of  War Edwin Stanton (Kevin Kline) trying to call the shots from behind the scenes. Besides being a  fascinating piece of little known history, the film is beautifully photographed, with near perfect period costumes but yet it draws the viewer in and makes you feel that you are watching a very real life high stakes drama. Of course this is also a thinking person’s movie and you have to come away appreciating how the strength of our constitution gets tested from time to time and you wonder if it passed the test after Lincoln got shot as we sometimes wonder how it is doing today. Speaking of Lincoln, this movie opens April 15^th on the day of his death. We highly recommend it as one of the best films we have seen this year.(2011)

*****

Trust- rm -  This is an important movie. It addresses a serious problem that every family with budding teenagers will have to face. We want our children to master the Internet and the unlimited horizons which it offers them in their education and future ability to navigate in this global world. We also don’t have any choice because this wonderful technology provides us instant communication with cell phones and the ability to stay in touch with family and friends. It also gives young people the ability and opportunity to meet and communicate with anyone and everyone. There are teen chats where teenagers can meet other teenagers anyplace in the world or in the next town. Of course teenagers, especially girls tend to develop crushes and infatuations and it is only natural that they might want to meet their computer/phone pal. What if it turns out that he isn’t really a teenager but a little or a lot older but still seems like a nice guy? This is the situation that a 14 year old from a very solid home with successful loving parents, a brother going away to college and a younger kid sister, found herself in. Teenage life being what it is, includes up pressures in one’s school and social life and a natural desire to be accepted, loved and to explore their new sexuality. This very relevant story written by Andy Billin and Robert Festing , produced and directed by David Schwimmer considers  the devastating consequences which befall this girl and  her parents. Liana Liberato captures the spirit of an enthusiastic teenager who just made the volleyball team but yet has the   uncertainty and vulnerability of so many girls who are trying to get hang of the complexities of socializing in their new school environment. Catherine Keener plays her impacted mom and  Clive Owen  is her dad originally from Great Britain and a successful  advertising  executive which is helping to create the tween market which he at one point ironically and sickenly realizes may be creating sexual interest in youngsters  the age of his daughter. He struggles with his own feelings of inadequacies as a father and rage at anyone who might threaten or hurt his daughter. You might expect this subject to best dealt with by a documentary which could provide statistics, interviews with therapists, police and FBI agents as well as some parents or victims. This movie had all of the above in the form of a fast moving drama which conveyed the emotional pain of everyone involved. Schwimmer, who actually is  on the board of directors of the Rape Foundation for the Rape Treatment Center of Santa Monica, with this film  may have ended up  protecting untold numbers of young girls  from being hurt because of knowledge and awareness gained by viewing this film.  In fact this is the ideal movie to be viewed by parents and teenagers together followed by a nice dinner or snack to provide the vehicle and a good discussion. (2011)

**

Limitless- rm We saw this movie in a mutiplex that shows Coming Attractions which they think will have special appeal to the audience that has chosen to see the main feature that is playing in that particular theatre. Therefore we should have been alerted to the genre of this movie when the  three Coming Attractions all showed people getting beaten up, bad guys being chased and one memorable clip where the police are getting ready to track down the criminals and one of them  says they are dangerous, have lots of guns and whatever you do, don’t let them get into cars ( followed by many car crashes ). Now our main feature started off on a very interesting note as the main protagonist, Eddie Morra (Bradley Cooper) is shown as a writer with writer’s block who meets his ex-wife’s brother-in law in the street who  just happens to have a top secret drug which when taken will free up the 80% of a person’s brain power that they never really use. When Eddie takes his first pill he not only is able to quickly write a great book much to the surprise of his agent but he also  finds that he has perfect recall of anything he has ever seen, amazing powers of deduction and therefore the skills to do just about any thing he wants to do. Taking these pills on a regular basis of course give him the ability  to seduce women, make money in the financial markets  and figure out ways of defeating people who might be trying to hurt him. Not surprisingly there are people who are trying to hurt him, get the pills and use the powers. There is the requisite bad guy with the Russian accent (Andrew Howard) and an on again-off again girl friend (Abbie Cornish)  who one time has to take a pill to thwart someone about  to kill her, using her temporary boost in  brain power to reverse the tables on him. There is also Carl van Loon (Robert De Niro) a Warren Buffet type character who wants to use Morra to make even more money. This relatively small role of the wise old man character seems to be a reprise of some recent DeNiro castings and is  not worthy of his great talent.  We will grant that a good part of this movie was entertaining and held our  interest but it was not satisfying. Credit should be given to director Neil Burger and his team as they skillfully showed us in flashes the  images of the fleeting memories that were now being recaptured after taking the pill and were being used for some great intellectual or physical feat. Some of these special powers may have been communicated to the audience as  the ending of the film  gave us  the feeling that they may might be setting us up for a sequel, after all the potential of this theme is Limitless.(2011)