**** 

I Am Not Your Negro-sp

In 1979, the esteemed writer, James Baldwin, proposed a book to his agent which would deal with the life and death of Malcolm X, Medgar Evers and Martin Luther King. He only got around to completing 30 pages of this book and he died eight years later in 1987. Director and Screenwriter, Raoul Peck, picked up the ball and constructed this documentary film using the beginning 30 pages plus clips of Baldwin and other important voices on the subject and brought in Samuel Jackson to do the voice over. He constructed a story that highlighted the oppression of blacks in this country dating back to slavery and moving forward to the modern civil rights movement in which Malcolm X, Evers and King made such major contributions each in his own way.

This is more than a review of history. It captures how Baldwin and others have felt as they were denied the freedoms (overt and subtle) that so many Americans take for granted. His passion comes across so clearly whether it is in viewing clips of interviews with him on the Dick Cavett Late Night Television Show or the voice of Samuel Jackson as he speaks through the written words of Baldwin and the director/writer Peck. There are appropriate film clips from classic American films which include well-known actors, as well as newsreels which show Evers, King and Malcolm X making their indelible mark on American history.

We would like to say that this is all past history. Baldwin died 30 years ago and the three subjects of his proposed book are gone even longer. While these great men and many others have brought us much closer to a time when racial discrimination would be ancient history, we are not there yet. This documentary film which was nominated for an Oscar as best documentary film last year will allow its viewers to reflect about contemporary times and consider what still has to be done. (2017)

***

THE FLORIDA PROJECT-nf

The amazing aspect of this movie is the great accomplishment of director Sean Baker, who also co-wrote the screenplay with Chris Bergoch, in assisting six or seven-year-old Brooklyn Prince to play Moonie, the perky daughter of an immature but loving tattooed mother (Bria Vinaite). They live in a motel named Magic Castle Motel, a stone’s throw from Disney Land. You may remember Mr. Baker’s previously well-received low budget movie titled Tangerine which was about transgender prostitutes and was shot with cell phones. The budget for the current film has obviously been upped and brings aboard William Dafoe who does a great job as the kind, compassionate motel manager. There are a bunch of cohort children living in the motel and they are partners in crime with lovable Moonie. Mr. Baker has once again shown us the underbelly of society which is before our very eyes but most of us never see it. We wanted the film to end in a happy romp in Disney World but imagined some terrible accidental or purposeful tragedy would occur. We didn’t leave the theater with any satisfaction but imagine some of you might find it in the spotlight that the movie puts on our societal shortcomings. (2017)

***

Marie Curie: The Courage Of Knowledge – sp

Wonder Woman may be the box-office bombshell that has women and young girls flocking to the movies (along with the guys) because she is an unequivocal super hero who happens to be a woman. Well, there is another woman on the block and in a few weeks Marie Curie is going to be released in Los Angeles and then in the rest of the country. While this film may not quite have the excitement and actions seen in WW, but certainly, she should be as big hero and role model.

Director and screenwriter of this film, Marie Noelle, shared her thoughts from Germany via a Skype hookup projected on the big screen after our preview viewing of this movie. Marie Curie had been her hero as a child because of her scientific accomplishments. However, it was what she learned about her personal life that fueled the filmmaker’s desire to work on this project.

Marie Curie was born in Poland and studied in Paris where she conducted the pioneer research in radioactivity. She discovered radium and how this could be used to treat cancer. She won two Nobel prizes and was the first woman accepted into the French Academy of Science despite great resistance because she was a woman.

A major focus of this film however was not only the resistance to her being recognized because she was a woman, but also because it became public knowledge that she was having an affair (after her husband died) with a married scientific collaborator and actually, had been threatened by the knife-wielding slighted spouse. This obviously would have been a non-issue had she been a man.

Karolina Gruszka was superb in her portrayal of Curie. Curie’s devotion to her work and her personal and professional passion to family and to equality were crystal clear. The film was in French with subtitles and at times we felt that something was missed in the translation as they flashed by. There were many bearded men in the movie and we weren’t sure at times who was who. Albert Einstein even made an appearance, but we didn’t exactly appreciate his role in the scheme of things. The photography, scenery and the characters sweeping across the screen sometimes made us lose track of the storyline. Both men and women will benefit by seeing this film and appreciate the trials and tribulations of this extraordinary scientist. (2017)

***

Hidden Figures-sp

Prior to John Glenn’s historic flight circling the earth as the first person in orbit, something went wrong in the planning which required new landing coordinates to be calculated. Glenn asked NASA control to “have the girl check the numbers.” He was referring to Katherine Johnson (Taraji Henson) in this fascinating movie about the little known story of the role that black women played in the space program.

The setting was the early 1960s. There were still “for colored only” bathrooms in the NASA Government facility in Virginia. A group of bright, black women mathematicians were working in a segregated office doing work, supporting the program. Another one of these women was Dorothy Vaughn (Octavia Spencer) who was initially a supervisor in name only and deserved to be officially promoted to that position. Another black woman in this story was Mary Jackson (Janelle Monae) who despite being a recognized mathematician in the space program had to fight to be able to take some courses to qualify in order to get an advanced degree. At the end of the film, we learned that she ultimately became one of the top engineers in the NASA program. We also learned that Katherine Johnson at the age of 96 recently received the presidential medal of freedom for all her groundbreaking work at NASA.

So much credit deserves to go to Allison Schroeder and Theodore Melfi co-produces, who became aware of this story due to a book by Margot Lee Shetterly of the unknown situation where black women were excluded from positions which they deserved to hold in the NASA program. Fox Studios ultimately took on the movie and Theodore Melfi directed his vision of the story which was quite on target.

The cast was magnificent. In addition to the three women mentioned above, special credit should be given to Kevin Costner who played Harrison, the guy who ran the space program and headed up all the stuff at NASA that made things fly. We recall a cigar chomping Jim Webb who most probably this character was based on. There were also excellent performances by Kirsten Dunst, Aldis Hodge, Mahershala Ali, and Jim Parsons.

This movie should be seen by everyone in order to understand this piece of American history that has been overlooked for years. Although this was not, in and of itself a great film, the stellar performances and important story it tells are not to be missed.(2016)

****

Truth-nf

In 1974, Robert Redford portrayed Bob Woodward, a journalist in the movie All the President’s Men who along with another journalist Carl Bernstein exposed the Watergate scandal which led to the resignation of President Richard Nixon. Now forty years later, Redford takes on the role of famed TV journalist, 60 Minutes host and CBS anchor Dan Rather in a movie that tells a story of an expose about President Bush that led to “hot water” for Dan Rather and his hotshot producer, Mary Mapes (Cate Blanchett).

Both films show the inside exciting, pulse throbbing workings of a top grade news team in pursuit of a major news story that has the potential to destroy a United States President. The title Truth says it all. Rather and his team not only have to find the truth, but they have to be prepared to prove that it is the truth. The opposing side who cross-examined them turns out to be the other TV networks who are eager to bring down the prestigious famed CBS news team. Also on their backs are CBS top executives themselves who feel they can’t take any chances with a story unless all the facts are perfect. The term “beyond a doubt” was never used in this movie, but really this is what it was all about.

The screenplay writer and the first time director is James Vanderbilt. The story is based on a book by Mary Mapes, the award winning lead investigative reporter and producer for the famed 60 Minutes TV show. Her portrayal by Blanchett is riveting and there are excellent supporting roles by Dennis Quaid, Elisabeth Moss, Topher Grace, Stacy Keach and Bruce Greenwood.

You may not follow every last detail of the story unfolding before you, but the film will hold you on the edge of your seat. It is certainly a must-see for history, political and news buffs. (2016)

Your comments are welcome on any review published in this blog and will be posted after a brief time lag.

****

Denial-sp

We are always drawn to a good movie that keeps alive the memory of the Holocaust so we will never forget this horrific world event. This film certainly did not disappoint us. It is a docudrama based on the true story of a libel suit brought by David Irving (Timothy Spall) a British “so-called” historian who claimed that the Holocaust never occurred. He was viciously attacked for his “Holocaust denial” by Deborah Lipstadt (Rachel Weisz) a professor from Emory University. She and her publisher Penguin Books had to defend themselves in a libel suit in Great Britain because of how she excoriated Irving for his denial of the truth of the Nazi extermination of millions of Jews.

In England, the law demands that the defendants in libel suits prove their affirmation which means in this case that Ms. Lipstadt’s side not only had to prove that her assertions were totally accurate but also that the Holocaust denial by Irving were purposeful lies due to his anti-Semitism. Her defense team consisted of her behind-the-scenes “Advocate” Anthony Jewels (Andrew Scott) who had actually been Princess Diana’s divorce attorney and his associates along with her “Barrister” Richard Rampton (Tom Wilkinson) who spoke for her in court. Agonizing decisions had to be made whether to allow Ms. Lipstadt to testify as well as various Holocaust survivors and whether to have a judge-only proceeding instead of a jury trial( no, no yes). This was a high-stakes courtroom drama, British style. Everyone was up to the task. The words flowed from the real Ms. Lipstadt’s book converted into a screenplay by David Hare directed by Film and TV veteran Mick Jackson.

We are given the impression that Ms. Lipstadt was passionately motivated in her teaching about the Holocaust and that Mr. Rampton was obviously devoted to making her case and proving Irving was a liar motivated by his anti-semitism. However, we are barely given a glimpse into the personal lives of these characters and what drove their passion. Nevertheless, we come away from this well done and very well acted movie with insight into another aspect of this never to be forgotten piece of history. (2016)

****

Sully-rm

It is always a challenge to tell an exciting story when everyone knows how it really ended. Certainly most people know the true tale of the “Miracle on the Hudson” which took place on January 15, 2009 when a U.S. Airlines pilot landed his plane on the Hudson River after a flock of birds damaged both engines of his airliner. That pilot was Chesley “Sully” Sullenberger and he is very well captured by one of the great American actors, Tom Hanks, in a film directed by another great actor/director, Clint Eastwood.

This screenplay by Todd Komarnicki is based on the book titled Highest Duty by the actual pilot Chesley “Sully” Sullenberger. It not only provides all the facts and details but it recreates the tension and anxiety that everyone on board including the pilots and crew felt when it was clear that things had gone wrong. The audience could not help but identify with the passengers as they thought this was going to be a routine flight going through the usual boarding procedure as we have done hundreds of times in our life times with barely a thought that this could end up being a catastrophe that might be our last flight. We squirmed in our seats as everyone settled into their airplane seats not knowing what we knew what was in store for them.

The film also raised questions about the value of human experience in making decisions as compared to what computer simulations might tell us. In the next few years, driverless cars may very well be a choice for everyone and will take the place of human judgment in piloting our automobiles. While this is not exactly the theme of this film, these ideas reverberated in our minds as we left the theater discussing it.

Kudos deserve to be given to Mr. Eastwood and his staff for an excellent job in capturing the story, doing realistic depictions with superb editing. We had an extra bonus by watching this movie in IMAX. The supporting cast which included Aaron Eckhart who played Jeff Skiles, the co-pilot and Laura Linney as Sully’s wife were right on target. However, the standout as usual in the case when he stars in a movie, was Tom Hanks. Not only was he made up to have a very good resemblance to the real pilot and also appeared to have captured the mannerisms of his character as we saw in film clips of the real guy, but also his expressions and demeanor gave the wonderful pilot a persona that seemed to be true to life and made the story and movie quite memorable. (2016)

****

The People vs. Fritz Bauer-sp

The title of this movie is ironic since Fritz Bauer (Burghart Klaussner) was an Attorney General in the 1950s in postwar Germany whose job was to prosecute war criminals on behalf of the people of Germany. He gets wind of the fact that the most notorious war criminal, Adolf Eichmann, was hiding in Buenos Aires, Argentina. This film is the story of Bauer’s determination to bring Eichmann to justice despite the resistance of many of his countrymen who were government officials and many may have been Nazis or Nazi sympathizers.

If you have traveled to Germany in modern times you know that so many of contemporary Germans have owned up to their country’s role in attempting to destroy the Jewish people in the 1940s. During our trip to Berlin, we saw many memorials including a very moving Holocaust museum. Director and screenwriter, Lars Kraume and producer, Thomas Kufus are among the many contemporary German filmmakers who are continuing to explore this subject with their work.

This film not only told an important historical story, but also provided an in-depth look at the character and personality of the two main subjects of this film. There is great drama, tension, suspense  and  human interest.  The cast is made up of well-known German actors and the German film community has bestowed numerous nominations and several of its highest film awards to them. The movie is distributed in the United States by Cohen Media Group, who have a history of selecting many outstanding foreign films to be shown in the US. The release date in NY and LA is August 19th. We highly recommend that you see this movie. (2016)

**

Embrace of the Serpent-sp

(In native language and in Spanish and Portuguese with English subtitles)

This movie was out of our comfort zone and for the most part out of our understanding zone. The purpose of this 2 hours and five minute film was to provide insight into the thinking of native people living in the Amazon region at the turn of the 20th Century, which probably reflected much of the way things have been for hundreds of years in the past. We also understand that there are still isolated groups of people living in this area today who think, speak, and believe in the metaphoric mysticism, which was conveyed in this film.

We did meet the filmmakers, director, and screenwriter, Ciro Guerra and his wife who was a producer of the film, Cristina Gallego. On the basis of seeing this film and hearing them speak, we appreciate that they are obviously very knowledgeable and thoughtful about film making and about the people and culture they are depicting in this movie. We should add that they shared with us that in order to protect the film crew and actors that they brought into the Amazon, they obtained standard film insurance but also hired a Shaman to provide protection for everyone.

The movie is based on the true story of two European explorers who travelled decades apart down the Amazon River, which is bordered by the territory the size of the United States, which includes parts of several South American countries. In this fictionalized account, each of them was shown to have the same native guide. The details of the story are not as important as it is to appreciate the way of thinking of the natives which are spiritual, mystical, close to nature, and rooted in the characteristics of the jungle. It was also a clear statement about the damage that the white man has done to their culture in the quest to exploit the trees that produce rubber, as well as in the attempt to convert the indigenous people to Christianity.

This film is the Colombian foreign film entry for the Academy Awards and was chosen as one of the five finalists. Despite this acknowledgment from the Academy, we found it overly long and not well constructed. We cannot recommend that you spend your time watching it (2015)

*****

The Danish Girl-sp

You probably know the modern day’s story of Caitlyn Jenner. You may be familiar with the successful TV series Transparent. If you are old enough, you may remember Christine Jorgenson, who was one of the first transsexuals to have successful reassignment surgery. Certainly you are aware of the transgender community and their fight for recognition and for fair and equal treatment. But you are probably not aware of the little known love story of Einar/Lili and Gerda, circa 1920s, which culminates when Einar recognizes that he was a woman trapped in a man’s body and is going to try to do something about it .

This is a true story based on a book by David Ebershoff brought to life in the screen play by Lucinda Cox, which went back to the original diaries left by Gerda. This was a movie project carried for 15 years by producer Gail Mutrux who optioned this book over this period of time and went through over 70 potential directors and a few actors who were considering these fascinating roles including Nicole Kidman who at one point was interested in playing the transgender role. It was not until Mutrux was able to interest director Tom Hooper (Academy Award wining director of The King’s Speech) that this project that got its legs. Hooper showed the script to Eddie Redmayne (Oscar winner for the Stephen Hawking role in The Theory of Everything) who came on board. Swedish actress Alicia Vikander joined the cast and there was a chemical reaction which brings us one of the highlight films of the 2015 season.

Redmayne combined his sensitive demeanor with a soft spoken rendition of a talented painter and happily married man who becomes acutely aware of his feminine side which breaks out of its shell and could not longer be contained. His transformation from Einar to Lili is one of the acting triumphs of the season. At the same time Alicia Vikander turns in a performance which matches Redmayne with sensitivity and insight, as we see joy turn to doubt and then to disbelief but yet she maintains her unyielding love for her husband.

This is a period piece which reproduces the European setting in which it is taking place. The two main characters are artists and the paintings and drawings in the movie are very much a part of the story. We understand that these pieces, which were used in the film will live on for some worthy causes. The photography by Danny Cohen is magnificent and Alexandre Desplat does his usual great job with a musical score that you may not recall but has set the mood of the film. We know this movie will long be remembered as a representation of the real life struggle that so many transgender people are experiencing. (2015)