Everybody Loves Somebody

February 16th, 2017 — 5:23am

****

Everybody Loves Somebody

This movie would probably belong in the romantic-comedy genre. However, it is much more, as it is a delightful and thoughtful look at relationships and love.

Clara (Karla Souza), a single Los Angeles obstetrician, is planning to attend her parent’s 40th anniversary of being together who are celebrating it, by getting married! At the wedding Clara reconnects with Daniel (Jose Maria Yazpik) a former boyfriend of years ago who drops by after being away with Doctors Without Borders. Their old chemistry seems ignited but so are memories of his inability to make a commitment. Then there is Asher (Ben O’Toole), an Australian born new friend of Clara’s who is a pediatrician and knows something about commitment as he was married nine years until he became a widower. The complex feelings between all these couples including Clara’s sister and her husband are quite intense, palpable and interesting.

Writer director Catalina Aguilar Mastretta has magnificently captured these universal conflicts, emotions and attractions. Therapists and non-therapists alike will appreciate these psychological and real-life issues depicted in this film.

However, there is another aspect of this movie which gives it important significance, especially in today’s political and social climate. The film is bilingual and bicultural! Clara’s parents are Mexican and live in Ensenada. Clara, her parents and her sister as well as Daniel speaks Spanish as their first language and Asher although from Australia is able to speak it also. They also all speak perfect English. The storyline moves seamlessly back and forth across the border between Ensenada and Los Angeles. All the characters comfortably speak Spanish and English at various times throughout the movie and subtitles are provided as needed. The appropriate set of titles will be furnished depending on which side of the border the film is being shown. We suspect that this movie has the potential to be a big hit in both English and Spanish speaking locations throughout the world. (2017)

 

Readers are encouraged to put any opinions or comments about the film and this review. - Comment » | 4 Stars, Comedy, Foreign, Romance

Mr. Gaga- A True Story of Love and Dance

February 9th, 2017 — 6:31pm

****

 Mr. Gaga- A True Story of Love and Dance -sp

If you are a fan and lover of cutting-edge modern dance, you will be mesmerized by this foreign  documentary film( in English) of the story of Israeli choreographer and dancer, Odar Naharin. His passion and dedication to dance, and his travels from Israel to New York and back to Israel, as well as the development of the special “Gaga” movement that he originated is a fascinating story. In a post-screening discussion, Director Tomer Heymann, who produced the film with his brother, Barak Heymann and Diana Holtzman, shared the several year adventure that he took to make this movie. He told how he tracked down childhood footage of Naharin, along with interviews of some of the icons in modern dance.

A reflection of the uniqueness and originality of Naharin is not only demonstrated in the design and movement of his work, but also in the journey that he has taken during his 64 years. His interest in movement dates back to his youth and also his time in the Israeli army during the Yom Kippur War (a leg injury prevented him from directly being in combat).

Naharin came to New York and studied simultaneously at the Julliard and the American Ballet Theater (an unheard of accomplishment). He was then accepted by Martha Graham into the most prestigious modern dance company in the world. Actual video footage of Graham talking about this young protégé is shown. Despite this tremendous opportunity and the recognition of his skills, he did not feel comfortable continuing to study in the United States and decided he wanted to form his own ballet company in Israel. By that time, he had met his wife-to-be, a beautiful Asian dancer, Mari Kajiwara, with whom he fell in love at first sight and arranged a meeting with her. She was the first non-black dancer accepted into the Alvin Ailey Dance Company. They came to Israel to direct the Batsheva Dance Company.

There are many more trials and tribulations, happy moments and great sadness, some of which are shared with us in this film. At the time of Israel’s 50th anniversary, when his dance company was to be one of the featured cultural events, there erupted a controversy about the various simple costumes of Israeli army undergarments that his dancers were to wear.

As riveting as is the unusual storyline about this unusual man, the real attraction of this film is the dance that explodes on the screen. Mixed with some very interesting footage of a young Naharin, most of the movie shows beautifully photographed dancers from all different angles doing the amazing movements that this man has pioneered during his lifetime. The film opens in Los Angeles this week at the Laemmle Monica Theater and at Lincoln Center in New York City. Hopefully, the showing will expand to other theatres so many more people can enjoy this unique story and dance experience. (2017)

Readers are encouraged to put any opinions or comments about the film and this review. - Comment » | 4 Stars, Documentary, Foreign

Elle

February 6th, 2017 — 11:02pm

***

Elle-rm

This is a French film with subtitles, directed by veteran Dutch film maker Paul Verhoeven and stars Isabelle Huppert who has already received a Golden Globe Award and an Oscar nomination for her outstanding performance in this movie.

The film opens with a violent rape by an intruder and the story progresses as a whodunit, combined with a study of the main character in a backdrop of modern French society where sexual affairs are part of the landscape. Ms. Huppert plays the CEO of a video game company which is in the process of producing a cartoonish, violent, sexualized game. She interacts with her ex-husband (Charles Berling) and his girlfriend. She also has an interesting discussion with her mother (Judith Magre) who seems quite botoxed and is having an affair with a younger lover. The mother wants her daughter to visit her father who is serving a life sentence for brutal murders 30 years before, which left his young daughter stained with blood as photographs show of this gruesome event. There is the good looking married neighbor (Laurent Lafitte) to whom she is strangely attracted. There is also intrigue involved with the people who work for her company and the main character’s continued pre-occupation with the horrible rape that she experienced.

As the story unfolds, the viewer cannot help but be gripped by the complicated relationships. The more than two hours it takes to set up the story went by quite quickly. However, putting together all the pieces of the puzzle and the subtle psychodynamics, leave lots of rooms for speculation. The screenplay by David Birke, based on the novel by Philip Dijan gave us a thrilling, complicated story but we needed a couple of hours over dinner with friends to try to piece everything together.(2017)

Readers are encouraged to put any opinions or comments about the film and this review. - Comment » | 3 Stars, Drama, Foreign, Mystery

A United Kingdom

February 1st, 2017 — 5:15am

*****

A United Kingdom-sp

When David Oyelowo, leading actor in this film, producer and the force behind the movie, spoke to our audience after screening this movie, he acknowledged that until he read the book by Susan Williams, he knew very little about the history of the small African nation now known as Botswana. But fortunately, the star of the recent hit Selma and many other excellent movies was personally moved enough to put six years of sweat and tears in order to bring one of the great love stories of the 20th century and the most inspiring story of the birth of this small African democracy, to the 21st century movie screen.

It was 1947 when Seretse Khama (David Oyelowo) born of royal blood and destined to be king of a small African country, was studying in England when he fell in love with a young British white woman, Ruth Williams (Rosamund Pike). Their exuberant love for each other is exciting and quite palpable. Perhaps most of us today would say and feel “Why not?” But, there is great resistance from Seretse’s uncle, the reigning ruler, the neighboring apartheid South Africa and the British Colonial government. In fact, any respect that you might have for the late Winston Churchill may go down the drain after seeing this movie.

Your heartstrings will be plucked, your sense of justice will be stirred up and an important piece of history will be indelibly etched into your mind. Need we be reminded that those who don’t understand history are doomed to repeat it. The man who recently who brought to the screen an insight into Martin Luther King has done it again with another excellent portrayal of an heroic figure Credit also goes to director Amma Asante who did an outstanding job by keeping the focus equally on the chemistry between these lovers as well as the historic importance of the fight for ultimate fairness and democracy. The countryside was beautiful. The local native men and women were wonderful. Don’t miss this movie. (2017)

Readers are encouraged to put any opinions or comments about the film and this review. - Comment » | 5 Stars, Drama, Romance

20th Century Women

January 26th, 2017 — 11:21pm

***

20th Century Women-rm

This movie is set in the 1970s and examines the relationship between a single divorced mother and her only child, a 15-year-old son. It takes place in Santa Barbara, a coastal town North of Los Angeles. While we were raising teenagers on the East Coast during these years, there was little that we could relate to other than perhaps the music of Talking Heads playing in the background and the fact that parents can never fully understand their teenage children. However, it is the latter point that becomes the essence of this movie.

Annette Bening plays Dorothea, the mother in a role which she has already been nominated for a Golden Globe Award. She has decided that she can never teach a son what he needs to know about women and life so she asks Julie (Elle Fanning), a slightly older teenage girl who is her son’s friend and Abbie (Greta Gerwig), a few years older young woman who boards in their house to develop a dialogue with Jamie (Lucas Jade Zumann) and teach him what she was unable to do. There is also William (Billy Crudup) another boarder in the house who typifies a 1970s young man in his 30s. Jamie for the most part seems to be doing fine but it is mom who is having trouble negotiating her stage of life. Credit goes to Director Writer Michael Mills for capturing the atmosphere of this period piece with flashes of old cars, Jimmy Carter, uninhabited coastal views, 1970’s music, chain smoking of cigarettes, and discussion about the female orgasm.

Most viewers of this movie should find some meaningful identification whether it jogs memories of the 1970s or the universal dilemmas of negotiating certain stages of life. We are not sure it is worth sitting through the entire film (2016)

Readers are encouraged to put any opinions or comments about the film and this review. - Comment » | 3 Stars, Drama

Manchester by the Sea

January 13th, 2017 — 7:53am

*****

Manchester by the Sea-rmScreen Shot 2017-01-12 at 9.42.35 PM

As mental health professionals, we have seen our share of tragedies and human misery, but usually perhaps because the patients are at the point of seeing us, there is usually a ray of hope for reaching to the future for a better life. There was very little optimism in this very well-done portrait of a man who is deeply and continually in psychological pain.

Kenneth Lonergan, playwright, now turned director in his previous writings (You Can Count On Me and Margaret) has mastered the writing of tragedies that may befall anyone of us.

In this film, Casey Affleck plays Lee Chandler who lives a life overwhelmed with guilt for what happened to his family. He then is faced with the responsibility of caring for his teenage nephew (Lucas Hedges) whose father recently died and whose mother has not been sober or on the scene for many years. The details of the story unfold with a series of well-done flashbacks which not only framed the story but also introduced bleak but atmospheric life in a New England fishing village. The classical musical score in the background defined the sad somber mood of the story. There were some somewhat lighter moments as we glimpsed at interactions of the teenage boy and his multi-girlfriends.

Casey Affleck deserves the accolades that he is getting for his performance in this movie. His facial expressions, voice and mannerism convey what his character has gone through and also the empathy that he has for his nephew. Michelle Williams as his ex-wife has a relatively small role but she is superb in her one important scene.

Perhaps we have conveyed that there is little positive hope in this film and it will be a depressing experience (which it will be) but we could not help noting there was a symbol of hope in a tangible object that is important in this village . That would be the family’s small fishing boat. We gleam a shred of optimism as we see how this small boat is resurrected as we hope will be the characters in this film. (2016)

Readers are encouraged to put any opinions or comments about the film and this review. - 1 comment » | 5 Stars, Drama

Hidden Figures

December 22nd, 2016 — 7:13am

***screen-shot-2016-12-21-at-9-53-57-pm

Hidden Figures-sp

Prior to John Glenn’s historic flight circling the earth as the first person in orbit, something went wrong in the planning which required new landing coordinates to be calculated. Glenn asked NASA control to “have the girl check the numbers.” He was referring to Katherine Johnson (Taraji Henson) in this fascinating movie about the little known story of the role that black women played in the space program.

The setting was the early 1960s. There were still “for colored only” bathrooms in the NASA Government facility in Virginia. A group of bright, black women mathematicians were working in a segregated office doing work, supporting the program. Another one of these women was Dorothy Vaughn (Octavia Spencer) who was initially a supervisor in name only and deserved to be officially promoted to that position. Another black woman in this story was Mary Jackson (Janelle Monae) who despite being a recognized mathematician in the space program had to fight to be able to take some courses to qualify in order to get an advanced degree. At the end of the film, we learned that she ultimately became one of the top engineers in the NASA program. We also learned that Katherine Johnson at the age of 96 recently received the presidential medal of freedom for all her groundbreaking work at NASA.

So much credit deserves to go to Allison Schroeder and Theodore Melfi co-produces, who became aware of this story due to a book by Margot Lee Shetterly of the unknown situation where black women were excluded from positions which they deserved to hold in the NASA program. Fox Studios ultimately took on the movie and Theodore Melfi directed his vision of the story which was quite on target.

The cast was magnificent. In addition to the three women mentioned above, special credit should be given to Kevin Costner who played Harrison, the guy who ran the space program and headed up all the stuff at NASA that made things fly. We recall a cigar chomping Jim Webb who most probably this character was based on. There were also excellent performances by Kirsten Dunst, Aldis Hodge, Mahershala Ali, and Jim Parsons.

This movie should be seen by everyone in order to understand this piece of American history that has been overlooked for years. Although this was not, in and of itself a great film, the stellar performances and important story it tells are not to be missed.(2016)

Readers are encouraged to put any opinions or comments about the film and this review. - Comment » | 3 Stars, Drama, History

Amy

December 22nd, 2016 — 5:35am

**screen-shot-2016-12-21-at-9-25-32-pm

Amy – nf

As you may know, Amy Winehouse came from a Jewish middle class family in England and became a world famous singer. She died of alcohol and drug use at the age of 27. This documentary film directed by Asif Kapala uses archival film and narrations by people who knew her. We see her as a four or five-year-old girl seemingly independent with a mind of her own which was characteristic of her as she got older. She was confident in her singing as well as in her writing lyrics and she brought to life the words that she wrote which described her life and world around her.

We really were not shown enough to understand her family dynamics. Her parents divorced when she was 10 years old and her father was shown trying to control her career and her mother seemed to be a loving woman in the background. While her music was meaningful to a very large audience, her personal relationships seemed quite troubled. Blake, her boyfriend, then husband and then ex-husband who also spent a few years in jail, brought her deeper into drugs as she got older. Amy was an interesting young woman who had a meteoric rise and then fall. However, we are not really provided with in-depth interviews of the significant players in her life. Perhaps some future biography will provide this. The film, of course, was mostly in a foreign language (British English). Subtitles were frequently provided especially when she sang but not all the time. So occasionally, we would not know what was being said on the screen.

The highlight of the movie was a video segment showing Amy and Tony Bennett working in the studio to produce a recording of their duet by them. Bennett said that he thought Amy Winehouse was one of the greatest jazz singers of all time alongside of Ella Fitzgerald and Sarah Vaughan. (2015)

 

Readers are encouraged to put any opinions or comments about the film and this review. - Comment » | 2 Stars, Documentary, Musical

Fences

December 15th, 2016 — 9:45pm

screen-shot-2016-12-14-at-11-09-35-pm*****

Fences-sp

August Wilson is a Pulitzer Prize winning playwright who died in 2005 at the age of 60. He originally wrote Fences for the stage. Wilson had an unusual propensity for capturing accent and dialogue in all his plays. In 1987, James Earl Jones starred in Fences on the Broadway stage where it won a Tony Award. It was more recently recreated on Broadway and received critical acclaim starring Denzel Washington, Viola Davis and much of the same cast that now appears in this movie. August Wilson wrote the screenplay for this movie, but died before it could be brought to fruition as a movie. It was Denzel Washington who persisted and connected with Scott Rudin to produce this movie which he directed and co-starred with Viola Davis, and were joined by some of the other actors who played their parts on the stage.

As is characteristic of Wilson, the dialogue in this film is breathtaking. It wonderfully captures the life circumstances, the dilemmas and the character of so many people living in this setting. In this situation, it is a struggling, mostly black people in a poor but proud Pittsburg neighborhood in the 1950s. It is no easy task to not only capture the dialogue and nuances of the written word, but to also project the character of these individuals. There is no doubt in our minds that Denzel Washington and Viola Davis should be nominated for Oscars for their work in this movie. The cast of veteran stage and movie actors who played a close family friend (Jovan Adepo) as well as  family members  were Mykelti Williamson, Stephen Henderson, Russell Hornsby and Saniyya Sidney. They were all superb. The movie is 135 minutes long, but the story and setting will envelope you and you will be caught up in this wonderful intense and poignant production. (2016)

 

 

Readers are encouraged to put any opinions or comments about the film and this review. - Comment » | 5 Stars, Drama

La La Land

December 12th, 2016 — 6:41am

screen-shot-2016-12-11-at-7-02-19-pm*****

La La Land – rm

This movie makes the statement that Los Angeles is where dreams are made and are broken and yet it is the city where anything can happen. This is a movie in the tradition of Gene Kelly, Fred Astaire, Ginger Rogers, Cyd Charisse and reflects so many great musicals of the past that have come across the silver screen.

Emma Stone is Mia, a young woman who works in a coffee shop on a big movie lot and aspires to be an actress. So many times she seems to be just one audition callback away from starting on the road to her dreams. Ryan Gosling is Sebastian, a musician who masterfully plays piano and keyboard and could be a great modern musician but he really favors old-fashioned jazz. He would prefer the music that was played in small clubs in days gone bye where each session was a creative story onto itself.

This movie is filled with  great music. The characters break into dance and song quite spontaneously and, believe it or not, there is nothing that seems unnatural as they glide or tap across the screen singing and swaying with each other. Despite some stereotypical dialogue, you will get drawn into the storyline quite easily. We can just about guarantee that while at times you may not be sure if you are watching a dream unfold, the story will touch you and probably bring tears to your eyes.

Stone and Gosling have certainly mastered the song and dance. Great credit for this movie goes to director/writer Damien Chazelle (known for his direction of the movie “Whiplash”). The photography was magnificent and very skillfully directed by cinematographer, Linus Sandgren. Credit for the songs and original score goes to Justin Hurwitz with lyrics by Benj Pasek and Justin Paul. Don’t miss the opening sequence. It shows LA at its best and worst, and what seemed to be one of the longest, continuous, complicated takes in movie history (there probably was some editing here but it didn’t look like it to us). This movie deserves the Oscar hype that it is getting. Don’t miss it. (2016)

 

Readers are encouraged to put any opinions or comments about the film and this review. - Comment » | 5 Stars, Musical

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