*****

The Kitchen-sp

Three wives of gangsters take over their husbands’ racketeering business after the men go off to prison for a couple of years. The women show that they can kick ass and clearly establish a new genre of women tough gals. There is nothing comedic about these characters but two of them are played by established comediennes, Melissa McCarthy and Tiffany Haddish. The other character is inhabited by veteran actress Elisabeth Moss.

The setting of this film is Hell’s Kitchen in New York City in the late 1970s. The story is written by Ollie Masters and is based on a comic book series by her and illustrated by Becky Cloonan and Ming Doyle. First time director Andrea Berloff who has credentials as a writer and actress definitely establishes herself as a big league director. Not only does she capture the vibes of New York City in the 70s with wonderful photography but   she infuses this movie with great action scenes of numerous murders and other violence as well as various confrontations intermixed with tension, humor and great timing with many surprises.

We believe that this movie stands a chance to become a classic gangster film with its own distinctive flavor. It certainly would be the definitive woman gangster film even surpassing Bonnie and Clyde and may very well be in the top tier of this genre. (2019)

****

Best of Enemies-rm

This is ultimately a feel good movie, but it is hard to believe whether this is a true story that went down as it is depicted in the film. Truth is stranger than fiction and the movie is based on a  story, which was confirmed at the end of the film by showing us some clips of the real people.

The setting is Durham, North Carolina in the 1970s. The Ku Klux Klan is active and we meet the local Klan leader, C. P. Ellis (Sam Rockwell). We also meet a local black activist, Ann Atwater (Taraji P. Henson). Both of them are about to clash after a fire makes the black grade school uninhabitable. There is great conflict as the local city council has to decide what to do since the white folks do not seem to want to share their grade school with the black children who have lost their school.

We never heard the term “charrette” before. It refers to a meeting in which the various sides of a conflict get together to resolve the conflict and work out a solution. The local city council brings in a “charrette expert”, Bill Riddick (Babou Ceesay) who sets up a committee to discuss and vote a solution. The “coaches” of the committee were appointed to be the clan chief and the black activist. We get a glimpse of the back story of some of the characters especially the clan leader who has a hospitalized developmentally disabled child. We also meet a local white pharmacist who is the member of the committee and he himself has hired a black Vietnam war buddy to be his assistant manager in his pharmacy. We see that the local clan group likes to practice shooting guns and are prone to intimidate white people who are sympathetic to blacks.

You might say that the story line is somewhat predictable, but it still created a strong emotional impact on us, which was made even more powerful as we learned more about the real people upon whom these characters were based as we saw them speak during the credits.

Director, Robin Bissell certainly knew how to pull our emotional strings and Mr. Rockwell and Ms. Henson may get some award nods for their performances (2019).

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*****

If Beale Street Could Talk -rm

This is a very moving story set in the 1970s. A young couple who have known each other since they were kids fall in love. She becomes pregnant and we see their enduring love despite a tragic situation where he must go to prison for a crime he didn’t commit. If the movie were just this, it would be an outstanding film.

However, it is much more. It is a tremendously powerful story that captures many of aspects of the black experience in our country during this time period. In this case, “Beale Street” of the title, while an actual street in New Orleans, is symbolic as the story actually takes place in New York.

The movie is brought to the screen by a great filmmaker, Barry Jenkins, who was director and screenwriter as he adapted the story by iconic novelist James Baldwin. We believe this may be the first of Baldwin’s novels to be made into a movie. Jenkins may very well be leading this outstanding movie-making team to an Oscar as he did with the movie Moonlight.

We can’t recall such a nuanced sensitive performance by an actress who is appearing in her first movie. But that is exactly what Kiki Layne did as she inhabited the role of the 19-year-old Tish, the young woman who is experiencing her first love, pregnancy and seeing her man only available behind bars. Likewise, Stephan James is outstanding as “Fonny” the handsome black man who despite his strength of character, tender love of his girlfriend and determination to realize his hopes and aspirations, sees his dreams shackled. There are also some outstanding performances that deserve mention by Regina King, Colman Domingo, Brian Henry, and Dave Franco.

The movie is riveting and painful because it is done so well and we know that it rings true. The film also had an excellent soundtrack in the background with composition by Nicholas Britell. It ends with a familiar melody which reminds us that there are many Beale Streets which are still around the corner even in our modern-day U.S.A. (2018).

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***

20th Century Women-rm

This movie is set in the 1970s and examines the relationship between a single divorced mother and her only child, a 15-year-old son. It takes place in Santa Barbara, a coastal town North of Los Angeles. While we were raising teenagers on the East Coast during these years, there was little that we could relate to other than perhaps the music of Talking Heads playing in the background and the fact that parents can never fully understand their teenage children. However, it is the latter point that becomes the essence of this movie.

Annette Bening plays Dorothea, the mother in a role which she has already been nominated for a Golden Globe Award. She has decided that she can never teach a son what he needs to know about women and life so she asks Julie (Elle Fanning), a slightly older teenage girl who is her son’s friend and Abbie (Greta Gerwig), a few years older young woman who boards in their house to develop a dialogue with Jamie (Lucas Jade Zumann) and teach him what she was unable to do. There is also William (Billy Crudup) another boarder in the house who typifies a 1970s young man in his 30s. Jamie for the most part seems to be doing fine but it is mom who is having trouble negotiating her stage of life. Credit goes to Director Writer Michael Mills for capturing the atmosphere of this period piece with flashes of old cars, Jimmy Carter, uninhabited coastal views, 1970’s music, chain smoking of cigarettes, and discussion about the female orgasm.

Most viewers of this movie should find some meaningful identification whether it jogs memories of the 1970s or the universal dilemmas of negotiating certain stages of life. We are not sure it is worth sitting through the entire film (2016)