*****

Exporting Raymond sp If you know anything about the Successful TV series  Everybody Loves Raymond , you know that the co-creator writer/producer of this classic comedy show that ran 9 seasons was Phil Rosenthal. So much of the humor of it came from the observations, sensibilities, family experience and sense of humor of this young man. Therefore when SONY pictures and the Russian TV network decided they wanted to make a Russian version of this hit TV series, they decided to invite Phil Rosenthal to come to Russia and advise the writers, directors and producers  how to pull it off. However, SONY also thought it would be a good idea if Rosenthal took a film crew with him to document the entire process. The result is a hilarious, insightful and very fascinating look at Russian television, Russian family life and the Russian sense of humor or lack thereof. It also shows how all of the above in many ways are quite different from it’s American counterpart but yet beneath it all are quite similar. The success of this very funny documentary (how often do you see a funny doc?) is Phil Rosenthal. He is not only the writer/producer/director and star of this masterpiece but it is his sense of humor and timing, which carries this film. He was present at our screening and claimed he had a great deal of luck and just happened to be there filming at the right moment. There were a few spontaneous encounters caught on film with Rosenthal’s parents and it was ELR all over again. The initial attempts to remake some of the original programs in Russian were wildly funny as the show was suffering in its cultural transplantation. The Russian writers, directors and involved in the making of the show were hard to believe but were quite real. There was the  humorless Russian network Director of Comedy. There was a costume designer who believed it was the purpose of a TV comedy to show great trends in fashion even when depicting a typical housewife cleaning her home. In the end Everybody Loves Kostya is now the number one TV show in Russia. This documentary will be released in April and may fall between the cracks but it should definitely not be missed. You will laugh, come away with not only a lighter heart but also with a depth of insight and respect for an incredibly complex process (2011)

**

Limitless- rm We saw this movie in a mutiplex that shows Coming Attractions which they think will have special appeal to the audience that has chosen to see the main feature that is playing in that particular theatre. Therefore we should have been alerted to the genre of this movie when the  three Coming Attractions all showed people getting beaten up, bad guys being chased and one memorable clip where the police are getting ready to track down the criminals and one of them  says they are dangerous, have lots of guns and whatever you do, don’t let them get into cars ( followed by many car crashes ). Now our main feature started off on a very interesting note as the main protagonist, Eddie Morra (Bradley Cooper) is shown as a writer with writer’s block who meets his ex-wife’s brother-in law in the street who  just happens to have a top secret drug which when taken will free up the 80% of a person’s brain power that they never really use. When Eddie takes his first pill he not only is able to quickly write a great book much to the surprise of his agent but he also  finds that he has perfect recall of anything he has ever seen, amazing powers of deduction and therefore the skills to do just about any thing he wants to do. Taking these pills on a regular basis of course give him the ability  to seduce women, make money in the financial markets  and figure out ways of defeating people who might be trying to hurt him. Not surprisingly there are people who are trying to hurt him, get the pills and use the powers. There is the requisite bad guy with the Russian accent (Andrew Howard) and an on again-off again girl friend (Abbie Cornish)  who one time has to take a pill to thwart someone about  to kill her, using her temporary boost in  brain power to reverse the tables on him. There is also Carl van Loon (Robert De Niro) a Warren Buffet type character who wants to use Morra to make even more money. This relatively small role of the wise old man character seems to be a reprise of some recent DeNiro castings and is  not worthy of his great talent.  We will grant that a good part of this movie was entertaining and held our  interest but it was not satisfying. Credit should be given to director Neil Burger and his team as they skillfully showed us in flashes the  images of the fleeting memories that were now being recaptured after taking the pill and were being used for some great intellectual or physical feat. Some of these special powers may have been communicated to the audience as  the ending of the film  gave us  the feeling that they may might be setting us up for a sequel, after all the potential of this theme is Limitless.(2011)

***

Cracks sp- The title of this movie according Juno Temple, one of the stars of it who was at our screening, comes from South African slang meaning “crushes” such as being enamored with someone. The movie is set in the 1930s on a small island, which is part of Great Britain where there is a girl’s boarding school. The girls who seem to be of high school age are formed in teams and one of the teacher leaders is beautiful Miss G ( Eva Green who was a James Bond girl in previous movie ). The girls seem to idolize Miss G who tells them stories of her travels and encourages them they can do anything they set their mind to do. Di ( Juno Temple) is one of the more accomplished young girls and is a leader of the group, is a great swimmer and diver  and prime follower of Miss G. Along comes a new girl sent to the island by her Spanish aristocrat family  to join the school and their group. Fiamma (Maria Valverde) is beautiful, intelligent and an  even better diver (symbolic of her great skills). She is worldly and has traveled in ways that Miss G has only imagined. The dynamics of the relationship between teacher and the girls is dramatically changed and the meaning of “cracks” comes to a boiling point. On this magnificent island that gives you the feeling of everything being the same for so many years, we have a contrast of confusion and turmoil in these young women. The question that we have is will this interesting and powerful story grab and hold the audience. We found ourselves pondering that question, rather than empathizing and being taken up by the movie. Juno Temple who spoke with our audience after the film, related how first time Director Jordon Scott (daughter of Ridley Scott) had the actresses playing the students write an essay of what they imagined was their own back story which they read to each other so they would understand their characters. Perhaps one of the problems was that we as the audience were not in on this background. This may be why we found the  characters to be  somewhat “cardboard like”  and stereotypical. While they were quite different, we didn’t know them as individuals. In the end, nothing will ever be the same but we are not really sure why. (2011)

***

Win Win sp- The unglamorous struggles of people’s everyday lives can be the making of a good story and a good movie. Writer /Director Thomas McCarthy who seems to specialize in this approach (The Visitor and Station Agent) takes us to small community in New Jersey where Mike (Paul Giamatti )volunteers as the high school wrestling coach of the very anemic wrestling team,  while he works as a lawyer who helps the elderly. Mike is feeling the stress of the economy and asks the court to appoint him as guardian of a  client with some assets as well as early dementia (Burt Young) so he can get the financial commission. He  puts him in an assisted living facility rather than arranging for him to be cared for at home as he promised the court.. The old man’s taciturn grandson Kyle(Alex Shaffer) appears from out of town and moves in with Mike , his wife (Amy Ryan) their two young daughters and attends the high school . Kyle  happens to be a great wrestler and this is exciting for the  high school team, the Coach and his two assistant coaches (Jeff Tambor and Bobby Cannavale). The conflict is complete when Kyle’s young mother(Melanie Lynskey) also blows into town. She  has been  an addict, not a very good mom or daughter but now wants to be involved with her father because she needs the money. There is poignant meaningful interaction between the main characters by which the audience gains insight into their struggles and growth.  As might be expected Giamatti is the glue of the film as the audience feels his pain, understands his choices and wants to see him work through the jam that he has created for himself. Alex Shaffer apparently a true curly blond teenage boy was a Michigan state high school wrestling champ but had absolutely no acting experience when McCarthy cast him as Kyle and put him under his wing. He carried off his role quite well and needless to say the wrestling scenes were very realistic. Veteran producer of this film Michael London who produced Sideways, was guest speaker at our screening along with Melanie  Lynskey. When a screening is accompanied by an army of security guards as this one was, who search you for cell phones and the like which had to be kept out of the theater, one tends to expect a blockbuster of a movie. That was not the case with this film, but it was a character driven movie that showed real people “wrestling” with the conflicts of their lives and trying to make the best of their situations.(2011)

***

Skateland sp- Anthony Burns along with Brandon and Heath Freeman wanted to write and make their first movie about East Texas in the early 1980s where they grew up. The tag line of the movie expresses what they were trying to capture, “ It was a time when life was easy …in a place they though would never change.”  Skateland was the town roller rink where the young people gathered and some hung around or returned there even after graduating High School. The film focuses on  a crowd where everyone smoked, drank beer and jockeyed for their boy girl relationships. The two main characters are Brent Burkam  (Health Freeman) slightly older than the rest who unsuccessfully raced motorcycles for a few years and comes back to town to hang around with buddies such as Ritchie Wheeler (Shiloh Fernandez)  who is about to graduate high school. He is the assistant manager of the roller rink and can’t decide what to do with his life. There are shades of  young Ron Howard and Richard Dreyfus, playing characters trying to figure out their lives in American Graffiti with the 1970s take on that decade. Jump forward ten years and we have the constant music beat of the 80s setting the background for the young peoples angst, mixed with drinking, parties, cars and some violence. While the story is about the guys, there is an interesting influence of the women. Ritchie’s younger sister Mary(Haley Romm) and his girl friend Michelle(Ashley Greene) are the strong characters of the movie perhaps reflecting the women’s movement as did the actions of Richies Mom (Melinda McGraw). While the setting and life style may not quite be the early 80s of the northeast where our kids grew up, this young movie team has created an enduring period piece. The photography, setting and the direction is definitely first rate . We may look back on this film and realize that it was a breakout for several of the actors who were excellent.  The movie earned a slot at the Sundance Film Festival which is not an easy accomplishment for an Indie low budget film which was a first time effort for  the Director and writers. It will have distribution and will open in late March- early April in NY and LA. (2011)

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The Human Resources Manager sp A woman is killed in a terrorist suicide bombing in Jerusalem but her body is not immediately identified until a paystub found in her belongings places her as working for a large industrial bakery. A newspaper reporter (Guri Alfi) writes a story suggesting that the bakery should have noticed that she wasn’t coming to work and something must have happened to her. The Human Resources Manager( Mark Ivanir) is given the job by his boss  to identify her, notify  the family who is in Romania and avoid bad publicity for the company. The screenplay by Noah Stillman  is based on a novel titled  A Woman in Jerusalem by the well known Israeli writer Abraham B. Jehoshua which we both happened to have read several months ago. The book had the leisure to show in depth  the feelings that the HR manager developed for this deceased woman as he learned more about her. It was able to depict the complex character of this man as he attempted to return the body to her family.  While veteran actor Invanir did an admirable job of trying pull it off, director Evan Riklis orchestrated a tragic comedy which turned in to a road movie rather than a story of a tragic death which slowly reveals the victim and her postmortem impact on people. The film is choppy at times although it moves the story with this unusual plot. In order to give someone who has read the book a worthwhile experience, the movie needs to either capture many of the fine points of the story or present a unique refreshing aspect of it. In our opinion, this film did neither so it will probably disappoint those who read the book but may intrigue those who approach it with a fresh mind.  The film was mostly in Hebrew with subtitles, while English was spoken occasionally. There was a  subtle movie score  by Cyril Morin who attempted to weave a faint suggestion of gypsy music against the bleak Romanian background. (2011)

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Barney’s Version: rm   The last time we saw a Paul Giamatti film, this talented actor was in  Cold Souls, a 2009 release and he was present on screen for what seemed to be more than 95% of the movie. Such is the case with Barney’s Version as the film revolves around Barney Panofsky and his arrogant, self centered and yet needy persona over a forty year period. A man who meets his third wife (Rachell Lefevre) at his  wedding to his  second wife (Minnie Driver) and then leaves the reception to pursue her is certainly suspect of being not such a nice guy. Then there is the question why would #3 allow her self to be interested in him knowing his history? Despite her seeming to be a charming intelligent, lovely woman herself is she so  flattered by his attention and persistence that she ultimately becomes his wife and mother of his two children? It is interesting to consider how this movie depicts women. While certainly a complicated issue considering the time setting of most the scenes (20-30 years ago), it did seem that for the most part they are shown in a stereotypical manner mainly  as appendages to the men in their lives. Then there is the fact that Barney is clearly Jewish. The wedding is a stereotypical Jewish affair (except perhaps there is an over emphasis on alcohol). The movie is based on a novel by Mordecai Richler is well known for writing about the struggle of Jews such as his acclaimed book Apprentice of Dudley Kravitz set in Canada in a Jewish environment as was much of this story. In this regard Dustin Hoffman plays Izzy, Barney’s very Jewish father but he happens to be a cop! It also seemed to us that the storyline really had to go to an extreme at the conclusion to get us to really feel sympathetic towards Barney. However, in the end it is the acting of Giamatti which will stand the best chance of selling this movie. He apparently sold the Golden Globes as they gave him the award for the best actor in a musical or comedy and we don’t think this movie is a  comedy at all and certainly isn’t a musical. In fact the movie was released in late January 2011 so we aren’t even sure how this qualified for the award. But on the other hand, this isn’t your ordinary story; it is Barney’s Version. (2011)

****

Waiting for Forever: This is a quirky but very well done film, which will completely touch you or you will write it off as in implausible fairy tale. Very early in the film you understand that Will Donner (Tom Sturridge) lost his parents in a train crash when he was 10 years old and moved away from his home to live with an uncle, leaving behind his best friend and life long playmate, Emma (Rachel Bilson). Now here is the tricky part. When he gets older Will follows Emma from city to city just to be near her. He has great trouble approaching her and reintroducing himself to her, so this goes on for several years while she ultimately becomes a television actress. Will is content to be a street juggler/clown and gets by. Inevitably things happen. The key to the movie is the acting of Sturridge as he inhabits the character of Will and projects him as likable, sincere guy with a good heart. He doesn’t come across as a psychopathic stalker and doesn’t seem to be psychotic, although he would have to be somewhat damaged by his childhood trauma. You may find yourself rooting for him as he ultimately approaches the love of his life. While Will is certainly an unusual person who lives an atypical life, the other characters in the story demonstrate complexities and realism. Veteran actors Richard Jenkins and Blythe Danner are terrific as Emma’s parents as they deal with the anticipated death of Jenkins’ character. Bilson as Emma struggles with this event as well as her own love life.  Scott Mechlowicz is excellent as the Will’s older brother, now a successful banker. He is frustrated at his brother’s behavior but understanding and loving him as well as having shared the family tragedy. James Keach, veteran actor/producer/director who directed this movie was the guest at our screening. He clearly had an affinity for this story and he described it as a labor of love for which he took no money up front. In his role as director/producer he completed the film in 24 days with a relatively tiny 3 million dollar budget . It will open in one theater in Los Angeles 10 days before Valentine’s Day, which may be just the occasion to draw in people who will spread the warm feelings about the movie.

***

The Company Men   rm -  This movie puts a face on the wide spread and often tragic unemployment that has been occurring in the US during the past few years. It mainly follows three men who unexpectedly lose their jobs because of the economy downturn and because their shipbuilding company is no longer producing many ships. However, these guys are not your assembly line grunts. Writer/Director John Wells who is known for his involvement in the politically oriented West Wing TV series has chosen to show us how the upper middle class and above are impacted by unemployment. Bobby Walker ( Ben Affleck) drives a sporty convertible and lives in a lovely house in the suburbs before he loses his job. He is the lowest end of  the food chain of the three newly unemployed guys  which includes characters played by Chris Cooper and Tommy Lee Jones . The latter plays a man with millions of dollars in stock options who was long time buddy of the owner and founder (Craig Nelson) of the entire company. The owner fired him while he himself receives a gigantic salary, options and even sells the company. Those formerly under him are scraping to make ends meet while they hang around for months and months in an office of an outplacement company. This situation alone, might stir you up as it did us since we have been railing for awhile why there isn’t a law preventing CEOs from getting outrageous salaries and payoffs without stockholders approval while their company goes down the tubes (see my article in the Huffington Post). This film captures the personal travail that in this case a few men go through as well as how it affects their wives and children. It can even drive a person to suicide. Kevin Costner has a relatively small role in the movie as the one person who works with his hands as a carpenter, home- fixer up guy who is able to barely keep working in contrast to brother in law realistically played by Affleck. The movie doesn’t have any real big surprises. Everyone knows the stories and even the poignant moments are more or less expected and maybe even a little stereotyped. Everyone is glum and down in the dumps and it is contagious watching it for 104 minutes but the movie did tell it like it is and will stand as a fictional documentary of the hard times for many people.(2011)