****

Hope Springs- sp. This is the kind of movie that in addition to being quite entertaining, might very well stimulate discussion in married couples about what may have lost in their marriage over the years. Early in the movie we meet Kay (Meryl Streep) and Arnold (Tommy Lee Jones) from Omaha, Nebraska who have been married 31 years, have grown children out of the house and now sleep in separate bedrooms. Kay is not happy with this situation and she books a week of intensive couples therapy with the famous author and therapist in Maine Dr. Feld (Steve Carrell). Then the fun begins or perhaps the pain, depending how you experience this well done movie directed by David Frankel based on script by Vanessa Taylor. Producer Todd Black who spoke to the audience we were in  at the UCLA Extension Course at the Screen Writers Guild theater, noted that varying  groups previewing this movie had different reactions. The younger audiences apparently are rolling in their seats with laughter so you can’t even hear some of the lines. The older audiences laugh a lot but in different places and seem to have a different appreciation of the film. No doubt this is an entertaining movie but sometimes laughter is a cover up for anxiety that can occur when some hidden truths are exposed. Meryl Streep, we are told was one of driving forces wanting to make this movie and send a message to middle aged couples who might need some motivation to examine a marriage that has lost it’s spark. She as usual is terrific. She found a way to look and act like every woman and yet have that special desire and also show it. Tommy Lee Jones was not a bad choice for the husband that most guys wouldn’t mind identifying with as he goes about his everyday business pretending that he doesn’t miss the early days of his marriage. He comes off a little too stereotypical in this role but it works. Steve Carrell has that same bland look and tone that he conveys in the Office but his hint of a smile and his persona makes us believe that he really cares as the doctor therapist. Much of the movie is about what happens to sex in marriage. There is some practice with bananas and at least one orgasm but everybody pretty much keeps their clothes on and the movie did get a  PG 13 rating. If the star power of the movie works and the hype doesn’t scare off the guys, this should be a successful film. All the adults should be in for an enjoyable movie with the possibility of some good repercussions for many.(2012) 

****

Intouchables:  rm– (In French with subtitles)  It may be hard to believe that you can watch a movie about Phillippe (Francois Cluzot), a quadriplegic man who can’t move his arms or legs  and come away feeling optimistic about life and his future. The story is about this but more about a relationship between a very wealthy man who became completely incapacitated in an accident and in his search for a caretaker encounters a most unlikely person, Driss (Omary Sy). They become buddies and this becomes one of the best buddy films that has been around in a long time. You get a sense of where Driss is coming from – low income overcrowded housing in some adopted family arrangement and Phillppe – a deceased wife, a big beautiful mansion and very likely old money. It would have been nice to have a little bit more back story on each of them but the universality of two people being able to understand and care about each other makes this movie work. Speaking of rising above it all, there is one such scene in the movie which is worth the price of admission. It is a  magnificent  paragliding experience  where we  join the characters as they soar above above a beautiful countryside with mountains and valleys. It is  not a only a metaphor for this story but a reminder how we often get caught up in the details and neglect the big picture. Don’t neglect this one. (2012)

***1/2

Robot & Frank – sp   The setting of this movie is “some time in the near future.”  Frank(Frank Langella), an older man living alone,  who may be having some memory problems is visited by his son(James Marsden) who drops off a robot (voice by Peter Sarsgaard) to be his servant/companion. The robot cleans the house, cooks the meals and becomes a meaningful object in Frank’s life. As this very clever story begins to examine the relationship between man and machine, it also allows a look at a film load of life issues. There is the father/son thing especially when father has been away at his own doing for long periods of time and maybe wasn’t the best of dads. The searchlight is put on aging and how an old guy can get marginalized and might want to feel he still is in the game. Not only is there the question of will machines take on human personas in the future but we are reminded that we may be on a path where technology take away things like the intimacy of being able to read and share an actual paper book. All these themes and more are examined as our Don Quixote like character and his faithful Sancho Panza type robot tilt at  Frank’s windmills. The closest thing to a Dulcinea is the warm hearted librarian (Susan Sarandon) who has a good reason to have a special  spot in her heart for Frank. This is all a lot going on in a tender movie about a robot that originally started off as a short film as part of the NYU Film School  studies of C.D. Ford who expanded that project to this screen play along with his then classmate Jake Schreier who directs his first feature film.  They now have a really good movie with an award winning performance by Frank Langella. (2012)

****

The Magic of Belle Isle –sp  Rob Reiner has brought a bit of magic to this story by Guy Thomas. There is this older curmudgeon alcoholic  (Morgan Freeman) who used to be a western novelist but doesn’t write anymore since his wife died 6 years ago. His nephew drops him off at a vacation cabin for the summer on this lovely island.  Next door is this woman (Virginia Madsen) and her three kids. You probably can guess most of the remaining outline of the plot of the story and you wouldn’t be too far off. Yes, at times it seems contrived but you won’t mind at all, as you get a feel for the characters and really like each one of them. What comes across is a real sense of how people can care for each other. Age, race, disability don’t matter. The ability of a person to see what isn’t there and imagine what could be is an important part of the story. The dialogue is wonderful from all the characters but especially the expression and wisdom coming from the 9 1/2 year old Finnegan (Emma Fuhrmann) are perfect. The story will touch you and it is definitely worth experiencing for any adult. We also can’t imagine a better film to bring along a pre-adolescent girl. (2012)

****
People Like Us – sp We know of several instances, from personal life as well as from our professional work, of friends and relatives encountering siblings who they never knew previously existed. Each story is different but the impact on the people involved is usually quite powerful. No matter what age this revelation occurs it has the potential to shatter one’s concept of your parents, rework your ideas of honesty and truth and lead to a reexamination of your own identity. The writing team of Alex Kurtzman, Roberto Orci and Jody Lambert each had some personal experience or first hand knowledge of such events which they were able to draw upon to put together this remarkable story. They weaved the details of the story line of each character together with the emotional reveal in a manner which riveted the attention of the viewer throughout the whole process. Although most of the characters were quite likeable and the story was sprinkled with some heart warming comedy, we were still witnessing a tragic story which appeared to be doubling down on the bad luck that each character was experiencing. Sam (Chris Pine) and Frankie (Elizabeth Banks) are the family members who once they confront each other have to relive and deal with the meaning of their unhappy childhood. Michelle Pfeiffer has the role of Lilian, Sam’s mother who is hardened, bitter and looks it which in itself is a great accomplishment for this very fine and beautiful actress. Michael Hall D’Addanio is Josh, Frankie’s 11 year son in a performance which may very well be remembered after he establishes himself as an adult star. Josh’s recently deceased grandfather Gerald Harper was a music and record producer who has created all the misery on the screen as he has fathered both Sam and Frankie while neither knew of each other’s existence. Throughout most of the 115 minutes of this movie , it seemed almost impossible to imagine how any type of satisfying ending was remotely possible. Much of the success for the resolution of the story and execution of the movie should go to Alex Kurtzman who not only co-wrote the story but also directed it. In the end not only are the characters all in a better place with a new prospective on life, but the audience has the chance to reconsider our own relationships with parents and children because the movie we have just seen in one way or another is about “ people like us.” (2012)

****

The Invisible War- sp   Usually by the time we see a documentary film on a particular subject , we already have a pretty good idea of the nature of the issue being covered and the film provides some interesting documentation. In the case of this film, most of the audience had no idea of the great travesty of justice that has been taking place where there are violent sexual assaults against women serving in our military services by fellow soldiers, the vast majority of whom are not punished. Female soldiers in combat zones are more likely to be raped by fellow soldiers than killed by the enemy. In 2010 there were 19,000 sex crimes committed in the military. Because of the much larger number of men in the military many of these were directed towards men but percentage wise the women have suffered the brunt of this terrible injustice In fact, 20 % of women serving in the military will experience some kind of a sexual assault .

This movie is not just about statistics. Rather it is a very painful series of personal stories told mostly by dedicated women who entered various services, intent on being the best they could be in the service of their country. Not only were they assaulted and raped by fellow soldiers, even more outrageous, if that is possible, when they complained to their superiors in the overwhelming number of cases they were brushed off and not taken seriously. Heading up the team that put this film together are Kirby Dick ( nominated for an Oscar for Twist of Faith )  who directed it and Amy Ziering who was one of the producers and sensitively did most of  the interviews with the several women and two men who were featured in this movie. Each personal story almost seems worse than the one before it. The traumatic impact of these assaults and in some cases the violence of them crushes these victims physically and emotionally. They go through stages where it seems there is no way out for them and therefore it is not surprising that some of them contemplate suicide. The attempts by the military to raise consciousness of the troops to this problem are almost laughable as well as deeply insulting to women. For example one such campaign exhorts soldiers to “ wait until she is sober before you ask her”

A well thought out coalition of victims attempted to sue the government but their suit failed to gain traction as the first response of a federal court in West Virginia is to turn it down and state that this is an ”occupational hazard.”

The movie offers a glimmer of hope as one week prior to the opening of this movie, it was seen by the Secretary of Defense Leon Panetta, who takes the gigantic step forward by ruling that these assault complaints will no longer handled by the unit commander but rather will go up the ladder to higher ranking officer, presumably with less prejudice. Most probably there will not be justice until these complaints can be fairly dealt with by civilian police and courts. The film does something that many investigative documentaries don’t do well, in that it clearly provides a website (http://invisiblewarmovie.com/) and an opportunity to get involved in this cause by signing petitions and doing other things. This is the power of a documentary film and there is no better cause than the one put up the screen by this movie.(2012)

****

The Last Ride –sp   If this were just a great buddy movie about two unlikely guys driving together throughout the south, this film would be worth seeing. But it is much more. It is the story of how country music was the fabric of the people and the land where it originated. In 1952 when this movie was set, the personality who embodied that music and the stories that it told was Hank Williams. This is a movie about Hank Williams and yet we never see him sing one note. Director and a co-producer of this movie Harry Thomason is a well known television/movie director/producer as well as a friend of President and Mrs. Bill Clinton. He is also a native of Little Rock Arkansas where he once was a teacher and high school football coach and therefore was able to find authentic settings for all the scenes, which included gas stations, roadside stops, and many local roads.  The storyline shows an 18 year old bumbling but conscientious car mechanic Silas (Jesse James) who   is offered an opportunity to earn some good money by driving a well dressed man with a cowboy hat, unknown to him to be Hank Williams (Henry Thomas) in a lovely blue Cadillac to a destination several hundred miles away. Williams is an alcoholic with a back condition named spinal bifida and a persistent cough, which heralds bad things to come. During the long car ride they get to know each other as they encounter bad weather, a pretty gas station attendant (Kaley Cuoco) who becomes the first date and first kiss for Silas, local musicians gathered around a stovepipe furnace to play true blue country music, a local policeman who pulls them into the local court, a barroom fight and a failed desperate biplane air flight. There is a wonderful soundtrack of country music, which envelops the audience throughout the movie, which complements the warm feelings that we feel for the characters as we get to know them. In The year when Williams took this fateful car ride across country in a powder blue Cadillac, he had a number one hit titled “I’ll Never Get Out of This World Alive”  This song  was more prophetic than anyone would have dreamed as at the end of this buddy trip  twenty nine year old Hank Williams never made it out of his blue Cadillac His persona and his music has lived on as will this film. (2012)

***

Where Do We Go Now? sp—It could have been New York City and the gang war between the Jets and the Sharks as seen in Westside Story. Or perhaps it could be the Bloods and the Crypts  who in reality  have an uneasy truce in Los Angeles which usually prevents them from killing each other. However this movie takes us to small village in Lebanon (although the name of the country is never mentioned to suggest a certain universality to the theme). In this case there are two factions Muslims and Christians with their respective houses of worship being literally facing each other. They live side by side in this small village but all too often friction occurs and the men are at each other and young men die. It is not this way with the women of this village who are friends and share their mourning and grief as they periodically bury their men. Second time Lebanese filmmaker Nadine Labaki who wrote, directed and starred in this movie was inspired to create this movie shortly after she had her first child and was in anguish over a political rift in her country during which men were fighting in the street. She was moved to consider how horrible it must be to raise your son in this environment. She wrote a screenplay of what might happen if the women of this village were to get together and conspire to stop this senseless killing of the boys and men. The result is a poignant and comedic fable, which reminds us what women can do when they work together to try to protect their families. Ms. Labaki is not only inspired but is very talented. She created this movie using mostly non-actors, who often worked from the concept of a scene rather than following a tight script. Nevertheless there were some particularly authentic dramatic moments, which were done quite well. It did take a little while for us to get completely oriented to the storyline and the 100 minutes running time could have been edited more tightly. The theme partially echoes an  Albanian film The Forgiveness of Blood where ancient traditions of mediation are used to try to prevent the feuds but in the current film Ms Labaki‘s  instincts clearly focuses on the power of women. (2012)  

***

Last Call at the Oasis- sp  – People kill for it and we all are dependent on it. This  documentary is all about it and it is  “water”. It may not be a total surprise to you but the global water crisis will be the central issue facing our world this century. This film puts a human face on the struggle around the impact of global warming in areas such as the Central Valley in California which is drying up. You can look into the eyes of people from various communities in Texas, the Midwest and elsewhere. You can see how industrial chemicals are doing their damage to people through our water supply. You see an illustration in one locality where you could actually get a flash flame by putting a match to water coming from the faucet. You meet the real Erin Brockovitch (made famous by her film portrayal by Julia Roberts) who is still fighting for people suffering the effects of contaminated water. You also meet an everyday Midwestern housewife who achieved well deserved recognition when she went on a campaign to measure and demonstrate the impurity of the water in her community. The film doesn’t offer simple solutions. It makes the case for conservation of water and the urgent need to rethink agricultural techniques and urban water use. One of the many things that can be done is the recycling of our waste water which technology allows us to do but too many people are reluctant to consider. The film is directed and produced by Jessica Yu with major support from Participation Media which has supported many social action films such as Waiting for Superman, Inconvenient Truth, Darfur Now, The Help and many others. You will come away from this movie much better informed and most likely inspired to do something about one of the major global problems areas of your lifetime. However, you may, in fact feel frustrated and overwhelmed. At the conclusion of the film in very small print for a brief moment there are some  websites which are listed which should have been  shown in bold type across the entire screen. One of these sites is Takepart.com/lastcall. On it you will learn 10 easy ways you can conserve water as well as interesting facts such as that in poor parts of the world people live on 2.5 gallons of water /day, a 60 watt light bulb requires 5 gallons of water for every hour it is left on, toilets can use as much as 7 gallons/flush, the average household uses 350 gallons of water/day. There is also a story of one accident which  spilled  3 million gallons of manure into the Black River in NY causing an unimaginable amount of water pollution. You can all learn how to sign the Water Bill of Rights or get the National Geographic water calculator to test your true water footprint. This is the potential of this film to inform you and move you to action.

****

Salmon Fishing in the Yemen- rm   Simon Beaufoy, who won an Academy Award for best adapted screen play for Slumdog Millionaire, this time adapts a screen play of a fanciful novel by Paul Torday. Director Lass Hallstrom crafts this almost fairy tale story with many levels and it comes across with an authentic ring. Of course it doesn’t hurt that you have some outstanding actors who do a great job. Dr. Albert Jones (Ewan McGregor) is a British government fishing expert who is approached by Harriet Chetwode-Talbot (Emily Blunt), a financial consultant who is acting on behalf of Sheikh Muhammad (Amr Waked, an excellent Egyptian actor) who is willing to spend at least 50 million dollars to redo the desert country of Yemen to introduce his favorite sport  salmon fishing there. It is suggested at one point that the fishing expert might have “a touch Asbergers” since he can’t seem to help but tell the truth and he has little sense of humor. He is very likeable and there is chemistry between him and Harriet who is initially all business but vulnerable when the short term love of her life seems out of the picture. The British government officials who spur on this outlandish project, add humor to the story but everything always seems possible. We cared about all the characters and somehow never believed that the Shiekh was just a self-indulgent playboy. In the end we are reminded of what it means to have vision, to believe in your ideas as well as the joy in discovering romance in a special relationship. That makes this movie, in our opinion, a successful romantic comedy. (2012)