**

A Most Wanted Man- sp- When you have Phillip Seymour Hoffman in one of his last movies (we understand there are few unreleased ones still in the can) and a John LeCarre spy story, you expect a sure hit. However, in our opinion this movie doesn’t make the grade. From the very beginning, we weren’t sure what was going on and who were the good guys. Maybe this was deliberate ambiguity but it didn’t quite work for us. We are told early on that the movie is set in Hamburg, Germany the locale where the 9/11 plot was hatched and surveillance is very high. We meet the cast of characters which included roles by William Dafoe and Robin Wright. Director Anton Corbin and cinematographer Benoit Delhomme were very creative with their dramatic shots from high above or through reflections in glass or through train windows. The cuts and the scenes are often quite short and we felt we never got a good bead on the back story of the characters. There wasn’t overwhelming action and most of the time and the spy thriller tension just wasn’t there for us. Phillip Seymour Hoffman did do a great job and carried the movie. His chain smoking, ruffled character showed the full range of emotions from a subtle intellectuality to a very believable rage. He certainly was a great actor (2014)

****

Zero Dark Thirty

The last time Director Katherine Bigelow and Screenwriter Mark Boal collaborated they made the Hurt Locker which was one of the finest war  films we have ever seen. Since the subject matter this time was the story of the tracking down and killing of Osama ben Laden, it seemed like a natural for them to duplicate their great work.  They ended up doing a very good  job but in our opinion it wasn’t a “repeat”. They initially tug on our emotions by starting the film with frantic phone calls coming from the doomed World Trade Center on 9/11. We then are exposed to the United States  waterboarding suspects who might lead us to Osama ben Laden. This element while uncomfortable to watch, may not be telling the complete story in regard to how key this was to what was to come. The film centers around Maya (Jessica Chastain) a CIA agent who doggedly persists when all the other CIA honchos have their doubts including Leon Panetta CIA director (James Gandelfini)  We are told in the credits that she is a real person who can’t be identified since she is still an active agent. It is too bad that we couldn’t know anything substantial about her other than to watch her determination  despite no one believing her. Nevertheless Ms Chastain carries the film with her riveting portrayal of this American heroine. There also was a great deal of mumbo jumbo on the radio, agents talking back and forth, numerous Arab names mentioned as suspects or people who might have known people. You were never really given enough information to appreciate who they were and what role they played. We also never really get to know the numerous CIA agents, Bureau Chiefs, operatives or whatever. Even the Navy Seal team stays a team and they all blend together in their military fatigues and being viewed through night vision goggles. We will admit that the 2 hours and 40 minutes did go by quite quickly and it was exciting to watch the attack on the compound. It was quite authentic and you felt and thought you were there.  If the real Maya ever writes a memoir, we will be sure to read it and get to know what she was really like and how she brought about the slaying of this dragon. (2012)

*****

Extremely Loud and Incredibly Close– rm   It is very fitting that on the 10^th anniversary of 9/11 a major movie should emerge that captures the personal emotion that so many New Yorkers experienced as over 3000 lives were evaporated in just a few hours with probably close to 10,000 children losing a parent. The screenplay by Eric Roth (who also wrote  Forest Gump and The Curious Case of Benjamin Button)  based on the novel by Jonathan Safran Foer, achieved this feat by not only recreating the pieces of horror that so many people went through that day but it went several steps further and deeper. The movie exposed the idealized bond between father and son which when it is there, is the most extreme tragedy to lose. We also come to appreciate how sad it is when it was never there and what could have been. Just as you think that this is just about the father-son attachments, we are shown the  love and attachment that a surviving mother might have to her grieving child. Tom Hanks and Sandra Bullock are excellent as the parents as is Thomas Horn as a quirky pre-teen (possibly with Asbergers Syndrome)   who finds a way to speak or show what he is thinking and feeling. John Goodman, Viola Davis and Jeffrey Wright turned in great performances in smaller but key roles in the film.  Stephen Daldry should get kudos if not some tangible award for   pulling all this together as the director. However it is Max Von Sydow the veteran 83 year old actor,  who plays the old man with a special connection to the others, who never utters one word in the movie but  may have turned in the standout performance of this film. The storyline may be considered by some to be a little contrived but we understood it to be an allegory where a a young boy’s trip  through the five boroughs of Manhattan is a search for growth in himself.  We  found this movie to be a tear jerker in no uncertain terms. All Americans identified and connected to those fateful events.  But if you were in New York during 9/11 and even if you were fortunate enough not to have lost a loved one, you had to have been affected by what was going on around you. We recalled the cars in our suburban parking lot that were not picked up that evening by the commuters who never came home. We remember the thousands of homemade posters that were put up all over Manhattan describing their loved ones who were listed “as missing” when it was clear that they really had perished. We know all our lives will never be same again. Having lived through this, makes this film all the more meaningful.  It will be interesting to see if people are ready to see this movie or if the painful hype that invariably will accompany it will keep it from being a big box office success. If New Yorkers were the only ones voting it might emerge as the Oscar winner but in any case this movie will be part of the history which will define  this past decade. (2011)