Nowhere in Africa
****

This is a 2001 German film which was written and directed by Caroline Link. It is based on an autobiographical novel by Stefanie Zweig.

We thought that we had seen every aspect of Holocaust books and films, yet this subtle, touching, thoughtful story tells a poignant tale that reflects the deep-seated impact as much as the classic well known literary and cinematic productions have done on this subject. It tells the story of a German Jewish family; father, mother, and young daughter, who fled Germany “to the middle of nowhere in Africa” which is actually in Kenya.

Perhaps this story is best reflected through the eyes of a young girl as she grows into early adolescence during what must have been a seven or eight year period. She is accepted into the native culture. Her parents have their struggles and conflicts. Their pain in missing their relatives and learning of their fate is a well-known part of history. The viewers must put themselves into the shoes of this threesome as they ultimately must decide whether to stay or leave and where to go once the war is over.

The skill of the filmmaker is reflected in the fact that we forget that we are seeing a foreign film with subtitles. The setting is quite real as are the characters and their in-depth portrayal.

***

Black Panther

This story is founded on the premise that hidden in deepest Africa is the Kingdom of Wakanda which due to the existence of a special magical powerful substance, the people secretly live there with very advanced technology that is hidden from the rest of the world. They are ruled by a king who is challenged by a cousin who wants to rule the kingdom in order to use the special powers to help other black people throughout the world. It is customary that when someone challenges the king, there is a mortal physical combat to determine who shall rule the kingdom.

The cast of many are all black except for one villain and one CIA agent moderately involved in the storyline. The stars of the movie are Chadwick Boseman who plays the Black Panther and Michael B. Jordan who challenges him, as well as Lupita Nyongo, Danai Gurira, Letitia Wright, Angela Bassett, Daniel Kaluuya, Winston Duke, Forest Whitaker, Andy Serkis and Martin Freeman. The real stars or at least the co-stars are the cast of what seems to be a thousand people listed in the credits at the end of the film. This is because this is a movie with some very special effects, animation that is intertwined with the human actors who are in elaborate costumes which seems to blend ancient African garb with fancy, shinny jewelry, face masks along with science fiction garb that emanates from Star Trek and beyond.

At times, the stories which appear to animate the human action into shooting with special guns and slicing with large knives and swords reminds one of the action videos that we see our grandson watching and playing on his iPhone.

The movie is directed by Ryan Coogler and is written by Coogler, Joe Cole, Jack Kirby and Stan Lee. Lee, of course is known for also creating Spiderman, the X-Men, Mighty Thor, the Fantastic Four, the Incredible Hulk, Daredevil, the Ant-Man and many more characters. He died this past month at the age of 94.

It is interesting to see that in this modern-day movie, the women in the film are depicted often with shaved heads being good fighters and possessing great power but all subservient to the king. Still it is the women who create the possibility for change. The movie is also special because it is a kind of parable about the world today and the choices between isolation and helping others. The ending brings hope in the film and just possibly in the real world

It is not surprising to see that the budget for this movie was over $200 million and the box-office thus far has been $1.3 billion and that’s not counting the Blu-ray and DVDs which are approaching another billion dollars. This movie and the main character, the Black Panther for sure will live in the hearts and memories of this current generation of moviegoers especially in the minds of the kids. It is worth the ride. (2018)

*****

A United Kingdom-sp

When David Oyelowo, leading actor in this film, producer and the force behind the movie, spoke to our audience after screening this movie, he acknowledged that until he read the book by Susan Williams, he knew very little about the history of the small African nation now known as Botswana. But fortunately, the star of the recent hit Selma and many other excellent movies was personally moved enough to put six years of sweat and tears in order to bring one of the great love stories of the 20th century and the most inspiring story of the birth of this small African democracy, to the 21st century movie screen.

It was 1947 when Seretse Khama (David Oyelowo) born of royal blood and destined to be king of a small African country, was studying in England when he fell in love with a young British white woman, Ruth Williams (Rosamund Pike). Their exuberant love for each other is exciting and quite palpable. Perhaps most of us today would say and feel “Why not?” But, there is great resistance from Seretse’s uncle, the reigning ruler, the neighboring apartheid South Africa and the British Colonial government. In fact, any respect that you might have for the late Winston Churchill may go down the drain after seeing this movie.

Your heartstrings will be plucked, your sense of justice will be stirred up and an important piece of history will be indelibly etched into your mind. Need we be reminded that those who don’t understand history are doomed to repeat it. The man who recently who brought to the screen an insight into Martin Luther King has done it again with another excellent portrayal of an heroic figure Credit also goes to director Amma Asante who did an outstanding job by keeping the focus equally on the chemistry between these lovers as well as the historic importance of the fight for ultimate fairness and democracy. The countryside was beautiful. The local native men and women were wonderful. Don’t miss this movie. (2017)

**

Timbuktu sp- “Timbuktu” is widely used to describe a place extremely far away and regarded by many as a myth. In reality it’s a city in Mali, West Africa. It is situated on the southernmost edge of the Sahara Desert. This film although named Timbuktu was actually filmed in Mauritania, a country a little to the north and deemed a little safer for the French and African crew and cast that made this highly charged political film. This movie was produced and directed by Ahderrahmane Sissaki who also co-wrote the screenplay. It is the first film from Mauritania and one of the very few from Africa to ever be nominated for an Academy Award for Best Foreign Film. It attempts to show how the Jihadists, who are contemporary armed Islamic fundamentalists, attempt to impose their values on other Islamic people who don’t hold their extreme beliefs. The setting is the beautiful African dessert where some animals run wild and others are herded by local people many of whom are religious but don’t hold the extreme beliefs of the Jihadists. This leads to horrific scenes, which include a young couple being stoned to death for having a sexual relationship and not being married. Others are given painful 40 lashes for singing and enjoying music. Women are also forbidden from even showing their hands and must wear gloves. The actors are quite good and very believable in their roles although most have not acted before. Some of the actors, we learned, have performed as musicians. The storyline is more a tableaux of scenes woven together to achieve the message that the filmmaker clearly wishes to make. It has relevancy to the world situation as the news is filled with stories about terrorism by various extremist Islamic groups, such as ISIS, al Qaeda and others as they spread their influence throughout the world. A movie such as this one that attempts to show extremism and oppression of people becomes even more effective than political speeches and news reports to educate the public. We understand that already the movie is showing strong box office appeal in various parts of Africa as well as in France, Germany and elsewhere in Europe. However, as an enjoyable, absorbing well done film we can’t put it near the top of our list. Granted the photography is quite beautiful and did capture the texture and ambience of the land. However there is no real storyline. There is no character development and we really know very little about the background of any of the people that we meet. Since they mostly walk around with some type of cloth around their faces (men and women), at times we didn’t even know who was who. Some of the scenes were drawn out too long in our opinion. We had the opportunity to question the filmmaker about some of the fine points of the movie that we did not comprehend. Although that helped to understand what had occurred, regular movie goers will not have that added help. The overall message was fairly clear but we found the movie which was 97 minutes, to feel much longer. In sum, the political value trumps the cinematic value. We hope it makes a difference but we can’t recommend it as a must see film.(2015)

***

War Witch sp – We saw this  Oscar nominated movie for best foreign film a few days before the Academy Award ceremony. It is the Canadian entry since that is the home country of Director Kim Nguyen who also wrote the screenplay which he told our screening audience in a post film interview that he has been writing on and off for 10 years. It is set somewhere in the African Congo where a rebel army abducts children and makes them soldiers. The movie, which was primarily filmed in the  Democratic Republic of the Congo, appears to be quite authentic. It  follows Komono, a  12 year old girl, for two years, starting with the point where she is captured, made to shoot her parents and become a soldier. Circumstances lead her captors to believe that she has special powers, can see things that are going to happen and therefore protect them. She is played by a first time local actress Rachel Mwanza, who actually grew up in the streets without a family and was chosen by Kim Nguyen after auditioning over 2000 young girls.  She is on the screen just about all the time and expresses clearly her inner pain and emotions  well as her  own thoughts and images with a little help from the visual effects of the film and the voiceover  in French by another actress (with English subtitles of course). It also has a great soundtrack of  what appeared to be African folk music which captured the atmosphere and mood  of the film. Mwanza for her first film has already won the the Silver Bear for Best Actress at the Berlin International Film Festival earlier this month and also won the award for the Best Actress in the 2012 Tribeca Film Festival. In the film she is accompanied most of the time by another child soldier who is an Albino known as the Magician, also very well  played by a local actor Serge Kanyinda. This movie presents us with a glimpse at a lesser known atrocity  which has occurred in modern times. It is also a simple and beautiful, if not,  sad love story . It well deserves the recognition which it is receiving. (2012)

****

The First Grader-sp We take for granted that everyone in this country is entitled to an education. We especially can appreciate it when we see it through the eyes of eager children trying to learn the their ABCs in a dusty one room class room in Kenya where the government has decreed, for the first time, the right of everyone to be educated. We are taken to a new level of appreciation when we see it from the point of view of an 85 year old man Kimani Ng’ang’a Maruge (Oliver Musila Litondo) who is determined to join this class and get the education he never had and learn to read. This is based a true story of a   man who became a national hero in Kenya and a symbol of the universal desire for education as his quest ultimately brought the real Maruge from his country village to address the United Nations. However important this theme may be, there also was another story going on here. This proud man had been part of Kikuyu tribe, which produced the Mau-Mau rebellion, which ultimately led to the Kenyan independence from British colonial rule. He demands and gets the respect as others realize that he had been one of freedom fighters who took a sacred oath to return the land controlled by the British back to the native people. As a young man he endured torture and witnessed the death of his wife and children at the hands of the British who demanded that he give up his oath of resistance. The movie flashes back from the present day of this old man trying to learn to read to when he was resisting the powerful British. This is a poignant and dramatic story about a piece of history that most of us do not know much about. It is based on screenplay by Ann Peacock but carried forth and molded by director Justin Chadwick. It is all the more remarkable because it paints an extremely negative picture of colonial Britain by this British Director with the initial support of the BBC, which took the project into development. The school children and most of the characters were not professional actors but all real life Kenyan people. This included the children and their school, which was quite genuine. The exception was Naomie Harris an outstanding English screen actress who had a major role-playing Jane Obinchu the schoolteacher who believed Maruge deserved the opportunity to learn to read. The performance by Litondo as Maruge is totally believable, as he seems to embody this “Mandelaisk” persona. Litondo is a native Kenyan who used to be a news anchor with no previous acting experience.  Harris, Chadwick and their entire crew spent several weeks in Kenya working with locals and preparing to shoot this movie there. The result is an extremely, sensitive effective and emotional film. A middle school teacher in our audience mentioned how she was inspired to go back into her classroom and we all could feel the awe and the thirst for learning that young people and a deprived older man might feel. We also have had our interest peaked to learn more about this very interesting and complicated piece of African history about which this story only scratched the surface. It is a movie that should not be missed. (2011)

*****

In A Better World- sp – We saw this film four days before the evening of the Academy awards and we do believe that this Danish film could give Biutiful from Mexico a run for the money for the best  Foreign Language Film. (We must confess that these two outstanding films were the only ones in this category that we have seen.) Director Susanne Bier who was guest speaker  at our  screening collaborated with Screenwriter Anders Thomas Jensen to bring forth a magnificent story and movie which examines the issues of revenge, bullying, family relationships as well as a friendship between two pre-adolescent boys that is forged in their own painful circumstances. Biers effectively shifts  between scenes in Africa where Anton (Mikael Persbrandt), the father of one of the boys is a physician who makes regular trips to a medical outpost and Denmark where  his son Elias is being jerked around by some  classmates who are bullying him. The other boy Christian (perhaps an ironic choice of a name ) has just moved back from London  with his father to live with his grandmother in Denmark after his mother died of cancer. The main characters find themselves in situations where they can choose to act in a manner that may be wrong and immoral or which could also be considered by some to be justified. The presentation of moral ambiguities in characters that we can understand and identify with makes a stimulating and very riveting film. The scenery in Africa is beautiful and the people living in the refugee camp where they were casted are very genuine since most are non-actors. On the other hand the two child stars who were chosen from 120 auditions essentially carry the film as their characters make decisions which will keep you on the edge of your seat  for nearly the same number of minutes. It is all helped along by an appropriate musical background. We will give the edge to Biutiful but would not be surprised to see the Danes take first prize in this category.(2010) Addendum: It won the Oscar for best foreign film ! )