Roma
***
When this veteran filmmaker decided he would tell a very personal story, he made sure to take on major roles in the aspect of making this movie. Alfonso Cuaron was not only the director and screenwriter, but he also was the cinematographer and editor. Afterall, it was a story about Cleo who was his maid/servant had helped to raise him in his upper-class home which was probably in Mexico City in the 1980s.
After a slow start (be prepared for lots of water and a viewing of what seem to be every credit for this film at the beginning of the movie). The movie then drills down to an in-depth sensitive portrait of this obviously beloved woman who played a significant role in raising Mr. Cuaron. It is interesting and probably revealing that the director/screenwriter bypassed his choice of many experienced actresses and chose an unknown, non-actress school teacher from his hometown to ultimately play the starring role in this movie. Yalitza Aparicio, no doubt with the assistance of the director, did an excellent job of conveying the genuine, sensitive caring of her character. In contrast, the other co-star was a veteran actress, Marina De Tavira who also turned in an outstanding performance as the mother of the four children and the wife who is realizing the true state of her marriage.
In many ways this movie, although it is a man’s tale of his childhood, he really is providing insight into the feelings and emotions only of the women. Men are not portrayed as very nice people. Notably also, there is a small piece of gratuitous nudity that really isn’t necessary for the story and it is a scene of a naked man approaching his sexual partner in the bed. There also is a notable undercurrent of the human rights and civic action which occurred in the 1970s in Mexico City which is depicted very realistically in this movie.
This is a very well-done film that will resonate well with many moviegoers. (2018)