The Father
****

It is easy to see why Anthony Hopkins was recently awarded this year’s Academy Award for Best Actor. He is magnificent as an old man with a fading memory in this film. The movie is presented in a manner that the viewers experiences the memory lapses and subsequent episodes of confusion as if it were happening to us. Hopkins’ facial expressions, voice, movements, and interactions with the other characters are near perfect. He moves easily between anger and fury to softness and sadness.

The film was written and directed by Florian Zeller who has adapted his prize-winning French play of the same name along with Christopher Hampton. Interestingly, the main character’s first name is “Anthony”. His daughter is played by Olivia Colman who also turned in an outstanding performance. To make things even more interesting, Anthony’s daughter is also played at a different age by Olivia Williams who physically resembles Ms. Coleman. There were several clever manipulations of the setting all adding up to a somewhat unique cinematic experience.

*****

The Two Popes-sp

At our preview screening of this movie, we had the pleasure of hearing the screenwriter Anthony McCarten describe how he created his vision of the relationship between these two Popes. Mr. McCarten who also wrote the screenplays for The Darkest Hour (Winston Churchill), “Theory Of Everything” (Steven Hawking) and “Bohemian Rhapsody” (Freddie Mercury and his band Queen) built the story based on little known facts about the interactions between the current liberal Pope Francis and the previous conservative Pope Benedict. The story imagines a meeting between the two of them prior to the resignation of Pope Benedict, which may have actually taken place. Through the use of flashbacks in time, we learn about Pope Francis as a young priest in Argentina and how he dealt with the influence of Peron in his native country. During the imagined meeting between the two Popes, prior to the time that Pope Benedict steps aside, there is a suggestion that both of them have regrets in their lives. Although it is not mentioned directly, the older Pope is said to have been a member of the Hitler Youth Group in his native Germany. Certainly, both men come across as very empathic servants of God who care greatly about people and are deeply religious.

Aside from the fascinating interaction between these two historic figures, the scenes inside the Vatican, which has been recreated (no actual filming is allowed inside) are magnificent. The acting by the two great actors Jonathan Pryce (Pope Francis) and Anthony Hopkins (Pope Benedict) are quite masterful. The direction of the movie and photography led by Fernando Meirelles is outstanding. This film definitely deserves your attention.

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Hitchcock- nf   As we anticipate this year’s Academy Awards nite, we were in the mood for a movie about making movies. We chose to view this   biopic about the great Alfred Hitchcock. We can’t imagine two better choices for the stars than fellow Brits Anthony Hopkins as Hitchcock and Helen Mirin as his wife, Alma. While Hopkins seems to channel Hitchcock in appearance and mannerism, director Sacha Gervasi added to the impersonation by showing the iconic director’s profile numerous times. This is the story of a crisis in the life of the “Master of Suspense” as he is wondering if he is past his prime and won’t ever be able to match his last success North by Northwest. Perhaps driven by some demons in his own head he decides that he wants to make a movie of a book he has just read titled, Psycho. Lew Wasserman (Michael Stuhlbarg) head of Paramount Studios, where Hitchcock has a contract doesn’t think it will go over with the public and won’t provide the funding. Hitch makes a deal with them to do it if he provides the finances, which he does by mortgaging his own house. The screenplay by John J McLaughlin based on a book by Stephen Rebello shows us a man who realizes that he is at a crucial point in his life and with his marriage. He seems to have the confidence to make a great movie but he has to reach much deeper to try to save his marriage. As a movie fan it is fun to see a depiction of the making of Psycho. In this case it is Scarlett Johansson as Janet Leigh, James D’Arcy as Anthony Perkins and Jessica Biel as Vera Miles who we see might have been the “other woman” in the grand master’s life. While there is some attempt   to remind us of the magic of a Hitchcock film, in the end it is just a snapshot of a one of film-lovers great heroes. (2012)

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You Will Meet A Tall Dark Stranger-rm – We have always been willing to see Woody Allen movies if for no other reason then to see where his head is at. He always comes up with an interesting group of characters who are struggling in great angst in which we can some way identify with or at least understand. This time he gives us various configurations of couples who are each having trouble with their relationships and for the most part they each have some very wishful fantasies. The oldest couple has split because Alfie (Anthony Hopkins) feels he should have relationship with hot young blond    (Lucy Punch). His disappointed wife Helena (Gemma Jones) falls under the spell of a forune teller (Pauline Collins) whom she believes hookline and sinker. Helena then falls in love with a widower Jonathan (Roger Ashton-Griffiths) who needs the permission of his dead wife to marry her. Alfie and Helena have a daughter Sally (Naomi Watts) who is married to Roy, a doctor (Josh Broslin) who doesn’t practice but is trying to produce a second novel rather than a family and prefers looking out his apartment window at Dia (Freida Pinto), a beautiful woman whom he is convinced would be the perfect partner for him. The doctor – now writer’s wife really imagines that she would be better off with her art dealer boss (Antonio Banderes). If she can’t have him she would hope that her mother would lend her money to open her own art gallery but the mother doesn’t think the stars are aligned right. There are many more twists and turns in this study of the human psyche. There is also a narrator to the movie (Zak Orth) who really doesn’t tell us very much. Allen has a writing style that gives the audience a feel for who are these people and the dilemmas they face from their own point of view. The problem is that when all is said and done, we didn’t really care that much about any of the characters despite the unique story and a great cast. There were some good comedic moments but overall it is a sad commentary about human nature. (2010)

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The City of Your Final Destination – rm – For more than 40 years director James Ivory and producer Ismail Merchant have been bringing forth signature films with screenplays written and adapted by Ruth Prawer Jhabvala. Two years after the death of Merchant, the remaining team has created a film worthy of the genre, which took three more years to be released. Every frame is a masterpiece color photograph with period and location magnificently depicted. The story here is about Omar (Omar Metwally) a mid-western university doctoral student who has a grant to write a biography of a Latin American writer who had committed suicide. He takes temporary leave of Deidre (Alexandra Maria Lara), his controlling girl friend to travel to the beautiful Uruguay countryside in order to try to convince the executers of the writer’s estate to authorize the biography. He finds the deceased writer’s widow (Laura Linnley), the writer’s girl friend Arden (Charlotte Gainsbourg) and the 8 year old daughter she had with him, the gay brother of the writer (Anthony Hopkins ) along with his lover (Hiroyuki Sanada ) who has been with him since he adopted him at age 15, all living together on a magnificent ranch estate miles from nowhere. The movie becomes a study of the personalities of this group and the dynamics between them. It also follows and explores the emotions of the would be biographer as he rather quickly develops feelings for Adrenia which leaves him with some important choices to make. A very effective ending allows you to come away from the movie realizing that everyone has decisions to make, which may make life better in ways never thought possible. (2007)