Frida- ( Netflix)
****

This is moving romantic biography about the Mexican artist, Frida Kahlo. It begins with a bus accident which severely injured her legs, in which she made a good functional recovery. She was able to pursue her artistic inclinations as a painter and then met one of Mexico’s most famous and revered artist, Diego Rivera. Much of the story is based on their tumultuous romantic relationship, which included a phase where they took in a Russian revolutionist by the name of Leon Trotsky who had fled to Mexico after Stalin was out to destroy him and his ideas.

This film, which was released in 2002, is based on a 1983 book by Hayden Herrera. The movie was directed by Julie Taymor and stars Selma Hayek who was nominated for an Academy Award for best actress in a leading role in this film. It also features Alfred Molina as Diego Rivera as well as costars Ashley Judd, Edward Norton, and Antonio Banderas. The film blended the passion of Mexican music with a sexual romantic storyline based on real well-known people. It is a worthwhile cinematic experience.

***

Pain and Glory-rm

The main character of this movie is a film director Salvador Mallo (Antonio Banderas) who appears to be an aging man with various physical conditions but is still under the influence of his childhood memories and experiences. He has recently learned that an earlier very successful movie that he made is going to be restored and he is invited to present it with the lead actor, Alberto Crespo (Asier Etxeandia) whom he hasn’t spoken to for 32 years since the film was originally made. The director was angry at the actor because he didn’t play his role the way the director had envisioned it. This scenario becomes a vehicle for the main character to relive and examine his childhood and early years which included his relationship with his mother (Penelope Cruz) as well as his attraction to heroin. His earlier sexual experiences with a man is also highlighted.

The movie is supposed to be semi autobiographical of the filmmaker Pedro Almodovar (whatever that means). While the movie shows meaningful childhood early life experiences and how it impacted the course of the character’s life in later years, we didn’t feel the storyline captured and held our interest. The movie was well-acted and produced, with topnotch acting and production. You forget that you are watching a film in Spanish and reading English subtitles. However, we still can’t give it a strong recommendation. (2019)

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***

The 33-sp

Deep Down Dark by Hector Tobar, the story of the 2010 Chilean Mine disaster and the 33 miners trapped underground, was one of the best books we have read in a long time (see book review). So a movie following in its footsteps has big shoes to fill. Director Patricia Riggen and the producing team led by veteran producer Mike Medavoy did a pretty good job of capturing the atmosphere as well as creating the tension and interaction of the beleaguered miners. They chose to make this film in English, which took away from the realism but we understand the reasonable necessity to do this to facilitate worldwide distribution. Much of the film was deep in the dark mine and the faces of the characters were understandably in deep shadows. While good for realism, it did take awhile for the characters to be clearly distinguished as individuals.

There was one interesting issue which we wonder if it was fact or creative license. That was when Laurence Golbourne (Rodrigo Santoro), the young government official who was Minister of Mines for the Chilean government told the veteran mine rescue expert exactly how he should position the last chance drilling effort, which was the only drill to reach the miners. Just as important as the interaction of the miners with each other was the role of the families putting pressure on the various officials to make an all-out effort to save their loved ones. The emotions of these family members, friends and one mistress was highlighted by the character of Maria Segovia, sister of one of the miners, who was well-played by Juliette Binoche. Another standout was the character of Mario Sepulveda (Antonio Banderas) who assumed the leadership role of the trapped miners.

This was the last film of the late James Horner who as usual created an excellent soundtrack to capture the changing moods of the film. At the conclusion of the movie, we see a postscript telling us that none of the miners received any compensation from the mine company. In a post screening discussion, we were able to ask producer Michael Medavoy if this film is financially successful, would the miners receive any compensation. The answer was, “You bet,” but it has to come after all the backers of the film receive their upfront money back plus a reasonable profit. We thought that why should the miners not receive their compensation upfront? But that apparently is the usual Hollywood way. Despite this concern, the film itself, while not meeting the standards of the amazing book is still worthwhile and should be seen and enjoyed by many viewers. Shortly after the actual disaster occurred I also wrote two blogs  about the psychological implications of this experience  ( see blog#1   and blog #2 ) (2015)