****

On the Basis Of Sex

This film follows on the heels of “RBG”, a very well-received documentary film about the iconic Supreme Court Judge Ruth Bader Ginsburg. However, this movie is a dramatization of the early life of Judge Ginsburg starting with her entry into Harvard Law School and following her as she married her lawyer husband Martin, had her two children, battled prejudice and discrimination as she tried to get her first job and then ultimately took on a game-changing case in which she established the modern legal basis for equal rights for women and foiled attempts at discrimination based on sex.

Felicity Jones is excellent as RBG as is Armie Hammer as her husband and Justin Theroux as Mel Wolf, head of the ACLU. Mimi Leder, a veteran TV director, returns to film directing which she did earlier in her career. This movie not only provides superb entertainment and an opportunity for discussion but it also gives us insight into relevant contemporary social issues. (2018)

***

Call Me By Your Name- sp

This is a beautiful gay coming-of-age romantic film with a screenplay by James Ivory, who has dealt with this subject in the past as a filmmaker. The story is based on a novel by Andre Aciman and brought to the screen by a very skilled Italian director, Luca Guadagnino.

The movie is set in the magnificent countryside of Northern Italy. Elio (Timothée Chalamet) a 17-year-old young man living with his parents in their summer home meets Oliver (Armie Hammer) a young man in his late 20s who is a colleague of his professor father who is studying some sunken archeological discovery of ancient statues of young men that is being raised from the coastal waters. Also being raised is Elio’s attraction to Oliver and vice versa which the viewer experiences through both their eyes. This awakening of physical chemistry and love develops into somewhat overly drawn out two hours and eleven minutes of this film which incorporates the absolutely beautiful countryside with magnificent lush hills, valleys, coves, and waterfalls which sets the tone for the overwhelming feelings that both of these young man were feeling for each other.

There is one particular scene which may very well be remembered as a classic, in which Elio’s father (Michael Stuhlbarg) shares his understanding and insight into his son’s feelings in a very tender and moving moment

This production was a very well-done in all aspects including some original songs and music by Sufjan Stevens. However, the filmmaker became too enamored of the magnificent artistic depictions of the luscious countryside and created a film that was overly long. Nevertheless, this film well deserves to become an important part of the genre of movies about the gay romantic experience. (2017)

***

J Edgar rm-   There are very few Americans who can be recognized without their last name. J. Edgar Hoover is one of them. Clint (Eastwood) is another such name who directed this biopic about the man who served nine US Presidents and is the person most responsible for the establishment of the Federal Bureau of Investigation, as we know it today. Enter Leonardo , not DaVinci but DiCaprio who certainly deserves consideration for an Oscar nomination for his magnificent depiction of J. Edgar from his early days in law enforcement until his death as the revered, feared and even despised leader of the FBI. Hoover is shown initially to be a patriot and a sincere crime fighter but his passion and his hate of those he felt were enemies led him ultimately to gather power, overstep his authority, attempt to glorify himself and use his position to blackmail and intimidate anyone who was in his way. Perhaps the most revealing part of this character study was the demonstration of this man to have a stunted emotional growth. He is shown to be completely under the sway of his mother (Judi Dench ) and at least in this version to have an inability to have an adult relationship  with women. His comfort and attachment to Clyde Tolson (Armie Hammer ) whom he hired, befriended, made him his Associate Director of the FBI and ultimately lived with,  is a major part of this film. Hammer should be up for a supporting actor award winning performance as he ages from dapper young FBI agent to sickly old man during the course of the film.  It is suggested but never fully clarified wither they had an overt sexual relationship but nevertheless the irony is in your face that J. Edgar sought out other peoples’ secrets which he used against them while he had a very big one himself. This character’s ambivalence and underdeveloped personality makes it hard for us hate him , love him or identify with his persona. If anything we feel sorry for him. Despite the fact that there was nothing in the film to keep us on the edge of our seats, the 2hours and 17 minutes of the film did not seem boring  with credit to Clint’s ability to keep things moving and his skill in telling his story. (2011)