*****

Storm Boy-sp

This is an Australian film directed by Shawn Seet based on a screenplay by Justin Monjo which is based on a novella by Colin Thiele. It is a well-known legendary Australian story about a young boy (Finn Little) and his connection to pelicans. His mother and sister had died and he lives with his father (Jai Courtney) in a house on the beach in a deserted area of his country. The boy rescues three baby pelicans after their mother was killed by bird hunters. The little birds grow into big pelicans and stay connected with the young boy, particularly one pelican named Mr. P.

The story is told by the grown boy, now a grandfather, (Geoffrey Rush), as he talks with his granddaughter (Morgana Davies) about his youth. There is also an indigenous man (Trevor Jamieson) who lives nearby and lends support to the father and son. The storyline has a sense of urgency, as there is a conflict over land use of a trust on whose Board the grandfather sits. There is also a dramatic rescue episode, which has significance in our young hero’s future life.

The story is magical, captivating, emotional and has all the elements which make it a very worthwhile cinematic experience. (2019)

As usual, your comments about this film are welcome below.

***

Oranges and Sunshine–nf This film is a good example of how we might rate a film 3/5 and yet highly recommend it as one that should be seen by anyone who cares about social injustice. There are many better examples of dramatic films with unforgettable performances by talented actors and directors, which will win Academy Award nominations. But this Australian film directed by Jim Loach with a screenplay by Rona Munro plods along but rivets our attention because it tells the true story of a historical event that we and we are sure many other people had no idea had occurred. It is about a British social worker by the name of Margaret Humphreys who in the 1980s stumbles upon the situation that in the 1940s and 50s the British government deported to Australia young children born to troubled poor mothers who couldn’t care for their kids. The mothers were often told that the children were being adopted in England by various couples although if they did make efforts they would not be able to track them down. The truth was that they lived in various orphanages in Australia in very dire circumstances, were treated very badly and many were abused. During this blight on British history there were 130,000 children who went through this pipeline to Australia. They never had a chance to find out who their mothers were and whether they were still alive. Margaret Humphreys (played by Emily Watson) at first took on the task of trying to help some of these now adults find their mothers. She then devoted herself to exposing this great injustice in addition to reuniting these adults with their mothers when possible. We see how she set up a program in Australia where most of these orphans lived and held some reunions with each other. We also see a scene in a monastery, which may have been the site of some of the stories of abuse. There was a scary episode where an intruder who seems to be warning her to cease her efforts, threatens Ms. Humphreys at night. It is a weakness of the film that we never learn more about the nature of these threats. Ms. Humphrey made efforts to publicize the story of these mass deportations in the media and to get the government to help in her endeavors. She spent an increasing amount of time in Australia, away from her own family. Some of the horrors that the children went through are related in excellent performances by Hugo Weaving and David Wenham. We learn during the credits at the end of the film that it was not until 2010 that the British government acknowledged its mistake and the Prime Minister apologized. It was at that point that we learned of the tremendous number of children that had gone through this disruption of their lives with all its repercussions. As a sidebar we are reminded of the large number of films that we have seen as well as some true life stories that we have heard, which  in some way recount the desire to reunite with one’s biological parents. Of course in the situations recounted in this film, these people did not have parents who adopted them. Some discussion of this topic can be found in MB’s blog http://www.psychiatrytalk.com/2014/04/the-search-for-a-persons-biological-identity/  (2011)