***

Where’d You Go, Bernadette -rm

At best, the main character is a quirky brilliant architect who is married and has a lovely daughter. They care deeply about each other and the connection between them is very touching. Circumstances and misunderstanding lead them on a wild adventure to the Antarctica and the South Pole.

The cast is top notch staring Cate Blanchett, Trojan Bellisario, Billy Crudup and Kristen Wiig, also featuring Judy Greer and Laurence Fishburne, all working under the guidance of veteran director, Richard Linklater.

The film obviously touched the funny bone of much of the audience as we heard frequent out loud laughter. However, we viewed the main character as a misunderstood, if relatable woman frustrated by the events in her life and seemingly suffering from a potentially serious depression which supported her husband’s attempt to arrange an “ intervention “ with a mental health therapist. Viewing this film about a troubled person made it hard to appreciate the humor that was obviously there and enjoyed by much of the audience. (2019)

***

After the Wedding-sp

This movie deals with hidden secrets and family relationships, a topic that has been dealt with from time to time in a variety of films. In this case, it is about a woman (Michelle Williams) who is confronted with her long-lost relative and her parents (Julianne Moore and Billy Crudup). Hidden secrets emerge including a fatal one. The setting of the film ranges from a poor orphanage in India to a posh office in New York City and a mega mansion in the suburbs. Julianne Moore (who in real life is married to the director of this film Bart Freundlich) is at the top of her game with a full range of emotions from the very subtle to the near hysteria. Michelle Williams, we thought was somewhat constrained but perhaps, that was hers or the director’s interpretation of her role. The film was well done on a delicate topic but we felt it fell short in believability and realism. (2019)

***

20th Century Women-rm

This movie is set in the 1970s and examines the relationship between a single divorced mother and her only child, a 15-year-old son. It takes place in Santa Barbara, a coastal town North of Los Angeles. While we were raising teenagers on the East Coast during these years, there was little that we could relate to other than perhaps the music of Talking Heads playing in the background and the fact that parents can never fully understand their teenage children. However, it is the latter point that becomes the essence of this movie.

Annette Bening plays Dorothea, the mother in a role which she has already been nominated for a Golden Globe Award. She has decided that she can never teach a son what he needs to know about women and life so she asks Julie (Elle Fanning), a slightly older teenage girl who is her son’s friend and Abbie (Greta Gerwig), a few years older young woman who boards in their house to develop a dialogue with Jamie (Lucas Jade Zumann) and teach him what she was unable to do. There is also William (Billy Crudup) another boarder in the house who typifies a 1970s young man in his 30s. Jamie for the most part seems to be doing fine but it is mom who is having trouble negotiating her stage of life. Credit goes to Director Writer Michael Mills for capturing the atmosphere of this period piece with flashes of old cars, Jimmy Carter, uninhabited coastal views, 1970’s music, chain smoking of cigarettes, and discussion about the female orgasm.

Most viewers of this movie should find some meaningful identification whether it jogs memories of the 1970s or the universal dilemmas of negotiating certain stages of life. We are not sure it is worth sitting through the entire film (2016)