MOVIE REVIEW

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The Guernsey Literary and Potato Peel Pie Society (Netflix)

Guernsey is a small island, which is part of the Channel Islands off the coast of England. It was the only British territory that the Germans invaded and occupied during World War II.

This movie is directed by Mike Newell and written by Don Roos and Tom Bezucha based on a novel by Mary Ann Shaffer and Annie Barrows. It stars Lily James, Michiel Huisman, Glen Powell, Jessica Findlay, Katherine Parkinson, Tom Courtenay, Matthew Goode, and Penelope Wilton.

The film takes place in post war World War II in 1946. Juliet who is an author receives a letter from a Guerney man who is interested in a book that she has written. They begin to correspond and she learns that there is a book discussion group on Guernsey called the “Guernsey Literary and Potato Peel Pie Society.” She decides that she would like to learn more about this group who write about it. Her boyfriend accompanies her to the dock, where she will take the ferry to Guernsey and he proposes to her at that time. She goes on her mission and surprisingly Juliet becomes involved in the “Society,” particularly interested in the fate of one of the founding members, Elizabeth, who left the island during the war. There is intrigue, romance, and an insight into the German occupation of the island during World War II.

While our own book discussion groups or even our film discussion groups do not have the danger and intrigue found in the story, it does give us a chance to experience a well done book and movie (2020).

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Belle-rm– This is a complicated film which deals with slavery, race relations in England in the latter part of the 18^th century, women’s dependency on men, love, relationships, a tragic event at sea and an historic legal case. Yet in the end you come away with a sense of satisfaction, that things are working out for the best. The film is based on a true story written by Misa Sagay and Amma Asante who also directed this film and showed her sensitivity to the many issues covered in this story. The story revolves around Dido (Gugu Mbaatha-Raw), an illegitimate mixed race child of a Royal Navy admiral who brings his young daughter to be raised by his aristocratic uncle Lord Mansfield (Tom Wilkerson) and his wife Lady Mansfield (Emily Watson) while he goes off to sea. The Mansfields are also raising another child Elizabeth (Sarah Gadon) born to another member of the family who is not around. The two girls become very close as they grow to marriageable age. Great Uncle Mansfield also happens to be the Chief Justice of England who is about to rule on an important case concerned with the Zong Massacre. This involved a ship at sea that was transporting slaves from Africa and threw a number of them overboard to drown claiming they were out of drinking water and had to do this in order to survive and subsequently made a claim to their insurance company for their “lost cargo.” The story also shows the somewhat formal courtship of these now young women, the importance of the presence or absence of a dowry, and the view and treatment of women at this time and place. Of course the racial factor is also high lighted as there is this unique situation of a black girl being raised in the aristocratic home and now receiving a proposal of marriage from the men who come courting these women. There are tense moving interactions between the various characters as well a dramatic courtroom scene by Tom Wilkerson who we feel deserves special recognition among an outstanding cast. At the conclusion of the film we see a large completed oil painting of the two young women who are the centerpiece of the film and which was being painted earlier in the story. Then during the rolling of the credits we see another large painting of the actual women who are depicted in the story and are told where the real canvas is hanging. This reminder of the historical truth of all the themes shown in this film, makes it quite a memorable accomplishment.(2014)

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The Quartet-nf The setting is a home for retired musicians in Great Britain which apparently does exist in some form there. Many of the retirees are well known opera singers as well as other types of musicians. Three of the main protagonists played by Billy Connolly, Tom Courtenay, and Pauline Collins are joined by the fourth (Maggie Smith) who makes a grand entrance befitting the diva that she must have been. It turns out that many years ago she had been married to one of the men (Courtenay’s character),for nine hours, but he has never gotten over their romance and being jilted. He thus is quite unhappy about her arrival. Life in the home seems meaningful to the residents who interact with each other, reminisce about times gone by and sometimes play their instruments and also do some singing. Director Dustin Hoffman in an extra clip on Netflix declares that this is a film about life and (older people) enjoying it and living to their fullest. There was no dialog in the film which indicated that any of these residents had meaningful relationships with their families (although some small children were seen visiting and even being given music lessons). It may be that many very successful professional musicians have traveled a great deal and never have time to develop such connections and that such a retirement home serves this very special purpose. It is also of note that aside from the 4 main stars many of the other musicians seen doing small bits of performing from opera to comedy were actual retired professional musicians. This was demonstrated also in the closing credits where they were identified with a picture of them in his or her prime. It becomes clear early on in the film that the issue, which must be resolved, is whether the four main characters will perform the Quartet from Rigaletto in a benefit show to keep the home open. It will not spoil this movie experience to learn in the end they do it and we hear what have to be recordings of the rich voices of the real opera stars in their prime. Dustin Hoffman’s goal is achieved as we have a feel good experience about the ability to find meaning and satisfaction late in life. (2012)

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Salmon Fishing in the Yemen- rm   Simon Beaufoy, who won an Academy Award for best adapted screen play for Slumdog Millionaire, this time adapts a screen play of a fanciful novel by Paul Torday. Director Lass Hallstrom crafts this almost fairy tale story with many levels and it comes across with an authentic ring. Of course it doesn’t hurt that you have some outstanding actors who do a great job. Dr. Albert Jones (Ewan McGregor) is a British government fishing expert who is approached by Harriet Chetwode-Talbot (Emily Blunt), a financial consultant who is acting on behalf of Sheikh Muhammad (Amr Waked, an excellent Egyptian actor) who is willing to spend at least 50 million dollars to redo the desert country of Yemen to introduce his favorite sport  salmon fishing there. It is suggested at one point that the fishing expert might have “a touch Asbergers” since he can’t seem to help but tell the truth and he has little sense of humor. He is very likeable and there is chemistry between him and Harriet who is initially all business but vulnerable when the short term love of her life seems out of the picture. The British government officials who spur on this outlandish project, add humor to the story but everything always seems possible. We cared about all the characters and somehow never believed that the Shiekh was just a self-indulgent playboy. In the end we are reminded of what it means to have vision, to believe in your ideas as well as the joy in discovering romance in a special relationship. That makes this movie, in our opinion, a successful romantic comedy. (2012)

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Happy-Go-Lucky – np – Poppy (played by Sally Hawkins for which she won a Golden Globe) is a thirty year old impish London schoolteacher who has a great sense of humor and is always making jokes which will make you smile. She has some close girl friends and even meets a nice guy. But her sensitive side shows through when she sees kids in trouble and also in her relationship with her once a week driving instructor who is somewhat unbalanced. This is a slice of life piece of a very likeable character. Kudos to the acting and to Michael Leigh the director for a good character study. We could have used subtitles for the first ten minutes until we were use to the British accent. We weren’t sure the film was worth an hour and 58 minutes. 2008