**

Laggies – nf

The term Laggies, according to Director Lynn Shelton comes from an informal term used by Orange County teenagers when referring to themselves as a group such as “Come on Laggies, let’s all go to the mall.” The screenplay by Andrea Seigel was originally written to take place in Orange County, California, but the setting was moved to Seattle, Washington. However, Shelton liked the way the term Laggies sounded and kept it as the title.

The meaning of the film to us is similarly vague and hard to figure out. Granted it is about a generation far from our own, but we thought that we usually get teens and 20’s even if we are quite removed from their time to bloom.

Megan (Keira Knightley) is a 28-year-old college graduate who has a Masters in Family Counseling but hasn’t really found herself. Her best friend, Allison (Elle Kemper) is getting married and all her good friends are attending the event. Megan’s long-term boyfriend (Mark Webber) is ready to propose to her and they plan to go for a quick small wedding ceremony in Las Vegas. However, Megan meets Annika, a 15-year-old teenager (Chloe Moretz), who she encounters when she’s asked by her to buy beer and alcohol for her and her teenage buddies. Megan can relate to Annika and is comfortable hanging around with her and her friends. She tells her boyfriend that she’s going to go to a conference for a week and then they will get married. In the meantime, Megan stays in Annika’s house where she meets Craig, Annika’s single dad (Sam Rockwell) who is an attorney. Anika and Sam seem to really like each other and have a one-night sexual encounter. Incidentally, we also have learned a little earlier that Megan’s father (Jeff Garlin) was discovered by Megan to be fooling around with the mother of the bride at the wedding of Megan’s best friend, which bummed out Megan. Megan is about to fly to Las Vegas to marry her long-term boyfriend or will she?

So we conclude that the movie is about growing up and deciding which relationships are really important. However, there is no real depth to the storyline. We don’t really understand why the characters do what they do, although they do seem to be the wiser for going through these experiences. The director, Ms. Shelton knows her way around Seattle having directed her previous movies in the city. The acting was very good. Ms. Knightly was very appealing as Megan, the young woman who has to find herself. In the DVD features accompanying the film, we see her talking in her native language (British English) and we appreciate how well she has mastered the American dialect in the film. This movie was a little fun to watch but we didn’t get much out of it. We conclude that we can’t recommend it, even to the teens and 20’s looking for a good movie to kick back on. (2014)

***  

Clouds of Sils Maria-nf

This is one of those movies where the actors (in this case actresses) played characters who are actresses themselves preparing for a part. In this case real life gets interwoven with the role that they are going to play. It sounds interesting, especially if you are into inside show business stories. The actual story and presentation by screenwriter/director Olivier Assayas was well done but we felt he coped out in the end and left too much to our imagination.

The story line introduces us to Maria Enders (Juliette Binochea) a successful actress who 20 years previously had her first real breakout role in a production where she played an 18-year-old assistant to a big time actress. There was a complicated interaction in the story between the two women which included a sexual affair. The older woman ultimately felt devalued and committed suicide. Now 20 years Maria Enders the actress who played the younger woman is now a successful veteran actress who has her own personal assistant (Kristin Stewart). She is asked by a director to star once again in the same production but this time to play the role of the older woman. She ruminates about this and ultimately meets the woman scheduled to be her younger co-star at this time (Chloe Grace Moretz).

The key here is the inner workings of the mind and emotions of the older Maria Enders’ character. We get a window into them as she rehearses and runs lines with her personal assistant. Reality meets fiction in a subtle gradual manner. We are caught up as we watch the metamorphosis develop. The setting for most of this film is outdoors in Switzerland where the esteemed author of the play that is to be performed was supposed to have lived. The Clouds of Sils Maria are in reality a snake-like intrusion of a low-lying cloud formation that slips between the mountains on a regular basis writhing like a snake, which is the name of the play that the actors and actresses are scheduled to perform. Perhaps it is also a metaphor for being slowly overwhelmed. The acting in this movie is excellent with each character being quite believable and you can try to imagine how things work out in the end. (2014)

****

Hugo –rm   _ The movie open with a beautiful scene of Paris with snow flakes falling. The 3D effect is fantastic. It actually almost feels as if the snow is falling on the audience. This is followed by a breathtaking run through the railroad station taking full advantage of the three dimensional technique that is being used. However, by the end of the film we concluded that we could have done without the 3D effect and the movie would have been just as good and the glasses were a tad uncomfortable anyway. This film has all the ingredients of a successful movie. First of all it has Martin Scorsese fully behind it as director and a producer. It is a movie about movies which almost always is an attraction to movie goers (and critics and award givers). It has appealing child actors (Asa Butterfield and Chloe Grace Moretz) and a delightful grandfather figure played by Ben Kinglsey. It also has Sacha Baron Cohen as the railway policeman who is the scary threat on one hand but a humorous injured soul on the other. Oh yes, there is also a dog – a big tough mean  dog but any dog always seems to push up the positive rating  meter especially for young people. There are moving moments when a young boy’s father dies and he is searching for a bond with his lost Dad. He meets a grandfather figure who can’t think about his own lost glorious past because it is too painful to contemplate.  There is clash, suspense, action, resolution and a grand finale. While this certainly is a children’s movie probably for nine and ten year olds and older, it is also made for us adults who are not only young at heart but always want to learn a little history.  The book by Brian Selznick and the screen play by John Logan is telling us the story of Georges Meilies who was a French illusionist and filmmaker who became very famous for many special techniques which he developed during the early days of  cinema. He suffered a decline and tragic losses and was alienated from his earlier great successes. He ultimately became recognized and revered once again in his senior years. The real story of how this came about was not the fairy tale story, which is depicted in this movie, which is quite delightful and resonates with all our fantasies and sentimentality. The bonus treat here is that we  also see lots or real footage of classic French movie clips, many by the real Georges Meilies. So when we toss our 3D glasses in the bin on the way out – the memory and the good feeling of the movie will stay with us. (2011)

****

Let Me In- sp You probably don’t want to see this movie unless you like Vampire films with all the blood, gore and death, so they can live another day. But if you like this genre you will get a lot more than just the horror show. It is a very touching story of the coming of age of two 12 years old kids (even if one is 250 years old in a 12 year old’s body) which beautifully shows the innocence of adolescent awakening. There is a very vivid and painful depiction of  bullying by young people which reminds us of the dread that a kid who is the victim of it will feel every day. When there is revenge for this type of treatment, you can imagine what a Vampire. can do. The audience also experiences a palpitating anticipation, which is served up in this type of a movie and greatly helped by a music score with appropriate sound effects which reverberates through your body.  This is all the work of Matt Reeves, who wrote the screenplay based on the novel  Let The Right One In and a Swedish movie by the same name. Reeves who made Cloverfield, was a guest speaker at our screening of this film. He was very clear on what he wanted to achieve, apparently keeping true to parts of the novel, paralleling the European film and writing from some of his own childhood experiences. He used two excellent child actors, Kodi Smit-McPhee and Chloe Grace-Moretz and allowed them to teach him what a 12 year old might feel in these  unusual situations (of course this required them to rev up their imaginations to the fullest). They really did an outstanding job as did Richard Jenkins who was put in the role of a most evil person and yet the audience almost wanted him succeed in his grim tasks. Be aware that about 20 % of our screening audience which probably didn’t know what the subject matter was going to be, walked out on the movie during the first 15-20 minutes. There certainly was no one under 40 in those walkers. If they had stayed until the end they might have appreciated the thoughtful writing, excellent acting and a top notch Vampire film.(2010)