*****

Bel Canto-sp

Veteran director and co-writer Paul Weitz (recently known for the award winning TV series Mozart in the Jungle) took the well-received novel by Ann Patchett which we read four years ago (see bookrap.net) and brought together an international cast to make this magnificent film. The story is based on an actual hostage situation which occurred in Peru in the 1990s. It centers around a planned dinner party featuring a performance by a well-known opera star (played by Julianne Moore with the voice over by Renee Fleming).

The setting is a beautiful private residence where the president of a South American country was supposed to be one of the guests. Also present was a Japanese industrialist (Ken Watanabe) and other international guests. The private party was invaded by some rebels, who had planned to take the president of the country hostage, in order to attempt to free some jailed political prisoners. Because the president was not there and had sent the vice-president in his place, the rebels took all of the guests hostage. The dinner party guests are now hostages being guarded by their captors. What then develops is a beautiful depiction of what psychiatrists call, the “Stockholm Syndrome” where hostages develop meaningful relationships with their captors and in this case vice versa. The situation goes on for several weeks as negotiations take place. The mood is set by the beautiful voice and music of the opera singer. The very human stories and interactions of the cast of characters is enchanting as attention builds towards the climax.

While some of the points of emphasis may be slightly different than was depicted in the book, Mr. Weitz is true to the theme and is able to match the magnificent setting and the beautiful singing to the interesting and rich characters with whom he worked. The excellent international cast includes Sebastian Koch, Christopher Lambert, Ryo Kase, Tenoch Huerta, Noe Hernandez, Maria Coroy, Elsa Zylberstein and Olek Krupa. The entire film is skillfully woven together and should not be missed. (2018)