**

The Mustang-rm

There is a program in a western U.S. maximum-security prison where inmates can learn how to train a wild mustang horse. If they succeed the horse can be sold at auction. Horses that can’t be tamed are often euthanized.

We meet Roman Coleman (Matthias Schoenaerts) a somewhat taciturn violent prisoner who becomes involved in this program. There are interesting well-photographed scenes where we see the trials and tribulations of men working with their horses. There are short but well-done supporting roles by Connie Britton a prison psychologist and Bruce Dern who plays the old guy who tells the prisoners how to train their horses.

Unfortunately, we learn very little about the previous background of the main protagonist as we are just given fleeting glimpses of what happened to him and his relationship with his adult daughter (Gideon Adlon) who visits him periodically in the prison. We learn essentially nothing about the other prisoners who are participating in the program and must have stories to tell.

Seeing a wild horse show some recognition to the human trying to train him is a touching emotional experience but is not enough to carry this film and make it worthwhile. We feel that the storyline failed and therefore the movie failed, however, well directed by Laure de Clermont-Tonnerre. Even though there were some great scenes of horses running wild or even cozying up to their trainer, we just cannot recommend this movie. (2019)

Any comments are welcome in the section below 

***

Beatiz At Dinner-rm

A very plain but beautiful, young Mexican woman (Salma Hayek) who is a spiritual masseuse who believes in the holistic approach to healing, is finishing up with her last client who is a wealthy woman (Connie Britton) living on a fancy estate in Southern California, when she finds that her car would not start to go home. She is invited to join the woman and her husband (David Warshofsky), along with two couples (Chloe Sevigny, John Lithgow, Amy Landecker, Jay Duplass) who have come to visit for an evening dinner party.

In this movie, there is no mention of American politics whatsoever. However, this film becomes a clear metaphor for the current political scene in the United States. One of the men (Lithrow) is a very wealthy real estate mogul. The contrast between Beatriz and this guy is crystal clear. He feels that his destiny is to live his life to the fullest with no real regard if he tramples other people’s lives and for sport he chooses to hunt and kill a large powerful animal. She would protect people if their land was being taken away for business ventures and could even bring a goat into her house if doing this would save its life from the elements. There are clear allusions as to how some people question other people’s citizenship and would also put the outdoor environment in jeopardy just for their own pleasure. There are references to how some people collude for their own benefit and do not really care about the less affluent. In a metaphoric way, the question is raised as to how angry will the oppressed really get? So angry that they might fantasize killing the oppressor, but in the end might sadly drown into self-annihilation.

Director Miguel Arteta did a magnificent job with the story written by Mike White. You will not see this movie on the list of current thrillers, but it is a chilling contemporary satire of the modern political debate in America. (2017)

****

Me, Earl and the Dying Girl – rm

High school senior, Greg (Thomas Mann), is asked by his mom (Connie Britton) to be friendly with a girl, who is a classmate, and has just been diagnosed with leukemia. There are probably many ways that this opening gambit might be handled. The success of this film, directed by Alfonso Gomez-Rejon, with a screenplay and novel by Jesse Andrews which won the Grand Jury Prize and the Audience Award at the 2015 Sundance Film Festival, is how the personality of this young man is developed for the audience. He is presented as a guy who didn’t get very involved with other students and their complicated relationships. He hangs mostly with his buddy, Earl (R.J. Cyler), and they made parodies of movies based on the titles of well-known films, which they don’t show to anyone. Despite some very interesting reassurances by the plot, the audience is drawn along into this heart-wrenching plot. This tender story provides a window into the minds of these teenagers, which include the girl with leukemia, Rachel (Olivia Cooke). This is a very thoughtful screenplay which not only touches the audiences’ emotions but through these young people it teaches us about life and death. The musical score by Brian Eno and Nico Muhly plays a very important role in achieving the effect of this excellent film. (2015)

***

This Is Where I Leave You– rm This movie recreates the novel by Jonathan Tropper who also wrote the screenplay for this film. He is true to the characters he created but the difference is that they are now inhabited by an ensemble of some very talented actors. The story line is that the patriarch of the Altman family has died and the wife (Jane Fonda) calls back her grown children to return to the family home and sit Shiva for a week, which she says was the father’s request. In the course of this expedition we learn about each of them and their relationships and also see how they feel about each other. The main focus and is on Judd Altman (Jason Bateman) who early in the film walks in on his wife having sex with his boss (Dax Shepard who is well know to Parenthood fans as Crosby Braverman). In a sensitive performance Judd not only must reevaluate his relationship with his wife (Abigail Spencer) who has a little surprise up her uhh “ sleeve” but also deal with his reawakened feelings for his old hometown girl friend Penny (Rose Byrne) who is even more appealing than he remembered her as she spins around the old ice skating rink. The youngest brother in the Altman family, Phillip, is played by Adam Driver (known as one of the guys on Girls). He is more or less the unsuccessful playboy type. He comes home in a Ferrari bought by his latest older but beautiful and successful girl friend, Tracy (Connie Britton) who accompanies him. Driver’s performance provides the gathering of the clan with energy and humor. The opposite is shown by Paul Altman (Corey Stoll) the older brother who had stayed with his late dad to run the family store. He is in a thus far unfruitful marriage with Alice (Kathryn Hahn) who injects some humor as the very desperate but devoted wife who would even try to get Judd who has enough troubles on his own, to help her make a baby. There is not much humor coming from the sister Wendy Altman (played by usually hilarious Tina Fey). Wendy has two small kids and a husband who is preoccupied with his phone and business. She tries to buck up other family members while reflecting on the past on seeing her old neighbor Horry (Timothy Olyphant) who had been her boyfriend until he had suffered a head injury in car accident while she was with him. So these are the four siblings who return home for the Shiva which by the way is more or less supervised by the local rabbi (Ben Schwartz) who happens to be a childhood friend of the sibs and they keep referring to him by his youthful nickname “boner“ so labeled because he always had one. We should mention that Hillary Altman (Jane Fonda), the widow and matriarch of the family is played as a tough but caring woman who is a therapist and had written a well received book now having a 25^th anniversary edition, which used the family members childhood and adolescent secrets as examples in her text. Needless to say they haven’t been very happy about this, nor do they appreciate her frank talk about sex and the causal and open way she will display her breasts. (This must somehow be related in some way to Ms. Fonda’s well-known bout with breast cancer and plastic surgery. “Credit” here must be given to director Terry Stacey. In the end we are left with a movie that introduces us to a bunch of family members all of whom are having problems. They do seem to mostly care about each other but don’t really know where they are going, nor do we. As one of us said when we reviewed the book:  In the future when the author comes up with an intriguing story line and adds his uncanny ability to capture inner feelings and thoughts, I believe he will bring his writing to a  new award winning level.  Any future film based on such a book will stand a chance to rise to the to the top. Not this one.