*****

The Seagull

This classic Chekhov story became fascinating movie with an excellent screenplay by Stephen Karam, very skillful directing by Michael Mayer, superb musical background Nico Muhly and Anton Sanko and of course an outstanding cast. This group of mostly veteran actors and actresses were top notch. They include Annette Bening, Saoirse Ronan, Billy Howle (his first film), Corey Stoll, Elisabeth Moss, Mare Winningham, Jon Tenney, and Brian Dennehy.

Chekhov and his team, which adapted his work, examine human interaction and emotion in what could be a class for students of human behavior. In particular, Ms. Bening’s character, Irina, is a textbook example of narcissistic character where her self-love ultimately destroys herself and her son. Also, there is a fascinating and penetrating study with multiple examples of unrequited love and the pain which this almost universal experience can bring. If you like this type of a psychological study, you will find this cinematic experience to be quite captivating. (2018).

***

This Is Where I Leave You– rm This movie recreates the novel by Jonathan Tropper who also wrote the screenplay for this film. He is true to the characters he created but the difference is that they are now inhabited by an ensemble of some very talented actors. The story line is that the patriarch of the Altman family has died and the wife (Jane Fonda) calls back her grown children to return to the family home and sit Shiva for a week, which she says was the father’s request. In the course of this expedition we learn about each of them and their relationships and also see how they feel about each other. The main focus and is on Judd Altman (Jason Bateman) who early in the film walks in on his wife having sex with his boss (Dax Shepard who is well know to Parenthood fans as Crosby Braverman). In a sensitive performance Judd not only must reevaluate his relationship with his wife (Abigail Spencer) who has a little surprise up her uhh “ sleeve” but also deal with his reawakened feelings for his old hometown girl friend Penny (Rose Byrne) who is even more appealing than he remembered her as she spins around the old ice skating rink. The youngest brother in the Altman family, Phillip, is played by Adam Driver (known as one of the guys on Girls). He is more or less the unsuccessful playboy type. He comes home in a Ferrari bought by his latest older but beautiful and successful girl friend, Tracy (Connie Britton) who accompanies him. Driver’s performance provides the gathering of the clan with energy and humor. The opposite is shown by Paul Altman (Corey Stoll) the older brother who had stayed with his late dad to run the family store. He is in a thus far unfruitful marriage with Alice (Kathryn Hahn) who injects some humor as the very desperate but devoted wife who would even try to get Judd who has enough troubles on his own, to help her make a baby. There is not much humor coming from the sister Wendy Altman (played by usually hilarious Tina Fey). Wendy has two small kids and a husband who is preoccupied with his phone and business. She tries to buck up other family members while reflecting on the past on seeing her old neighbor Horry (Timothy Olyphant) who had been her boyfriend until he had suffered a head injury in car accident while she was with him. So these are the four siblings who return home for the Shiva which by the way is more or less supervised by the local rabbi (Ben Schwartz) who happens to be a childhood friend of the sibs and they keep referring to him by his youthful nickname “boner“ so labeled because he always had one. We should mention that Hillary Altman (Jane Fonda), the widow and matriarch of the family is played as a tough but caring woman who is a therapist and had written a well received book now having a 25^th anniversary edition, which used the family members childhood and adolescent secrets as examples in her text. Needless to say they haven’t been very happy about this, nor do they appreciate her frank talk about sex and the causal and open way she will display her breasts. (This must somehow be related in some way to Ms. Fonda’s well-known bout with breast cancer and plastic surgery. “Credit” here must be given to director Terry Stacey. In the end we are left with a movie that introduces us to a bunch of family members all of whom are having problems. They do seem to mostly care about each other but don’t really know where they are going, nor do we. As one of us said when we reviewed the book:  In the future when the author comes up with an intriguing story line and adds his uncanny ability to capture inner feelings and thoughts, I believe he will bring his writing to a  new award winning level.  Any future film based on such a book will stand a chance to rise to the to the top. Not this one.