Edward Scissorhands nf We had missed this classic 1990 film so we put in on our Netflix list. It is a fairytale like none that we have ever seen or heard before. Edward (Johnny Depp) is boy who was born with no hands was brought up in an old mansion on the hill by his inventor father (Vincent Price) who outfitted him with scissor hands and died before he could invent and attach real ones for him. The Avon lady, (you know the one who knocks on doors to sell cosmetics) played by Diane Wiest, takes him home to her typical 1950s suburbia house down the hill from the mansion where she lives with her husband (Alan Arkin), son and daughter (Winonna Ryder) We come to realize that Edward’s handicap is also a wonderful talent as he can sculpt hedges, women’s hair and do lots of other things with his scissor hands. Hence, we are being taught something about differences in people and certainly they are not always what they seem to be. Fairytales often have a special love story, a villain and unexpected but understandable endings and this one doesn’t disappoint. This whole story originated in the mind of a young Tim Burton, who when he grew up, co–wrote the story as well as co-produced and directed the film. Johnny Depp is quite remarkable, in that he hardly speaks in the film but he conveys so much. Ryder also shows great emotion and feelingwith her facial expressions and Diane Wiest absolutely inhabits the Avon lady. The music by Danny Elfman sets the underlying haunting mood of the film, We certainly think it was still worth seeing 23 years after it was made (1990)
Tag: Diane Wiest
Darling Companion- sp This is a wonderful “ feel good “ movie that everyone can enjoy. It will be especially meaningful to anyone who has been part of a family when the last child is married off and the parents deal with their adult relationship with each other and other members of their families. It was directed and produced by Lawrence Kasden (Big Chill, Grand Canyon and many more big time hits) who also wrote the script along with his wife Meg Kasden . They put together an honest story that showed love, romance and every day comedy in a way that most people should be able to relate to and immensely enjoy. They assembled a cast of actors who were able to embody the characters they created in a skillful and very authentic manner. Beth (Diane Keaton) and Joseph (Kevin Kline) are the newly “empty nested” parents as their daughter Grace (Kate Moss of “Mad Men” fame) ,the youngest of their children, finally finds Mr. Right and gets married. Joseph is a spine surgeon whom Beth acknowledges may have always been a little full of himself but is shown to ultimately be a good guy. Penny is Joseph’s divorced sister (Diane Wiest) who has found her new love Russell (Richard Jenkins) who is a bumbling guy who wants to marry Penny and open an English pub in Iowa. Bryan (Mark Duplass) is Penny’s son who is also a spine doctor and has a touching flirtation with a gypsy like housekeeper (Ayelet Zurer) of the family’s vacation house in the beautiful Colorado mountains (which was filmed in the beautiful Utah mountains) . Sam Sheppard is Sheriff Morris who adds further warmth to the already tender story. What we haven’t told you yet is that the story is tied together by a loveable dog – that almost magically appears and then disappears ! The movie is the story about the search for the dog which occurs while the characters are finding themselves and their own bearings. The story is just right at 103 minutes . The acting is perfect-Diane Keaton is at her mature best, the country type music hits the spot and the film features a a dog! How can it go wrong? (2012)
Rabbit Hole –sp David Lindsey–Abaire as screenwriter for this film, based on his own Pulitzer Prize winning play, really gets into the head and the emotions of two grieving parents 8 months after the death of their five year old son who died running after his beloved dog. We never meet Danny and barely see a picture of him but we come to clearly understand the relentless pain in all it’s forms which his parents Becca (Nicole Kidman) and Howie (Aaron Eckhart) are feeling. Each of them are grieving in his and her own way which despite sharing this most personal tragedy and a good previous relationship, there seems to be no room for empathy between them. Becca’s quest to find some way to deal with her deep dark feelings leads her to establish a relationship with Jason (Miles Teller), the 18 year old high school senior who swerved his car, which he confesses to her may have been going a mile or two over the speed limit, which led to the tragedy and now has created a bond between them. Becca’s somewhat religious mother (Diane Wiest) whose son died at age 31 , eleven years previously, provides a counterpoint from where she is coming. Nicole Kidman who saw the original play and started the ball rolling to make it into a movie chose John Cameron Mitchell to direct it. Mitchell and Lindsey Abaire who were guests at our screening acknowledged that they complemented each other as they explored the fine points of this film. The director, who had only a 4 million dollar budget, shared with us that he let the actors steep themselves into their emotional roles which he appeared to nimbly direct as well as spending a great deal of time in editing the fine points. He gave a touch of humor to a primarily a dark movie and kept us the audience observing at a slight distance from the unimaginable tragedy. We did not shed a tear for the young boy who we did not meet or really know. As mental health professionals who have worked with many grieving patients, we had the feeling that we were empathizing with people we cared about, as we might with a patient who is involved in their own dynamics that are unfolding before us at somewhat rapid pace. The fact that the writer, director and the actors really nailed the complicated feelings and interactions without ripping apart the guts of the audience (which they could have easily done) may be judged a shortcoming of the movie by some or the height of sophistication by others.
This movie also merits comparison with four other movies which we have seen in the past year and each of which shows attempts at dealing with grief in a different manner.
A Single Man shows Colin Firth in an Oscar nominated performance as George a college professor whose lover has died in an auto accident and in his grief he is on the verge of suicide when he meets a young student who cares about him. Robin Williams does an excellent job as an unsuccessful writer in World’s Greatest Dad grieving a teenage son who committed suicide. The father pretends his late son has written the story of being bullied and the result is a game changer for the community and for the dad which gives some meaning to this tragic loss. The Lovely Bones deals with the murder of a young teenager (Saoirse Ronan) who had just begun to feel the glimmers of romance which leads the audience to feel her parent’s unresolved grief despite the youngsters ethereal existence. There is a small amount of compensation as the killer is caught through the efforts of the girl’s sister. The film, which most closely resembles the Rabbit Hole, is The Greatest which brought together a comparable great performance by Pierce Brosman and Susan Sarandon who are the grieving parents of a teenager killed in car accident while he is with his girl friend played by Carey Mulligan. The potential for the parents to live with their grief is the unborn child being carried by the young girl friend whereas in the film which we reviewed today, the hope for a better future is only hinted by a subtle but important gesture at it’s conclusion. We thought these two were both excellent films The Greatest didn’t achieve the critic’s Oscar acclaim and it appears that the Rabbit Hole may get some such bids. However overall, we rated the Rabbit Hole a notch lower. We certainly do believe that this movie is the finest example and should be used as a teaching tool and stimulus for discussion for those who are studying the grieving process as well as a movie worth seeing for anyone interested in these all too real human emotions. (2010) ****