****

Miles Ahead- sp

To best appreciate this review click here and listen to Miles Davis as you read the review

This is not your typical biopic that simply traces the life story of an important person. It is rather a cinematic representation of the powerful, free flowing, unpredictable, abstract and arresting sound of the music of Miles Davis. It tumbles on to the screen as his music emerges from his trumpet. We absorb a sense of this man and his music rather than understand a chronological progression that has growth and coherency.

Don Cheadle, actor, director and screen writer of this movie has chosen to use as his point of departure the approximate five-year period in the mid 1970s where this productive jazz artist ceased to produce any music. We meet Miles Davis (Don Cheadle) when a reporter who says he is from Rolling Stone Magazine (Ewan McGregor) visits him with the hope of interviewing him and finding out why he is no longer on the music scene. This leads to flashbacks and flashforwards, cocaine binges, car chases, the search for a tape of a recent personal recorded session by Davis as well as a glimpse of the personality of Davis and his relationship with Francis Taylor (Emayatzy Corinealdi) a beautiful woman and dancer who was his wife for ten years. We see that Davis at least in his early life was a somewhat self-centered, arrogant man who loved his woman and also abused her. Of course he was a musical genius who came of age in the mid-1950s and ‘60s and we also were shown examples of the impact of the ugly sector of racism as he was arrested for standing on the street in front of the night club where he was the headline performer and put in jail for the night.

We are introduced to a young musician called Junior (Lakeith Lee Stanfield) who is intertwined in the plot as Davis tries to find himself during his five-year unproductive period. This young musician could be symbolic of the many young musicians that Davis has helped on the way up, including Wynston Marsalis. He also could represent the very young Davis himself who pushes the now middle aged Davis to pick up the mantle where he put it down half a decade ago.

As mentioned earlier you will not take away a coherent story from this one hour and forty-minute movie experience. You will hear much of Davis’ great music in the background frequently played quite softly. You will see Don Cheadle skillfully appear to inhabit Davis with convincing mannerisms as well as the way he handled his musical instrument. The photography is magnificent (director of photography was Roberto Schaefer). There are many evening scenes and snatches of semi-dark rooms with white smoke trailing upward surrounding the cast of characters. Miles Davis’ music is always there. This will probably not be a blockbuster movie but may very well get the attention of film critics and demonstrate the genius of Miles Davis who won nine Grammy awards and perhaps the potential Oscar worthiness for the second Oscar nomination for Don Cheadle. (2016)

**

Flight- nf  When an actor who is on the screen all the time, holds your attention and clearly shows the problem which his character is suffering, that actor deserves kudos for that performance. In this case it is Denzel Washington who plays Whit Whitaker, an airline pilot who is an alcoholic and cocaine user who on a routine flight finds himself on plane with a mechanical failure. He does an unbelievably tricky maneuver where he flies the  plane upside down to slow it down and make an emergency landing on a open field saving all “souls onboard” except 2  crew and a few passengers. You probably know all this from the coming attractions. Will he be found out to have been drinking or will  he ever admit his alcohol and drug problem which we all know is necessary to get over it?  That is just about the essence of this movie. There is a lot of drinking and some drugs with small supporting roles by John Goodman as your happy, friendly cocaine dealer, Don Cheadle as the lawyer who is supposed to defend Whit and Melissa Leo as the opposing lawyer. There really aren’t any dramatic unpredictable courtroom scenes. There is no fascinating back-story or a plot that got pulled together in a fantastic ending. If anything, the conclusion is one of a few that you would have predicted. It isn’t very believable but I am sure that the star’s name and all the hype that the movie has received will probably make it a box office success. (2012)