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Love and Mercy – rm

This is a biopic about Brian Wilson, the leader of the Beach Boys. We did not know the story of how he went through a serious mental breakdown with psychotic symptoms for several years. During this period he apparently came under the influence of Dr. Eugene Landry, shown to be the evil doctor (wonderfully depicted by Paul Giamatti). Dr. Landry was said to be a psychologist in the film but was shown to be “over medicating” Wilson. What is very clear is the brilliance of Wilson. It is interesting to speculate whether or not some of his amazing creativity was related to his genius brain, which also may have been the source of his tendency to lose touch with reality. This is also a great love story (apparently true to life) between Brian Wilson and Melinda Ledbetter ( Elizabeth Banks). While it was not shown in the body of the film, she ultimately became his second wife and the mother of five of his children.

Great credit for this movie has to be given to Director Bill Pohlad. We also thought that Paul Dano was excellent as the younger Brian Wilson (he bulked up to add many pounds to his preexisting physical resemblance to the younger Wilson). We also felt that John Cusack was outstanding as the older, very troubled Brian Wilson. We can only repeat our phrase for Elizabeth Banks and Paul Giamiatti in their roles. But as expected the other star of the movie is the music. The soundtrack is constantly playing the old and the newer music created by Brian Wilson and the Beach Boys which includes the title song and it adds to the authenticity of the film.

We hope you see this movie and if you’re any kind of a Beach Boys fan, we also suggest that after you view it you read about the trivia connected to the making of this film by going to the following link: CLICK HERE   You will appreciate how the filmmakers worked so hard to present the story as true to life as possible

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Lovely, Still  nf– We find it very difficult to discuss this movie without revealing the entire story which we will warn you when we do. We are presented with Robert Malone, an old lonely man (Martin Landau ) who lives alone but still is working everyday in a supermarket. (This Oscar winning veteran actor was about 80 at the time he made the film  but he was made to look on the older side of  his age.) It is Christmas season and we see him place a present under his  tree for himself. Mary, an  equally older woman (Ellen Burstyn) who looks much more attractive for her age moves next door with her daughter (Elizabeth Banks). The moving truck has barely pulled away when she presents herself to his door (actually, she walks in  since it was open) and within a few minutes has asked him out for a “date”  He is smitten  with her and she seemingly with him. He doesn’t know what he should do for a date and his store manager (Adam Scott) arranges a great place to dine and his co-workers give him advice how to act. We got the feeling that the writers Tim Kasher and writer /director Nicholas Facker were giving us their version of  how they imagine older folks would respond when they fall in love. They declare their love for each other after knowing each other for two days  They  go sled riding down a hill together and take a ride through the city streets in a horse drawn carriage. They are shown to be totally preoccupied with each other . They call each other as soon as they wake up and in a few days they are sleeping in the same bed. When they exchanged Christmas presents she accidentally opened the present that he was planning to give himself and it was gun. He tearfully acknowledged he was going to kill himself because he was so lonely , but of course not any more.  All we can say is that despite the skill of these actors it certainly didn’t look real to us ! Spoiler Alert !! Don’t read further if you plan to see this movie which we don’t really recommend. There was a clue. In between scenes there was this spidery, fluffy, stringy material  of a reddish color that would occupy the screen –with “strange music“ in the background when it was shown. There were some confusing incidents where Mary  accidentally spilled her own medicine down the drain and couldn’t get her prescription filled right away because her doctor was out of town (this was to mislead us) We then see her fill her prescription and sneak in and  put it  in Robert’s  medicine cabinet. He never takes the pills but gets to Mary’s house. We see the pictures on the wall are of him as the store owner/manager, his wife and his children. He collapses and goes to the hospital. There it becomes clear that his girl friend is his wife, the present store manager is his son and Mary’s daughter is his daughter. The spidery fluffy stuff must have been the interweaving cells of the brain that were in trouble with this man. We figure that  it must be some weird brain disease (we were never told) where he can’t remember his past but yet his short  term memory is o.k.  We can appreciate that this movie worked for some people and it received some decent reviews. It used this storyline to show a love that had been lost by a ravishing brain  disease was able to be rekindled and experienced as a first love. This is tender, touching and is a wonderful thought. We never heard of such a case  but anything can happen in the movies! ( 2010)

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People Like Us – sp We know of several instances, from personal life as well as from our professional work, of friends and relatives encountering siblings who they never knew previously existed. Each story is different but the impact on the people involved is usually quite powerful. No matter what age this revelation occurs it has the potential to shatter one’s concept of your parents, rework your ideas of honesty and truth and lead to a reexamination of your own identity. The writing team of Alex Kurtzman, Roberto Orci and Jody Lambert each had some personal experience or first hand knowledge of such events which they were able to draw upon to put together this remarkable story. They weaved the details of the story line of each character together with the emotional reveal in a manner which riveted the attention of the viewer throughout the whole process. Although most of the characters were quite likeable and the story was sprinkled with some heart warming comedy, we were still witnessing a tragic story which appeared to be doubling down on the bad luck that each character was experiencing. Sam (Chris Pine) and Frankie (Elizabeth Banks) are the family members who once they confront each other have to relive and deal with the meaning of their unhappy childhood. Michelle Pfeiffer has the role of Lilian, Sam’s mother who is hardened, bitter and looks it which in itself is a great accomplishment for this very fine and beautiful actress. Michael Hall D’Addanio is Josh, Frankie’s 11 year son in a performance which may very well be remembered after he establishes himself as an adult star. Josh’s recently deceased grandfather Gerald Harper was a music and record producer who has created all the misery on the screen as he has fathered both Sam and Frankie while neither knew of each other’s existence. Throughout most of the 115 minutes of this movie , it seemed almost impossible to imagine how any type of satisfying ending was remotely possible. Much of the success for the resolution of the story and execution of the movie should go to Alex Kurtzman who not only co-wrote the story but also directed it. In the end not only are the characters all in a better place with a new prospective on life, but the audience has the chance to reconsider our own relationships with parents and children because the movie we have just seen in one way or another is about “ people like us.” (2012)