***

Last Christmas-rm

This is one of the first Christmas films of this season. It takes place in London, which looks quite beautiful during holiday time. The story is the brainchild of Emma Thompson, who plays the mother of Katie (Emila Clarke) who would like to make it as a singer, but at the moment works dressed up as an elf salesgirl selling Christmas items. There is romance all around as the owner of the store where she works (Michelle Yeoh) is smitten with a handsome customer. Katie’s sister (Lydia Leonard) is in a relationship with a woman that her parents are not ready to accept. Katie appears to have found a wonderful guy (Henry Golding), but it turns out that there is something mystical about him.

Thompson’s story and screenplay, which are co-written by Greg Wise and Bryoni Kimmings, attempts to meld together the joy of Christmas which includes charity, forgiveness, and of course, romance all with a spiritual flavor. Credit should also be given to director Paul Feig who had to blend everything in the right proportions. There is also a strong music background, which not only sets the Christmas mood but highlights the other moving themes of this film. The predominant voice is the written music and performance of the late George Michaels. If you are looking for a Christmas movie, you cannot go wrong with this one (2019).

****

Late Night-sp

The premise here is that there was no Johnny Carson but rather the star of late-night television has been Katherine Newbury (Emma Thompson). She is the first female host of a major late-night television show which she has hosted for 10 years. Her ratings however are now falling and the network is planning to replace her with a male comedian. Ms. Newbury has an all-white male writing staff, some of whom she has never met in person. She gets it into her head that she needs another point of view and hires Molly (Mindy Kaling) who works in a chemical planat, is a stand-up comedian and a self-proclaimed writer. She also happens to be an Indian woman of color. Although not having much experience, she speaks her mind and is able to confront, not only her new boss, but her nine male white co-writers, many of whom are played by very familiar faces and include Hugh Dancy, Reed Scott, Denis O’Hare, Max Casella, and Paul Hauser.

In this fast-moving comedic drama, many issues are confronted such as gender discrimination, ageism, and of course elitism. The co-star and screenwriter, Mindy Kaling may be drawing upon her own observations and experiences as she had been an actor in the hit tv show, “The Office” for many years, as well as producing and starring in her own show, “The Mindy Project.”

It is easy to get caught up with the story line. You are rooting for all to end well. The jokes are clever and the acting is excellent and we should add that Ms. Newbury’s husband is played a well-known actor who brings sensitivity to all his roles and that is John Lithgow.

We judged this film to be a clever, timely, funny, very well acted and directed . It was done on a low budget with only 25 days of shooting. Obviously, the movie was made for the love of the story and not for love of money but it is well worth seeing. (2019)

****

The Children Act-sp

This is one of those films in which everything seems so well done from the story line, the mood background music and the outstanding acting. It is based on a novel by Ian McEwan, who also wrote the screenplay, with direction by veteran director Richard Eyre.

The setting is in London and the main character Fiona Maye (Emma Thompson) is a judge in the British Judicial System. When she is working, she wears the traditional judicial garb and she is referred to as “My Lady.” She is very dedicated to her work and appears to frequently handle sensitive ethical issues. Her childless marriage to her husband Jack (Stanley Tucci) is not going well as he tells her that he is planning an affair.

The film then focuses on one very delicate legal case that Judge Maye must opine upon which deals with a 17-year-old boy with leukemia who needs a blood transfusion to save his life. He and his parents are devoted Jehovah’s Witnesses where blood transfusions are forbidden and the patient and the parents are refusing that he should have one. “My Lady”, the Honorable Judge becomes ultra involved with his case as she feels she must visit him in the hospital and try to understand him.

The success of the film is not only the interesting storyline, but it is the very sensitive and well done performance by Thompson who emanates her pain and turmoil as she changes the life of the boy (who is played by newcomer Fionn Whitehead). There may not be any ultimate satisfaction at the end but you come away feeling you have been through the painful experience that the characters on the screen have been going through, and the questions raised will stay with you long after the film ends. (2018)

*****

The Meyerowitz Stories-sp

As we eased ourselves into this movie and we meet Harold (Dustin Hoffman), the not quite successful New York sculptor in his senior years, we could not help but remind ourselves how we and this wonderful actor have come a long way since he played the young man who was so enamored by the older Mrs. Robinson in The Graduate. This time, Hoffman is playing a very self-centered man who has had four marriages and three wives (he married one of them twice), as well as three children.

Screenwriter and director, Noah Baumbach provides a magnificent insight into the feelings of these three grown children and how their inner emotional life has been impacted by their father who clearly shows how he cares more about his narcissistic needs than the feelings of his children. Adam Sandler turns in what we believe could be an award winning performance as Danny, newly divorced, who despite how he suffered growing up by the lack of love and recognition by his father, appears to have raised an accomplished daughter (Grace Van Patten) who is entering into a film study program at Bard College (although her film work is interestingly bizarre). An almost equally fine performance was given by Ben Stiller who plays the successful son Matthew who lives on the other coast in Los Angeles as a financial manager to the stars but appears to be also damaged by his early relationship with his father. We see that he also hasn’t achieved a good marriage but is trying to be a good father to his five-year-old son. The interaction between the two grown sons is riveting and range from fierce physical fighting to showing insight into each other’s feelings.

The supporting cast of this movie is quite strong with several well-known and recognized actors. This includes Emma Thompson as Harold’s alcoholic current wife, Elizabeth Marvel as Harold’s third grown child, Candice Bergen as Matthew’s mother and one of Harold’s ex-wives, and Judd Hirsch, a friend and a more successful artist.

If this movie achieves the recognition we believe it deserves, it will not only be because of this great ensemble of actors, but it will be due to the talent of director/writer Noah Baumbach who also was involved in writing some of the very appropriate music heard in the background of this film. We certainly put this movie on the do-not-miss list. (2017)

***

Love Actually-nf

Through the magical power of Netflix, we are able to go back in time, 14 years and view an ensemble film that we recall was well received at the time and was nominated for a Golden Globe award. You will see a number of familiar faces in this movie who turned in great performances. This includes Hugh Grant, Liam Neeson, Colin Firth, Emma Thompson, Keira Knightley, Laura Linney, Allen Rickman, Billy Bob Thornton and others who we didn’t recognize but who were quite good.

The movie is the brainchild of writer-director, Richard Curtis. This setting is on the other side of the pond in London, England. The film is about couples being attracted to each other and falling in love. There are about 10 separate couples involved but the stories do interconnect. There is a British prime minister who falls for his assistant, a screenwriter who is drawn to a young Portuguese woman although they can’t speak each other’s language. There is a married CEO who is smitten by his secretary. There is even an approximately 10 to 12-year-old boy who is certain that he is in love with a girl in his class and is getting advice how to declare his love by his recently widowed dad. Contrast that scenario with two porn stars who aren’t moved by their coupling on the set but find themselves in a budding romance off screen. The movie takes place around Christmas time which adds to the joyous feel good mood which emanates from the screen. There is a great soundtrack which facilities the exciting emotions sprouting forth before us.

The title suggests that this movie is a celebration of love. We would beg to differ on this point. Just about all the characters have a relatively superficial relationship and very little knowledge of each other at the point where they believe they are falling in love. Certainly, we understand this could be a very exciting time for people experiencing this great attraction to each other. If this were real life, many of the relationships would soon cool off and unfortunately, it might even taken several years of marriage before they would go their separate ways. So while the title is Love Actually, we think it might better be called Actually Attraction. Nevertheless, it was a great film to watch. The DVD also has an interesting narration of the movie while it is playing by the director-screenwriter, Richard Curtis who discusses the film with some of the well-known actors who appear in it (2003)

****

Saving Mr. Banks -rm  In order to fully appreciate and analyze this movie, you should have read the book Mary Poppins and also have seen the 1964 movie with Julie Andrews and Dick Van Dyke. Not having immediate recall of either one we had to pay close attention to the story and sometimes felt that we were missing something. The outline of the plot for this film is clearly shown in the publicity for the movie. Walt Disney (Tom Hanks), who actually died two years after the Mary Poppins movie was released was determined to keep a 20 year-old promise to his two daughters and bring this famous book to the screen. To make his movie he needed the permission of the British author P.L. Travers (Emma Thompson) who was fearful that “disneyfying” her story would take away something very dear to her. What that something was, is the essence of this movie. After much reflection and discussion we concluded that it was her image of her father as a creative, caring and fun loving man who gave her the ability to develop a wonderful fantasy life, which is reflected in her writings. While she may have been able to paint this picture in her books, she herself was an inhibited, desiccated, uptight woman in her personal life who identified more with the father who never delivered for his family and actually died when she was a small girl. The movie directed by John Leo Hancock uses flashbacks to the author’s early childhood in Australia as we learn the full extent of the father’s life. Would an upbeat Disney musical keep alive forever the image that Travers might like to achieve? While this storyline by itself is no great shakes and most of it is obvious from the beginning, we were surprised by the emotional impact that it achieved on us. From the first breakthrough that P.L. Travers shows as she responds to a musical number by the Sherman brothers (B.J. Novak and Jason Schwartzman) who were the song writing team for the proposed Poppins movie, to the emotional response that Travers has to the movie premier which she attended, although not invited, we realized that we were identifying with her desire to preserve her loving image of her dad, Mr. Banks. Hanks and Thompson are suburb as are the rest of the cast, including Colin Farrell as the father and Paul Giamatti who plays the sympathetic limo driver who takes Travers around. Bradley Whitford does a good job as the screenwriter who is constantly arguing with Travers. There are 39 hours of audiotape of these actual heated discussions. Since the real Travers insisted that they be tape- recorded we get a sample of them as the credits roll at the end of the movie. Kudos though have to be given to the delicate screen play by Kelly Marcel along with Hancock’s direction which extracted some of the universal emotions towards beloved parents which we all can understand. The net result is a film not to be missed. (2013)