****

Grandma

Paul Weitz, whose credits include American Pie, About a Boy, In Good Company, and Admission, has written and directed this movie which he put together with Lily Tomlin in mind. It is an independent low budget film but is high in quality with an edgy story and great acting. It all takes place in a 24-hour period and the film runs a crisp 80 minutes. It is about relationships, difficult decisions, love, and regrets, all set with a somewhat unusual cast of characters. Lily Tomlin is Elle, grandmother and a literature professor, who we meet just as she has broken up with her younger girlfriend Olivia (Judy Greer). She is then visited by her granddaughter Sage (Julia Garner), who tells her that she is pregnant and needs money for an abortion which neither she nor grandma have the money.

The story unfolds as the two of them visit old friends of grandma in an attempt to get funds for the abortion. During the course of these visits, the viewer gets the life history of grandma and the trial of broken relationships that she has had which includes a long-term relationship with a now deceased Violet, a relationship that ended abruptly 40 years ago with Karl (Sam Elliott), and a more recent friendship with Deathy (Laverne Cox), a sweet tattoo artist. We also get some insights in to the contentious relationship with her nearly estranged daughter Judy (Marcia Gay Harden), mother of the granddaughter and a successful business executive who must have developed her tough exterior from her own mother, grandma. The storyline also takes us into the women’s health center or should we say abortion clinic, where we feel the subtle ambivalence that exist for women in this situation.

In certain respects, this movie is cutting edge as grandma’s sexual orientation is clearly gay from the beginning of the film. However, that has very little to do with the drama, personal conflicts, tragedies, and ambivalent relationships which the viewer experiences in this fascinating story. This is an unusual refreshing movie that should not be missed. (2015)