Private Parts- nf-   Howard Stern who refers to himself as “ King of All Media,” in addition to this 1997 film and another one a few years later, has a best selling 1993 autobiography also called Private Parts, a ground breaking radio career which was topped off by a 2004 $500 million dollar contract with Sirius Radio on which he currently appears on several of their channels, has had various TV shows and is now a regular judge on the popular TV show America’s Got Talent. This movie is produced by Ivan Reitman and directed by Mary Thomas. It features Stern playing himself (except some of the brief scenes of him as a child) and it follows his life and career through college and his early radio jobs in Westchester, Hartford, Detroit, Washington and then WNBC in New York. It shows how after a few false starts, he eventually found his voice and modus operandi which was talking about himself and his private parts, his sexual fantasies and just about anything else that entered his mind. This was cutting edge at the time to the consternation of radio executives and the FCC. One of those executives was a program director at NBC, who Stern nicknamed Pig Vomit and is magnificently depicted by Paul Giamatti in this film. Today the forbidden language and the various bits that were deemed outrageous at the time would be old hat on satellite radio. The freshness of his frank language in the film seems quite dated and at times quite juvenile (it probably always was the latter) but in the story that is being told which includes some actual video clips, it is quite clear how he captured the imagination and enthusiasm of a very large numbers of listeners who became his fans and have given him ratings off the charts. This movie is a also a tender love story about Stern and his first wife Allison, played by Mary McCormack to whom he was married for 23 years with 3 children. They were separated two years after this film was made and Stern married Beth Ostrosky in 2008. Also played by themselves in the movie are Robin Quivers, Fred Norris and Jackie Martling who have been part of his radio team for many years. The now 60-year-old Stern has clearly not finished his run. This movie, which was made at a time that he was exploring how he could project his persona into still another media, now stands as a historical recounting of the beginning of a most remarkable career. It is well worth seeing as a poignant tale of a a “slightly misfit” creative and courageous man “ahead of his time.”(1997)

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Draft Day- rm You have to give credit to a movie that comes up with an original theme about which millions of Americans will feel great passion. The subject is football and one of the most important, if not crucial days of the football season, which is the NFL Draft Day. In this fictional story, leading up to this day, Sonny Weaver (Kevin Costner), the general manager of the Cleveland Browns, trades away his team’s number one draft pick, for three years of future number one picks. Which player he chooses with that pick, who he doesn’t choose and the drama behind all the deals and horse trading that does go down, is the essence of this movie. Costner is supported by Jennifer Garner who plays his girl friend. She is a football executive with the Browns in charge of keeping track of the “cap” (football fans will know what this means). Dennis Leary plays the coach of the Browns with the Super Bowl ring and a million dollar salary, who is supposed to lead next year’s team to that very Super Bowl. Only he is not so sure that he likes Weaver’s intended draft picks. Speaking of million dollar salaries, Roger Godell the real Commissioner of the NFL, who is known to have a multi-million dollar salary, plays himself in the movie (obviously not for the money). By coincidence, the day that we saw this film on a cross-country air flight, the NFL is in the headlines as Roy Rice, an NFL star, has been suspended for punching out his fianceé, which was caught in an elevator video. There is a somewhat related theme in this movie, as the question is raised of how should the character of the potential draftee influence whether he is chosen as a high draft choice as compared to being chosen solely on the basis of his athletic accomplishments. You can guess which one wins out. The film is directed and co-produced by Ivan Reitman (Ghostbuster I and II and other mainly comedies). This movie won’t be at the top of our ‘picks” and we rate it a notch below Moneyball, which dealt with a related theme in professional baseball.  However, we know that football fans will eat it up and there are lots of them out there. (2014)

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Young Adult-sp– Director Jason Reitman (Up In the Air, Thank You For Smoking, Juno) who was a guest at our preview screening compared his directing style to that of this father Ivan Reitman (Animal House, Ghost Busters, Twins). He explained whereas his father likes to make movies that make you feel good, he prefers films that make you uncomfortable. He succeeded in his goal using the screenplay written by Diablo Cody (Juno) and what should be an award winning performance by Charlize Theron.

She plays Mavis Gary a very attractive (of course), divorced, moderately successful writer without any meaningful relationships in her life who learns that her old high school boyfriend and his wife have just had their first child. This stirs her up and sets her off on a mission to return to her hometown, find her old boyfriend, rekindle their true love which she feels has always been there, and try to get him to go off into the sunset with her. Theron makes this unbelievable character quite believable in the most subtle manner as she picks her way through her home town, picking at her hair and showing a propensity to put away drinks. Her determination begins to get scary as she casually shares her plan with old high school friends that she meets, a visit with her parents and her meeting with her old bf (Patrick Wilson ) and his wife (Elizabeth Reaser). The depth of this character or perhaps the lack of it is highlighted in her encounters with one high school classmate Matt (Patton Oswalt) who is has been damaged physically on the outside  as much as we realize that she is damaged on the inside. There is a great musical background throughout the movie and the closing song is Diana Ross singing “ When We Grow Up” from the classic Marlo Thomas album “Free to Be You and Me” This provides the depressing mood of this film which sadly for this character highlights the line “We don’t have to change at all.”(2011)