C’mon C’mon ( Amazon)
***

Joaquin Phoenix plays Johnny, a radio journalist who travels around the country asking kids about their views of the world and future. The kids interviewed were not actors and it is interesting to hear the variety of children’s views about life.

Things happen, and Johnny ends up taking care of his nephew Jesse who is played by 11-year-old British child actor Woody Norman. Johnny’s mother (Gabby Hoffmann) had to travel to another city to care for her husband who has some emotional problems, so now Johnny has a partner as he travels around the country interviewing kids. They travel from Los Angeles to New York to New Orleans. The story is the brainchild of Mike Mills who wrote the screenplay and apparently worked closely with the uncle-nephew duo directing the filming as they travel around. The movie was made in black and white, which perhaps makes it seem like a newsreel of real life. We got two take-aways from the film. On one hand, it is an optimistic view of the world through the eyes of young people. It is also an examination of meaningful family relationships even when there are conflicts and difficult circumstances in early life. The brother and sister show a caring and a trust between them even if it might not have always been that way. Also, we see the uncle and nephew develop a deep-rooted caring for each other although it takes a while for it to happen on this very unique road trip.

The film is sweet and charming, even as it depicts the difficult challenges of everyday life. It is clear how hard it is to be a parent, as well as how many obstacles there are for kids to overcome. The characters, while unique, draw you in to the universality of the need for understanding and connection and the rewards of experiencing transformation.

****

Don’t Worry, He Won’t Get Far on Foot-sp

The United States is in the midst of a horrendous addiction crisis. This movie gets to the heart of one man’s battle with alcoholism and the devastating effect that his illness had upon him. In a post-film discussion with Jack Gibson, one of the writers who wrote the book upon which this film was based, we learned that this movie has been 20 years in the making. It is based on a true story of the main character, John Callahan, who was originally going to be played by the late Robin Williams. As great a job as Williams might have done with this role, Joaquin Phoenix turned in a performance that we strongly believe deserves Oscar consideration. Thanks to his ability to inhabit his character, and what could also be an award-winning accomplishment by the director, Gus Van Sant, John Callahan vividly comes to the screen in various phases of his addiction, including being permanently paralyzed in an electric wheelchair with limited movement of his arms due to an alcohol-related accident. We gained some insight into his childhood experiences which undoubtedly led him to his addiction. We painfully shared his struggle in the AA program where he meets several people, including a young man who has inherited wealth but ends up as an addict, ultimately becoming Callahan’s AA sponsor. This role was very well played by Jonah Hill. There are also other excellent performances by Rooney Mara and Jack Black.

There are so many facets to Mr. Callahan’s battle with his disease which include his finding a way to make love, becoming a successful cartoonist, searching for his birth mother, going through the 12 steps of AA, including making amends, that we are torn between concluding that the film was too long (almost two hours) and yet at times, too superficial and that there were some very important area of his life that we wanted to see in more depth.

We believe that this film is destined for success, not only because of the bold depiction of one man’s struggle with alcoholism, but also because it should be seen and we feel will be viewed by so many people who are impacted by addiction. (2018)

**

The Master – nf

Despite having two great stars, Joaquin Phoenix and Phillip Seymour Hoffman, in one of his last films before his untimely death, we could find very little to recommend this movie.

Freddie Quell (Phoenix) is a World War II veteran and an alcoholic. He wanders on to a boat going on a cruise where Lancaster Dodd (Hoffman) is leading his cult, which believes in past lives and a programming-kind of hypnosis with various nonsensical interactions. Freddie gets drawn into this group perhaps because of his need for family and a father figure. We get the impression that Dodd, the leader, is making up on the spot all his ministrations. He is, with some fanfare, coming out with his second book of his ideas, which do not make any discernable sense. This is satire here of cults, perhaps of Ron Hubbard and Scientology and maybe Paul Thomas Anderson, the director and screenwriter is also making fun of psychotherapy which to the uninformed may look like the “gobbledygook” being depicted in this movie. Yes, we see the poor mixed up soldier yearning for his young girlfriend who he knew before the war. We even see at the end the father figure cult leader expressing a yearning for his young follower. But nothing ties together which probably is the point they are making.

Even though there is great acting, beautiful scenery and very good cinematography, we advise a pass on this movie. (2014)

****

Her –  rm This movie certainly has to rank as one of the most daring and creative movies of the year. It is founded on a somewhat outrageous premise, which if the audience does not buy into, the film would be a ridiculous flop. The man who had to sell the concept and the execution of this movie is screenwriter/director Spike Jonze  who is best known for Adaptation (2002) and Being John Malklovich  (1999) both of which produced award winning performances, as well as a large number of short films and many music videos. The premise of Her is that technology has now produced a computer operating system, which can think, learn and even feel as a human being.  Theodore ( Joaquin Phoenix) is a lonely guy who has a job writing nice romantic letters for a website program. He is going through a divorce after 8 years of marriage with Catherine (Rooney Mara) who he thought had been the love of his life but they have grown apart. He readily connects with his new computer operating system who named herself Samantha (the voice of  Scarlett Johansson). She understands him, is clever, funny, warm, sexy and they even have sex together which is a successfully done cinematic accomplishment although she doesn’t have a body. With a small earpiece in his ear, a little video camera sticking out of his front shirt pocket, they are always together. They chat, she does work for him, they discuss personal things, go out to dinner and even join another couple for a social evening out together.  There is also Amy (played quite well by the talented Amy Adams) who is a friend and neighbor going through her own domestic issues and has a whirl with her own new operating system. The film is set in a beautiful future Los Angeles. However, what makes this movie a success is that it is much  more than a story about a funny gimmick or an advanced Siri. It is  a depiction of  how lonely a person can be, despite having interactions with lots of people. It also is an examination of what love is and how it can slip away when you think you have it. This is tackling some big issues and you have to be willing to accept the daunting premise of the film, which is a difficult thing to do. But if you do, you will have quite an experience. (2014)

* * *
Two Lovers – rm – Joaquin Phoenix channels an early Marlon Brando. Phoenix as he plays a nice but somewhat troubled Jewish young man. Gwenyth Paltrow is the one of his lovers, blond, beautiful and somewhat flakey as compared to his other girlfriend who is lovely and Jewish, just what his family wants for him. His mother is played by none other than Isabella Rossellini. The setting is Sheepshead Bay, Brooklyn and includes scenes on the NYC subway and Manhattan in the evening. Beautiful photography, excellent acting, but a really bad script and a stereotyped predictable storyline. There were only two other people in the movie theatre when we saw this picture. Phoenix has said that this is his last picture and unless you want to see him or like the familiar plot mentioned above, you can probably pass on this one.