Spotlight
Spotlight-rm
Almost 40 years ago a film about investigative reporters who exposed the Watergate break-in and brought down the Nixon presidency was nominated for eight Academy Awards including best picture. That was All the President’s Men. Jason Robards, Jr. won for best supporting actor. Now today we have Spotlight, a terrific film about an investigative reporter team of the Boston Globe, who in 2002 dug into the hidden scandal of about 90 catholic priests who were molesting children. These horrific crimes were covered up and even when some of them were exposed, the priests were not prosecuted and would just be re-assigned to churches in other cities. The reporting team persisted in their work and even exposed the fact that Cardinal Law also knew about these activities and participated in the cover-up. This ultimately led to him being re-assigned to a posh position in a prominent church in Rome. This exposé rocked the Catholic Church and has implications that extend to the present time.
It will be very difficult to choose a best actor or supporting actor from these outstanding performances, since this was truly the work of an ensemble. The real life reporters, Mike Rezendes was played by Mark Ruffalo, Sacha Pfeiffer was played by Rachel McAdams, Matt Carroll was played by Brian d’Arcy and the Spotlight team team leader, Walter “Robby†Robinson was played by Michael Keaton. There also were great performances by Liev Schreiber as Marty Baron, the newly brought in overall senior editor of the Boston Globe who happened to be Jewish. John Slattery played Ben Bradlee, Jr. the long-time editor of the Boston Globe, who was a supervisor to the Spotlight Team. Interestingly, Ben Bradlee, Jr. is the son of the famed newspaper icon, Ben Bradlee who was the editor of the Washington Post during the Watergate scandal exposé. There were some other fine performances by familiar faces which included Stanley Tucci as one of the many lawyers in the film and Len Cariou (who plays the grandfather on Blue Bloods TV program) as Cardinal Law.
The director of this movie was Tom McCarthy who co-wrote the screenplay with Josh Singer. They made the decision not to collapse some of the characters in order to keep the team as the ensemble it was in real life. This may have somewhat diffused the potential drama of the movie. Early in the film, as each reporter went off on his and her own investigative aspects of the project, it was a little confusing as to who they were interviewing and why. This all came together as the two-hour and nine-minute film flew by with the tension mounting as the story progressed. We got the message that investigative reporting is hard, tedious work but when you see your subject in your “gun sight†and you realize you are dealing with a worthy subject, all the effort is worth it. The realism of the movie was also enhanced by some collaborative meetings by the actors with the real reporters. We understand that they held meetings with their respective characters and with some of them even watched how they performed in their workplace. The result is a movie that should not be missed or forgotten. (2015)