***

Café Society-rm

This movie is set in the 1930’s, which is more of the generation of Woody Allen’s parents than his own. Yet the film is in the voice of Allen who not only actually narrates the movie but also directed and produced it. The central character, Bob, played so well by Jesse Eisenberg, speaks and acts with Allen’s inflections and mannerisms.

The story opens in the Bronx (Allen’s hometown) and we see Bob is leaving to seek his fortune in Hollywood where his uncle Phil Stern (Steve Carell) is a successful movie agent for the stars and he hopes will give him a job. Stern is seemingly happily married for 25 years but he’s having an affair and falling in love with his very young secretary (Kristin Stewart) who no doubt is half his age (sounds familiar?). Complication of complications, young Bob meets Veronica and there is much chemistry between them.

As is typical for an Allen movie, there is an intriguing plot but also great character development. The action of the film shifts back and forth between Hollywood and New York and we get to know Bob’s family. We meet his mother, as you would expect, his father who is a failed jeweler, his sister and her husband who is a outspoken communist, as well as Bob’s brother who is a gangster who occasionally kills people.

Hollywood and New York of the 1930’s are vividly brought to life with clothes, cars, and people as real and true to life as they could be. The casting is wonderful (by Juliet Taylor as usual) and as would be expected, there is period music throughout the movie.

This may not be Allen’s best film but Allen aficionados will not be disappointed and everyone will be reminded about how wonderful and complicated it can be to fall in love. (2016)

***  

Clouds of Sils Maria-nf

This is one of those movies where the actors (in this case actresses) played characters who are actresses themselves preparing for a part. In this case real life gets interwoven with the role that they are going to play. It sounds interesting, especially if you are into inside show business stories. The actual story and presentation by screenwriter/director Olivier Assayas was well done but we felt he coped out in the end and left too much to our imagination.

The story line introduces us to Maria Enders (Juliette Binochea) a successful actress who 20 years previously had her first real breakout role in a production where she played an 18-year-old assistant to a big time actress. There was a complicated interaction in the story between the two women which included a sexual affair. The older woman ultimately felt devalued and committed suicide. Now 20 years Maria Enders the actress who played the younger woman is now a successful veteran actress who has her own personal assistant (Kristin Stewart). She is asked by a director to star once again in the same production but this time to play the role of the older woman. She ruminates about this and ultimately meets the woman scheduled to be her younger co-star at this time (Chloe Grace Moretz).

The key here is the inner workings of the mind and emotions of the older Maria Enders’ character. We get a window into them as she rehearses and runs lines with her personal assistant. Reality meets fiction in a subtle gradual manner. We are caught up as we watch the metamorphosis develop. The setting for most of this film is outdoors in Switzerland where the esteemed author of the play that is to be performed was supposed to have lived. The Clouds of Sils Maria are in reality a snake-like intrusion of a low-lying cloud formation that slips between the mountains on a regular basis writhing like a snake, which is the name of the play that the actors and actresses are scheduled to perform. Perhaps it is also a metaphor for being slowly overwhelmed. The acting in this movie is excellent with each character being quite believable and you can try to imagine how things work out in the end. (2014)

***

Still Alice- rm We were moved to see film because of all the pre Academy Award hype about the performance of Julianne Moore. After seeing this film we agree that she did a tremendous job playing a college professor who has Early Onset Alzheimer’s Disease and probably deserves an Oscar. The overall movie disappointed us. Alice Howland ( Ms. Moore) is happily married with three grown children, is a renowned linguistics professor who is forgetting words and having memory lapses. She receives a diagnosis of this relatively rare disease which inevitably has a fairly rapid downhill course. Ms. Moore’s performance is nuanced and her struggle is very painful and easy to empathize with. Her facial expressions convey what we imagine are her internal feelings. Her eyes portray her fear and then the diminished attention and intellectual ability. It is a remarkable performance. It is helped by her gradual change in makeup and hair appearance. The screenplay which was written by director Richard Glatzer is based on novel by Lisa Genova, was focused almost completely on Alice despite having an excellent cast and potential story lines that could have made this in our opinion a much better movie. We learn in this film that this is an inherited disease and once you have the gene you will inevitably get the disease. It is possible to do genetic testing and that is offered to her three children played by Kristin Stewart, Shane McRae and Hunter Parrish. One daughter declined to be tested, one son tested negative and a third daughter who was trying to become pregnant tested positive. We are not shown anything about their struggle and their decision process, which is one of the major areas of ethical discussions in the world of modern genetics. Her husband is played by Alec Baldwin, who in our opinion turns in an uncharacteristically bland performance. Perhaps again it is the choice of the screenwriter/director to keep the main focus on Ms. Moore. This may be why we don’t see the internal struggle of the husband and his remarkable decision in what would seem to be the final phase of his wife’s illness, to decide to take a job out of town. It could have been a tour de force if we could more fully appreciate what this family was going through as well as the devastation conveyed so well by Ms. Moore. (2015)